|  | | 
08-26-2009, 01:09 PM
|  | Sonic Experimentation Gone Mild to Non-Existent Endorsing Artist: Cave Passive Pedals | | Join Date: Sep 2008 Location: Ohio | | | Nashville Number System So...anyone here use the Nashville Numbering System when playing? | 
08-26-2009, 01:15 PM
| | Registered User | | Join Date: Aug 2004 Location: Huntsville, Alabama | | | Never formally used it, but have had people state song structure that way.
For example, Blues gig is 1-4-5 all night. Going with numbers you can do the pattern in any key to accomodate whoever you are backing.
__________________
"Tellin' you all the Zombie truth, here I'm is ....."
Usually five string with or without frets.
| 
08-26-2009, 01:21 PM
|  | Sonic Experimentation Gone Mild to Non-Existent Endorsing Artist: Cave Passive Pedals | | Join Date: Sep 2008 Location: Ohio | | | I have some biker buddies that play and they know the nashville number system. They were throwing numbers around when they were recently up my way and I couldn't follow, until someone else started spouting off the letters, instead.
Now I am getting what they were doing. | 
08-26-2009, 01:25 PM
|  | Registered User | | Join Date: Sep 2006 Location: Burbank, CA | | | Yup...I started playing with a blues band a few months ago that has some heavy hitters in it, including one guy who was voted "country guitarist of the year" at one point in his career, and these guys use strictly that system.
Really threw me at first because I have a mostly rock background, so when they started throwing changes at me mid-song, like "there's a 2-5 intro to the 4!" the change had come and gone before I figured out what chords they were talking about!
I had learned this a long time ago, but I had to do some homework to get comfortable with it again. These guys fly by the seat of the pants a lot so you can't be working it out in your head while playing, you have to know where it is under your fingers.
Works great once you have it though, doesn't matter what key you're in so transposing for singers is a snap. | 
08-26-2009, 01:32 PM
|  | Registered User | | Join Date: Sep 2008 Location: Los Angeles | | | I've used it my whole life, never knew it was called that though lol thats sad cuz i'm in school for jazz too haha
__________________
2008 Fender Vic Bailey V, Moog Little Phatty, 2011 Am Dlx Jazz, circa 1900 German upright w/ C extention, and Markbass Amps and cabs
| 
08-26-2009, 01:33 PM
|  | Sonic Experimentation Gone Mild to Non-Existent Endorsing Artist: Cave Passive Pedals | | Join Date: Sep 2008 Location: Ohio | | | From what I am reading, the system has migrated to pretty much every area of music. | 
08-26-2009, 01:38 PM
| | Registered User | | Join Date: Sep 2008 Location: Indianapolis | | | I use it a lot in all kinds of music. It's a lot easier to hold up the correct number of fingers than try to read someone's lips across a stage. | 
08-26-2009, 01:40 PM
| | Registered User | | Join Date: Jan 2005 Location: Eastman, GA | | | Yep, works pretty good.
It's nice to have at least some knowledge of the system.
__________________
P Bass, Jazz, Thunderfunk TFB750-A & 550B, Aggie 3xGS112, Thunderfunk Club #35
| 
08-26-2009, 01:43 PM
|  | Registered User | | Join Date: Sep 2006 Location: Burbank, CA | | Quote:
Originally Posted by caeman From what I am reading, the system has migrated to pretty much every area of music. | Yup...2 of the guys in my blues outfit also play in jazz groups, and the country git player still plays country sessions...they all use it.
It gives the players a common language to communicate song structure and simplifies things, but it's worth noting that it doesn't just refer to the scale degrees...to use it correctly you have to understand the connection to diatonic harmony so you have the major/minor intervals right.
Then it becomes REALLY useful for a bassist because you know how to outline each chord in the progression and bring different colors to the bass line. I'm studying theory with a jazz guitarist at the moment, and that is one of the coolest things he's opened up for me. | 
08-26-2009, 01:49 PM
| | | | I started using it about 20 years ago. I prefer the NNS to chord charts, lyric sheets etc. I can look at 1145 / 6644 / 4455 / 1145 and remember it through the entire verse, and then see 1145 / 1145 / 1145 / 1451 and get through the chorus without having to stare at my charts the whole time I am playing an unfamiliar tune. Plus as stated earlier, key changes are a no-brainer, especially on a five string.
Mark
__________________
The Older I Get,
The Less I Knew
| 
08-26-2009, 01:50 PM
|  | Supporting Member | | Join Date: Feb 2008 Location: Los Angeles | | Here's a book on the NNS: Nashville Number System | 
08-26-2009, 01:51 PM
| | | | +1
__________________
I'm a Bass Frequency Stimulator Device Facilitator--SteveC
| 
08-26-2009, 02:44 PM
| | Registered User | | Join Date: Nov 2007 Location: Florida | | Quote:
Originally Posted by Stumbo | Yep, this audio/visual sample is great: http://nashvillenumbersystem.com/SOP.html
__________________ Quote: |
Originally Posted by referring to the bassist from King Diamond He is 100 times the musician that Jerko was | | 
08-26-2009, 02:49 PM
| | Registered User | | Join Date: Apr 2007 Location: Nashville | | | Yes I do (see location). | 
08-26-2009, 06:21 PM
|  | Sonic Experimentation Gone Mild to Non-Existent Endorsing Artist: Cave Passive Pedals | | Join Date: Sep 2008 Location: Ohio | | | I have a feeling this is the system one my church's band member is using. He is starting a project where by he is going to provide the music to the band in any key they want. At first, I thought maybe he just really good as transposing, but now, I think he has converting all of our music to NNS and then from there, everything else is just rote.
I am fairly certain that of all the members of the synagogue band, he is the only one would know NNS. | 
08-28-2009, 08:51 AM
|  | Registered User | | Join Date: Jan 2007 Location: Cincinnati/Dayton, Ohio | | It's a great system. Very handy when someone wants to change a key. Learn it, live it... 
__________________ Lakland/Aguilar/Baer | 
08-28-2009, 08:57 AM
| | Registered User | | Join Date: Jun 2005 Location: Nashville | | Quote:
Originally Posted by Calebmundy Yes I do (see location). | ditto - lots
btw the Chas Williams book is great
__________________
Praise & Worship #505, Sansamp VT Bass Owner's Club #39, U.S. Peavey Club Member #160
| 
08-28-2009, 09:02 AM
|  | Sonic Experimentation Gone Mild to Non-Existent Endorsing Artist: Cave Passive Pedals | | Join Date: Sep 2008 Location: Ohio | | | Okay, something else now added to the list of things to learn, then. | 
08-28-2009, 09:16 AM
| | Registered User | | Join Date: Aug 2004 Location: Huntsville, Alabama | | | So much easier to adjust to vocalists when you are all not sure which key it's going to work best in. I think I would rather have a NNS chart than chord sheet.
How does that system deal with usual whatever chord with something else in the bass? Is it number over number which would make sense?
__________________
"Tellin' you all the Zombie truth, here I'm is ....."
Usually five string with or without frets.
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |