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06-09-2008, 06:52 PM
| | | | play that funky music bass solo which scale to use?
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i basically said it in my title does anyone know what scale i should use for a bass solo in play that funky music it just goes e e e d e a b d e. | 
06-09-2008, 07:04 PM
| | Registered User | | Join Date: Sep 2007 Location: Melbourne, Australia. | | | You could use many ideas as this is basically a dominant chord jam.
As a start:
E Penatonic (Min and Maj)
E Blues
E mixolydian | 
06-10-2008, 07:48 AM
| | Registered User | | Join Date: Oct 2005 Location: Seattle | | | B Mixolydian. | 
06-10-2008, 08:13 AM
| | Registered User President, HittStreet.com; Endorsing Artist, Schroeder Cabinets | | Join Date: Jun 2004 Location: Missouri, USA | | Bah, scales. Use your ears  Chromatic movement is what funk is all about. Root, minor second, major second, minor third, major third, P4, tritone, P5, minor sixth, major sixth, minor seventh, and major seventh all work. Emphasize the root, minor/major third, P4, P5, major sixth, and minor seventh and play around from there.
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06-10-2008, 08:20 AM
| | Registered User | | Join Date: Jul 2006 Location: Plant City, Florida | | Quote:
Originally Posted by Dave Muscato Bah, scales. Use your ears  Chromatic movement is what funk is all about. Root, minor second, major second, minor third, major third, P4, tritone, P5, minor sixth, major sixth, minor seventh, and major seventh all work. Emphasize the root, minor/major third, P4, P5, major sixth, and minor seventh and play around from there. | Man... That's like looking at a beautiful woman as a collection of molecules. It hurts. | 
06-10-2008, 08:28 AM
| | Registered User President, HittStreet.com; Endorsing Artist, Schroeder Cabinets | | Join Date: Jun 2004 Location: Missouri, USA | | | Haha... interesting way to look at it. I don't think in scale degrees anymore - with practice, you just play what works and don't think too much about it. When soloing over a funk line like that, I tend to do a lot of slides and chromatic things anyway - I was basically saying that it doesn't matter what scale degrees you play; as they all work in the context of different licks.
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Ristola 6er/MTD Artist 5er/Ibanez 6er fretless/Line 6 Variax 5er
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06-10-2008, 08:45 AM
|  | Registered User | | Join Date: Apr 2005 Location: Babylon, NY | | Quote:
Originally Posted by Dave Muscato I was basically saying that it doesn't matter what scale degrees you play; as they all work in the context of different licks. | E Mixolidian is a good start, you can certainly use neighboring tones, chromatics etc but I would never say it doesn't matter what scale degrees you play.
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06-10-2008, 08:57 AM
| | gone to Longstanton Spice Museum | | Join Date: Feb 2003 Location: UK | | look... it's a cheezoid quazi-funk tune, so your solo ought not to take the whole thing even remotely seriously... E minor pentatonic all the way... any attempt to play more interesting notes than those will be giving the POS tune more respect than it deserves
if I had 16 bars on 'Play That Funky Music White Boy' i'd probably AVOID the temptation to do a monster 'slapstravaganza' or 32nd note frenzy, and just treat em to a nice simple bass & drums groove
or play the vocal melody.. that'd be unexpected 
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06-10-2008, 08:57 AM
| | Registered User President, HittStreet.com; Endorsing Artist, Schroeder Cabinets | | Join Date: Jun 2004 Location: Missouri, USA | | | Ah, agreed; I didn't mean that it doesn't matter, just that if you're going to ask which scale to use, I'd say chromatic because lots of great funk licks use neighboring tones, switch from major to minor, etc. IMO, the "funk" note is the major sixth, but E Mixolydian is a good place to start, indeed. Don't be afraid to move outside those notes, though. For funk soloing, I tend to gravitate toward the root, minor & major thirds, perfect fourth, perfect fifth, major sixth, and minor seventh. YMMV. Bending through the tritone (fourth to fifth) is also fun.
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"Mama" Dave Muscato
( www.MamaDave.com)
Ristola 6er/MTD Artist 5er/Ibanez 6er fretless/Line 6 Variax 5er
--> Line 6 POD XT Live
--> Markbass LMII/Crown K2
--> Schroeder 1210L/21012L My band | 
06-10-2008, 09:04 AM
| | Registered User | | Join Date: Aug 2005 Location: Fort Collins, Colorado | | Here's a simple thought process:
1) Start with E Minor Pentatonic. E, G, A, B, D, E. Get used to that first. Simplistic, but gets the job done. It's a good "white bread" scale.
2) Now try incorporating a few "chromatic approach" notes from below. In other words, play the scale again, but before each scale tone, play the note one fret behind it (1/2 step). Now you get E(-1), E, G(-1), G, A(-1), A, and so on - or if you're a note wonk, D#, E, F#, G, G#, A, A#, B, C#, D, D#, and E.
Notice that the sharp notes don't all stand on their own very well - they want to be "justified" by motion to a scale tone. But the F# and C# stand well for me - they turn the pentatonic scale into E Dorian, which is my favorite funk soloing mode (thanks, Stanley Clarke!).
Hope this helps. 
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06-10-2008, 09:19 AM
| | | | Use the E minor pentatonic, add the occasional b5 and the #7 and there you are. A major third may not hurt too, but it will sound really bad if you don't know when to use it. | 
06-10-2008, 09:33 AM
|  | My favorite songs were never heard on the radio | | Join Date: Sep 2006 Location: Tulsa, OK | | Quote:
Originally Posted by GianGian Use the E minor pentatonic, add the occasional b5 and the #7 and there you are. | +1 -- ya beat me to it. It's a funky dance song. Don't go all fancy-pants on it and you'll be fine.  | 
06-10-2008, 11:39 AM
|  | Registered User | | Join Date: Apr 2005 Location: Babylon, NY | | Quote:
Originally Posted by Dave Muscato Ah, agreed; I didn't mean that it doesn't matter, just that if you're going to ask which scale to use, I'd say chromatic because lots of great funk licks use neighboring tones, switch from major to minor, etc. IMO, the "funk" note is the major sixth, but E Mixolydian is a good place to start, indeed. Don't be afraid to move outside those notes, though. For funk soloing, I tend to gravitate toward the root, minor & major thirds, perfect fourth, perfect fifth, major sixth, and minor seventh. YMMV. Bending through the tritone (fourth to fifth) is also fun. | I figured you didn't mean play anything, glad you clarified. That would be really confusing to guy just learning his way around.
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06-10-2008, 01:17 PM
|  | Registered User | | Join Date: Mar 2004 Location: Pacifica, CA, USA | | Transcribe some Marcus Miller. That will give you everything you need.  | 
06-11-2008, 10:53 AM
|  | TalkBass' resident Bongo + Cowbell player | | Join Date: Nov 2000 Location: Bucaramanga, Colombia, South A | | Maybe this will give you some ideas. | 
06-11-2008, 12:37 PM
| | Registered User | | Join Date: Jul 2007 Location: Sochi, Russia | | Quote: |
Maybe this will give you some ideas.
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