|  | 
03-25-2009, 08:09 AM
| | | | Nashville Numbers
Sign in to disble this ad
I recently learned a new way to communicate music in a little more user friendly manner. Its called the nashville number system. It works like this. We use chord tones as bass players a lot and its a real pain in the ass to remember what the 3rd and 5th of each chord is. However the interval between all the chord tones is the same no matter what key/chord your playing in. So rather then think of it as specific notes you would think of it has the chord positions.
A major chord would be written down like this
1357
Minor
1b357
and so forth. Basically by adding flats and sharps to the specific chord tones you can construct any chord you want in any key as long as you remember the the intervals.
How many other people use this language when they play? | 
03-25-2009, 08:22 AM
| | Registered User | | Join Date: Jul 2001 Location: Michigan | | | that's 1337
__________________
Avatar Club Member#162--Fender Jazz Bass Club#356 --Pick Bassist Club#20--Yorkville/Traynor Club#92 | 
03-25-2009, 08:32 AM
|  | Registered User | | Join Date: Mar 2008 Location: Central Illinois, USA | | | Um, the Nashville Number System is about the scale degree of the roots, not the individual notes of the chords. So, if the progression is:
||:C | F | G7 |G7 :|| ||Am Am/G F Dmin| G | C|
The nmber chart would be ||: 1 |4 | 5 | 5 :|| || 6 6/5 4 2 | 5 | 1|. There are a lot more details to show some inflections, how to notate speciif common patterns, etc. David Hungate used to publish some of the Nashville charts in his old Bass Player Magazine column, as well as doing a series of columns on the actual system. I think an old Miller Freeman book abous session players also had some details of it.
What the OP is showing is just basic harmony, and how I learned all my chords-
Major is 1 3 5
Minor is 1 b3 5
Dom 7 is 1 3 5 b7
Maj 7 is 1 3 5 7
Min 7 is 1 b3 5 b7
Dim is 1 b3 bb5 b7
Aug is 1 3 #5
9th is 1 3 5 b7 9 (2)
etc. etc.
jte
__________________
JTE Spelling, grammar, and punctuation do matter, despite the threats of death by grease fire!
"Without space, music is just noise piling up on itself." TRK
Lakland Owners' Club # 248
| 
03-25-2009, 08:44 AM
|  | Registered User | | Join Date: Nov 2008 Location: Minnesota - Twin Cities | | | Interval training is how I learned from the old blues guys when I was about 13... made sight reading and riff memorization futile.
I still convert charts to this.
Many Jazz guys do this .. they do a combination of the basic chord and the interval
There is a good ipod podcast on this topic.
__________________
-------------
------------- (o)\ ! /(o)
-------------
Minnesota Classic VW Collector & Peavey USA Custom Shop Freak
Peavey USA Club Member # 122 (X40) Bassists who drive a VW club #? (x20+)
| 
03-25-2009, 09:00 AM
| | Registered User Endorsing Artist: Harkte Amps | | Join Date: Jan 2005 Location: Nashville, TN | | Quote:
Originally Posted by fender_funk_man I recently learned a new way to communicate music in a little more user friendly manner. Its called the nashville number system. It works like this. We use chord tones as bass players a lot and its a real pain in the ass to remember what the 3rd and 5th of each chord is. However the interval between all the chord tones is the same no matter what key/chord your playing in. So rather then think of it as specific notes you would think of it has the chord positions.
A major chord would be written down like this
1357
Minor
1b357
and so forth. Basically by adding flats and sharps to the specific chord tones you can construct any chord you want in any key as long as you remember the the intervals.
How many other people use this language when they play? |
ya, that's not nashville number system. | 
03-25-2009, 01:03 PM
| | Registered User | | Join Date: Feb 2008 Location: Philadelphia PA suburb | | | I got to the same place a slightly different route. My first 'formal' training was a Mel Bay book I believe was called "Movable Scales for Electric Bass." Basically (bass-ically) it approached all major and minor scales, as well chord shapes, as just that - shapes and patterns on the fretboard.
So everything was intervals. And everything I played was abstracted into a sort of algebraic formula w/o worrying my little head about actual note names.
It was a great starting place, and after learning the fingerboard front & back, going through different instructors, learning to read getting some theory under the belt, it's still pretty much how I play live.
__________________
If you don't learn something new each day, you're sleepwalking through life.
~ P-Bass Club #239 ~
| 
03-25-2009, 01:18 PM
| | Registered User | | Join Date: Feb 2008 Location: Los Angeles | | | | 
03-25-2009, 02:06 PM
| | Registered User | | Join Date: Jan 2008 Location: Toronto | | Quote:
Originally Posted by fender_funk_man its a real pain in the ass to remember what the 3rd and 5th of each chord is | Riiiiight | 
03-25-2009, 03:01 PM
|  | I love the gear, but really, it's my name | | Join Date: Mar 2008 Location: San Jose CA | | Not to do the hard work here, but: http://nashvillenumbersystem.com/
I bought this book, and it is as good a reference to the system as one might need.
I use Nashville numbering for all my charts, no matter the genre. | 
03-25-2009, 03:03 PM
|  | Registered User Endorsing Artist:D'Addario Strings & Planet Waves Accessories | | Join Date: Nov 2006 Location: nashville, tn | | Quote:
Originally Posted by fender_funk_man I recently learned a new way to communicate music in a little more user friendly manner. Its called the nashville number system. It works like this. We use chord tones as bass players a lot and its a real pain in the ass to remember what the 3rd and 5th of each chord is. However the interval between all the chord tones is the same no matter what key/chord your playing in. So rather then think of it as specific notes you would think of it has the chord positions.
A major chord would be written down like this
1357
Minor
1b357
and so forth. Basically by adding flats and sharps to the specific chord tones you can construct any chord you want in any key as long as you remember the the intervals.
How many other people use this language when they play? | That's not the Nashville Numbers System at all! | 
03-25-2009, 03:48 PM
|  | Registered User | | Join Date: Sep 2003 Location: Roseville, CA | | Quote:
Originally Posted by Mesa Not to do the hard work here, but: http://nashvillenumbersystem.com/
I bought this book, and it is as good a reference to the system as one might need.
I use Nashville numbering for all my charts, no matter the genre. | I just got this book today, will be reading it tonight. | 
03-25-2009, 05:44 PM
|  | I love the gear, but really, it's my name | | Join Date: Mar 2008 Location: San Jose CA | | Quote:
Originally Posted by H2ODog I just got this book today, will be reading it tonight. | I hope you enjoy it. There are some basic rules to the system, but there are also many interpretations. This book does a great job of showing you examples of what you can use (or might see written) for certain musical situations.
It was pretty easy to read and well-written. I haven't put the CD to use yet.
Steve | 
03-25-2009, 07:44 PM
| | Registered User | | Join Date: Jan 2005 Location: Eastman, GA | | | Good book Quote:
Originally Posted by Mesa Not to do the hard work here, but: http://nashvillenumbersystem.com/
I bought this book, and it is as good a reference to the system as one might need.
I use Nashville numbering for all my charts, no matter the genre. | I have this book, only it is the fifth edition, slightly older. Great book with a lot of good info.
Picked it up at ET's Record Shop. 
__________________
P Bass, Jazz, Thunderfunk TFB750-A & 550B, Aggie 3xGS112, Thunderfunk Club #35
| 
03-26-2009, 01:56 PM
|  | Registered User | | Join Date: Oct 2007 Location: Vortex of sin and degradation | | Quote:
Originally Posted by JTE Dim is 1 b3 bb5 b7 | Wouldn't it be:
Dim is 1 b3 b5
Dim 7 is 1 b3 b5 bb7 | 
03-26-2009, 02:03 PM
|  | Nashville Native Endorsing Artist: Spector Basses | | Join Date: Aug 2001 Location: Nashville, TN USA | | | I'd say diamonds and dots above the numbers are the most common symbols I've seen.
Diamond is a hold. I've seen dots used to describe the rhythm of a line.
I think the Number system is great for sub gigs and learning on the spot, but it's easy to let it be a substitute for learning real notation.
__________________
Spector Club #181
| 
03-26-2009, 08:03 PM
|  | Registered User | | Join Date: Mar 2008 Location: Central Illinois, USA | | Quote:
Originally Posted by warnergt Wouldn't it be:
Dim is 1 b3 b5
Dim 7 is 1 b3 b5 bb7 | Well, if I was correct it would have been...
You're right- I should proofread my posts better...
jte
__________________
JTE Spelling, grammar, and punctuation do matter, despite the threats of death by grease fire!
"Without space, music is just noise piling up on itself." TRK
Lakland Owners' Club # 248
| 
03-28-2009, 04:28 AM
| | | | The number system is not exclusive to Nashville. I have always been taught to think of chords as numbers in relation to the key. From jazz to classical music, it seems to be the standard.
__________________
"The best teachers are those who remember what it is like to be the student."
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |