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  #1  
Old 01-16-2013, 01:05 PM
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Practice session recording over Miles Davis Solar

mods please delete
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Last edited by henry2513 : 01-17-2013 at 02:16 PM. Reason: Taking down
  #2  
Old 01-16-2013, 02:36 PM
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i've enjoyed very much the second tune , "fretless improvisation" : nice sound , good technique , melodic improvisation

about solar , i hear sometimes some wrong notes , you should use the full range of the instrument ( from low notes to high notes ) , and play more with the rhythm ( pauses , triplets ect...) , but anyway the basic essentials are already there

Good luck and keep practicing

Alain
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Old 01-16-2013, 03:35 PM
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Quote:
Originally Posted by Araman View Post
i've enjoyed very much the second tune , "fretless improvisation" : nice sound , good technique , melodic improvisation

about solar , i hear sometimes some wrong notes , you should use the full range of the instrument ( from low notes to high notes ) , and play more with the rhythm ( pauses , triplets ect...) , but anyway the basic essentials are already there

Good luck and keep practicing

Alain
Thanks!

I have a bad habit of sticking to one area of the fretboard when I'm working on improvisation, partly because I confine my study of the fretboard to one area only so I need to learn how to break away from that when I'm working on improvisation over chord changes.
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Old 01-16-2013, 07:08 PM
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Scott Devine has a good lesson on getting around the fretboard with box shapes around the root..Gives ya like 12 notes to easily go to in a simple box pattern..Sorry...no link..Just check out Scott's site..

http://scottsbasslessons.com/
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Old 01-17-2013, 08:30 AM
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Quote:
Originally Posted by Already In Use View Post
Scott Devine has a good lesson on getting around the fretboard with box shapes around the root..Gives ya like 12 notes to easily go to in a simple box pattern..Sorry...no link..Just check out Scott's site..

http://scottsbasslessons.com/

Thanks, that's essentially what I do now I but I need to break the habit I've developed of sticking to just one area of the fretboard which come from studying that way. If you're familiar at all with Gary Willis' fingerboard harmony you'll know what I mean.
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