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Originally Posted by Titovonb24 I play mostly from tab, |
Stop. Tabs are a dead end. Now it is OK to take a peek and see how a specific riff is done, but, do not rely upon tabs for what you do all the time.
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....and I'm trying to write a lot of my own basslines as well. I just want something more complex than following the guitar or doing a root-fifth kinda thing...
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I'd recommend Building Walking Bass Lines by Ed Friedland for more complex lines and remember our job is the groove, sometime the groove
is just roots.
http://www.amazon.com/Building-Walki...der_0793542049 Quote:
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Another hard thing to do is write a decent bass line that I can play as I sing, instead of just supporting the chords.
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Who has the lead when you sing? Your voice. Everybody else is supposed to lay back and give your voice the lead.
Anything beyond roots or simple R-5's while you are singing will take away from your vocal.
http://www.youtube.com/watch?v=fX5USg8_1gA here is a video of Clapton - yes it's 6 string lead, but look what he is doing when he sings -- chords -- simple generic muscle memory auto pilot stuff. When he is not singing he does the single note stuff. A fancy bass line under what you are singing will take away from your vocal. Now what about when others have the lead, yep, you bass line should augment not compete with their efforts. There is a time for fancy bass lines and there is a time for basic bass lines.
I think what will help the most is; 1) break away from tab. 2) Play from fake chord sheet music and 3) get some basic chord tone bass lines into muscle memory, i.e. when you see or hear a Em7 chord you've got a bass line (R-b3-5-b7) in muscle memory to pull up. Now how much of that you use depends on what is needed for the groove. Those 4 notes will give you all you need. Perhaps it'll be R-b3-R-b3 or R-R-b3-b7 what ever
you think best. That's why I say pull away from tabs - play what you think best, it's a lot more fun.
Muscle memory stuff. See a chord name and automatically pull up your
generic bass line for that chord.
C = R-3-5-3 OK it's a C chord place your Root on a C - 4th string 8th fret or 3rd string 3rd fret - whatever - and where is your 3 yep up a string and back one fret, right where it is supposed to be. How about the 5? Right where it always is, up a string and over two frets.
Cm = R-b3-5-b3
C7 = R-3-5-b7
Cm7 = R-b3-5-b7
Cmaj7 = R-3-5-7
Cm7b5 = R-b3-b5-b7
Major pentatonic = R, 2, 3, 5, 6
Minor pentatonic = R, b3, 4, 5, b7
No need going beyond that right now you
won't have time in the measure for more complicated stuff than just your sevenths. You'll know when to start using the 9, 11 and 13. Look here and see if any of this will help.
http://www.talkbass.com/forum/showth...67#post9372867
See what you can do with this:
www.studybass.com http://www.smithfowler.org/music/Chord_Formulas.htm http://www.cyberfretbass.com/scales/basic/page2.php http://www.youtube.com/watch?v=bUK5pE5x_6A --- look on the right hand side of the screen. Help yourself.
http://www.youtube.com/watch?v=R4x0u...eature=related start out with roots and work your way to full chord tones. Two chords in the same measure - you've got two beats for each chord R-5 if it's major and R-b3 if it's minor is one way of doing it.
That should keep you busy and hopefully let you find something that will lead you to something "better".