Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > General Instruction [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read

General Instruction [BG] General questions regarding bass playing, theory, and bass lessons.


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 06-23-2011, 09:07 PM
streetknight's Avatar
Registered User
 
Join Date: May 2011
Supporting Member
Need 12 bar blues bass line help please..

Sign in to disble this ad
I'm a noob first off lol.

I've been messing around with a I-IV-V 12 bar blues and I feel comfortable until I get to the Turn around.

I've been playing the R-5-7-octave-7-5 for each bar, but it of course doesn't sound right on the turn around and staying just on the E note doesn't sound right either.

Any ideas?

I know it's hard without hearing what I'm doing, I'm working on a way to make some sound clips.
__________________
"If you can't believe in yourself, then you ain't got **** to believe in!" - Dug Pinnick---- Fender Jazz Bass #675 Yamaha #304
  #2  
Old 06-23-2011, 09:12 PM
Registered User
 
Join Date: Jul 2010
So basically, your just playing the arpeggios? That's a good place to start. As far as the turnaround, usually you'll see something along the lines of vi-ii-V-I, often with 2 chords per bar. I usually hit the root of each one of those chords and go from there. I'm sure someone more knowledgeable than me can chime in soon.
So basically what your doing might not be working because te chords are different.
__________________
Modulus #68|fretless #593|GK #770|Warmoth #48|Spector #234
Quote:
Originally Posted by metron View Post
Smoking bath salts?! Whatever happened to huffing paint? Kids these days.
  #3  
Old 06-23-2011, 09:15 PM
MalcolmAmos's Avatar
Registered User
 
Join Date: Jul 2009
Location: Deep East Texas Piney Woods
Supporting Member
Quote:
Originally Posted by streetknight View Post
I'm a noob first off lol.

I've been messing around with a I-IV-V 12 bar blues and I feel comfortable until I get to the Turn around.

I've been playing the R-5-7-octave-7-5 for each bar, but it of course doesn't sound right on the turn around and staying just on the E note doesn't sound right either.

Any ideas?

I know it's hard without hearing what I'm doing, I'm working on a way to make some sound clips.
Try a secondary dominant for the lead to the tonic chord.

On the B7 chord R-3-5-b7 would be a chord tone choice which would be the B-D#-F#-A notes. Change the A to the 5th of E which is a B and this will give you a V-I pull to the E tonic chord.

See how you like that.

Last edited by MalcolmAmos : 06-23-2011 at 09:22 PM.
  #4  
Old 06-23-2011, 09:15 PM
Ric5's Avatar
Real Basses Have 5 Strings!
 
Join Date: Jan 2008
Location: Colorado
Supporting Member
Play 1-3-5-6-5-3 for the main part.

For the turn around play 1-3b-4-3b-1-7-5.
__________________
Clubs - 5 String, Black and Maple, Rickenbacker
Jeff Rath's web site http://www.3dentourage.com/425
  #5  
Old 06-23-2011, 09:21 PM
engedi1's Avatar
Registered User
 
Join Date: Sep 2005
Location: Nashville, TN
Supporting Member
If you want some great ideas on blues bass lines, I would suggest really listening to (transcribing) some Tommy Shannon bass lines (Stevie Ray Vaughn's bass player. I would suggest starting with Pride and Joy. A masterful example of how to play a repetitive song with variety and groove. Also he does cool turnarounds each time. Check it out. Transcribing is the best and fastest way to grow!
  #6  
Old 06-23-2011, 09:31 PM
Registered User
 
Join Date: Feb 2011
Quote:
Originally Posted by engedi1 View Post
If you want some great ideas on blues bass lines, I would suggest really listening to (transcribing) some Tommy Shannon bass lines (Stevie Ray Vaughn's bass player. I would suggest starting with Pride and Joy. A masterful example of how to play a repetitive song with variety and groove. Also he does cool turnarounds each time. Check it out. Transcribing is the best and fastest way to grow!
Excellent choice.

I love his grass roots playing. He is so cool,

Tabdog
__________________
Westone Electra Club #8
  #7  
Old 06-23-2011, 09:39 PM
streetknight's Avatar
Registered User
 
Join Date: May 2011
Supporting Member
Thanks everyone. I'll give these ideas a try. I'm sure all these ideas are not key specific. I failed to mention I'm playing in the key of A. I have a bunch of chord progressions on acoustic guitar all in the key of A and each a different MODE on my looper pedal to practice over.
__________________
"If you can't believe in yourself, then you ain't got **** to believe in!" - Dug Pinnick---- Fender Jazz Bass #675 Yamaha #304
  #8  
Old 06-24-2011, 08:20 AM
Registered User
 
Join Date: Mar 2011
Location: Cayce, SC
Your pattern has six notes. Here's a better blues line (2 notes for every beat, all 7s are b7):

/ / / /
1 1 8 8 7 7 5 5

Do that for every chord. Then, for the last measure do this:

/ / / /
1 4 #4 5______

That last bar comes back to the I-chord, but does the turn-around immediately (let the 5ring through the last two beats). Instead of starting on 4, you could let it be 3 4 5 as well.

EDIT: sorry, but the reply thingy didn't put the beat lines where I typed them. Dang it, never mind.
__________________
2001 American Series Jazz Bass / 1987 Jazz Bass Special
Markbass Little Mark III / dual 151P cabs / 121H combo
  #9  
Old 06-24-2011, 03:42 PM
Registered User
 
Join Date: May 2007
Location: Catford, London
These might help a bit:

24 Bars of a simple I-IV-V in A: PDF Guitar Pro

12 Bars of a similarly simple I-IV-V with a bit more of a swing: PDF Guitar Pro

12 Bars of II-V-I for a bit of variation: PDF Guitar Pro

You'll find that you can mix 'n' match measures from all three & nail 'em together as you see fit. As time goes on, you'll develop a mental 'lick library' of your own - the more you've got to draw on, the less repetitive your lines will be.

Here's 4 1/2 minutes of near perfection - Oscar Peterson and Count Basie on multiple pianos & the sickeningly talented Niels-Henning Ørsted Pedersen on bass.

Slow Blues

NHØP's bassline is sublime in this, he scarcely repeats himself once. Transcribe that & you'll be all the better for it.

Pete.
__________________
Psalm 37:8 ...do not fret, it leads only to evil. Blues Bass Players Club # I-IV-II.
Aria Pro II SB-1000 FrankenFretless, SB-900, TSB-400, ZZB Custom.
  #10  
Old 06-24-2011, 08:19 PM
engedi1's Avatar
Registered User
 
Join Date: Sep 2005
Location: Nashville, TN
Supporting Member
Great link! I love Oscar Peterson, he is my favorite (although Hiromi is starting to catch him up!) I love the hugely satisfied smile on his face. If I were jamming at that level, with Basie, with NHOP on bass, I would be smiling too!
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 06:13 PM.




Copyright 2011 Talk Music Group Inc. All rights reserved.
Play guitar? Visit our new sister site TalkGuitar.com [beta]
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.