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02-25-2007, 04:31 PM
| | Registered User | | Join Date: Jun 2004 Location: Ireland | | | Quarter note triplets sound sample?
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I'm having a hard time getting my head around quarter note triplets. I think that if I could hear it being done I would get in on it much easier than trying to count it out in my head.
So does anyone have a sound sample of quarter note triplets playing against a 4/4 pulse. Metronomey sounding would be ideal. (beggars can't be choosers I know I know!)
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02-25-2007, 05:05 PM
|  | TalkBass' resident Bongo + Cowbell player | | Join Date: Nov 2000 Location: Bucaramanga, Colombia, South A | | Here they are. Played against a metronome at 100 bpm.
Hope this helps. | 
02-25-2007, 05:11 PM
| | Registered User | | Join Date: Jun 2004 Location: Ireland | | | Yeah thanks alvaro! Still difficult but it should help. At least now I can hear it instead of imagine it
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02-25-2007, 05:26 PM
|  | TalkBass' resident Bongo + Cowbell player | | Join Date: Nov 2000 Location: Bucaramanga, Colombia, South A | | Quote:
Originally Posted by theshadow2001 Still difficult | Think of a three-syllable word like "Cranberries" and say it repeatedly in a way that the three syllables have the same duration and encompass two beats saying them that way. A metronome is a big help, but notice that this is one of the things that the slower you try to do it, the harder it becomes. So don't set your metronome at a very slow speed.  | 
02-25-2007, 05:35 PM
| | Registered User | | Join Date: Jun 2004 Location: Ireland | | | What I do is sub divide into two sets of eight note triplets and say (da ka da) for set one and (ka da ka) for set two so that I way I know to play on the da's and leave a gap on the ka's (which seems to be easier the slower you do it believe it or not)
Are you suggesting not to subdivde and go for two triplet style words over an entire bar
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Last edited by theshadow2001 : 02-25-2007 at 05:39 PM.
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02-25-2007, 05:39 PM
| | Supporting Member | | Join Date: Oct 2005 Location: L.A. (the Valley) | | | just say it.. tri-pa-let
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02-25-2007, 07:11 PM
| | Registered User | | Join Date: Jul 2005 Location: Bay Area, California | | | What I do is split the 4/4 meter into cut time, and count accordingly, one-tri-ple two-tri-ple. The one starts on beat one, and the two starts on beat three. | 
02-25-2007, 09:45 PM
|  | TalkBass' resident Bongo + Cowbell player | | Join Date: Nov 2000 Location: Bucaramanga, Colombia, South A | | Quote:
Originally Posted by theshadow2001 What I do is sub divide into two sets of eight note triplets and say (da ka da) for set one and (ka da ka) for set two so that I way I know to play on the da's and leave a gap on the ka's (which seems to be easier the slower you do it believe it or not)
Are you suggesting not to subdivde and go for two triplet style words over an entire bar | Well, I never thought of your method and it's a "valid" one, of course, but yes, I've always used two triplet style words. | 
02-25-2007, 10:13 PM
| | Registered User | | Join Date: May 2001 Location: Ontario, Canada | | Quote:
Originally Posted by jumbosilverette just say it.. tri-pa-let | or
One Trip-let, Two Trip-let, Three Trip-let, Four Trip-let
That way you include the count, this is the usual RCM way
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02-26-2007, 02:27 PM
| | Registered User | | Join Date: Jul 2004 Location: Moorpark CA | | | I use " One-and-Uh Two-and-Uh Three-and-Uh Four-and-Uh" for triplets.
I use "One-and Two-and Three-and Four-and" for 8th notes.
I use "One-ee-and-uh Two-ee-and-uh Three-ee-and-uh Four-ee-and-uh" for 16th notes.
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03-01-2007, 01:47 PM
| | Registered User Endorsing Artist: John Doe Guitars | | Join Date: Jan 2005 Location: Rochester, NY | | | Think of it as playing every other eighth note triplet and/or write it out in finale. | | Thread Tools | Search this Thread | | | |
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