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01-18-2006, 03:19 PM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | |
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Okay, now I'm really confused... Have we come to a general consensus, or are you all as confused as I am? (cause we have three different definitions now people! Count 'em! Three!  )
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-Bernard.
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01-18-2006, 05:15 PM
| | Registered User | | Join Date: Oct 2005 Location: Mexico City | | 2/2, 2/4, 6/8, and 12/8 are pretty common in western music as well. Just wanted to throw more confusion in there
Also, downbeat is not necesarily always a strong beat. Beats 2 and 4 are commonly accentuated in jazz and blues.
Bottom line, just learn to count and go from there. 
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When I was a lad I was a little bit shy. Something came along and caught my eye. When I heard the jazz band strike up, I swear I had my mind made up. Boy, gotta do that thing!
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01-18-2006, 09:45 PM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | | | ToR-Tu-Ra: Yes, I've come across all of those but 2/2. tim99: So once you know what the strong beats are, you (as a rule of thumb) use chord tones on the strong beats, and scale tones on the weak?
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-Bernard.
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01-19-2006, 09:29 PM
| | Registered User | | Join Date: Oct 2005 Location: Mexico City | | Quote: |
Originally Posted by Bushfire ToR-Tu-Ra: Yes, I've come across all of those but 2/2. |
Yes, "latin" (rumba, guaguanco, son, bossa, samba, etc) is mostly written in 2/2.
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When I was a lad I was a little bit shy. Something came along and caught my eye. When I heard the jazz band strike up, I swear I had my mind made up. Boy, gotta do that thing!
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01-22-2006, 06:10 PM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | | | One more question: In the 1st cello suite, in the first section after the prelude, my copy denotes the time sig as a C with a vertical line crossing through it. Now correct me if I'm wrong, but does this not mean 2/4? Cause the whole section seems to me to be written in 4/4 still (theres 4 beats to a bar, every bar) so I'm am confused...
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-Bernard.
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01-23-2006, 05:09 AM
| | Registered User | | Join Date: Feb 2002 Location: UK | | | That means 'cut time', it's essentially 2/2. The same space of time passes per bar, but the music is felt in two minim beats per bar rather than four crochets | 
01-23-2006, 08:17 AM
| | Registered User | | Join Date: Feb 2005 Location: The black hole of Cygnus X-1 | | Quote: |
Originally Posted by Bushfire Yeah, I guess scales are born of music, not the other way round huh? | +1
Nicely put | 
01-23-2006, 07:05 PM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | | Quote: |
Originally Posted by Howard K That means 'cut time', it's essentially 2/2. The same space of time passes per bar, but the music is felt in two minim beats per bar rather than four crochets | So what does this mean when I play it?
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-Bernard.
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01-23-2006, 08:33 PM
| | Registered User | | Join Date: Oct 2005 Location: Mexico City | | | That means you give it a "two" feeling instead of a "four" feeling.
In a "simple" 4/4 you count: One, two, three, four
In 2/2 you count: One, two
The two in 2/2 falls on the 3 in 4/4 if you were counting it in four.
Listen carefully to some latin stuff, the bell usually plays minims, so that would be your beat. Two instead of four.
__________________
When I was a lad I was a little bit shy. Something came along and caught my eye. When I heard the jazz band strike up, I swear I had my mind made up. Boy, gotta do that thing!
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01-23-2006, 10:43 PM
| | Registered User | | Join Date: Oct 2004 Location: Auckland, New Zealand | | | I get the beat, but doesn't the note length in the score stay the same? Is he just notating the feel he gave the piece?
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-Bernard.
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01-24-2006, 02:36 AM
| | zzzzzzzzzzzzzzz | | Join Date: Apr 2004 Location: Scotland | | Quote: |
Originally Posted by Bushfire Is he just notating the feel he gave the piece? | Pretty much, yes.
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