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11-05-2010, 11:11 PM
| | Registered User | | Join Date: Mar 2009 Location: Willoughby, Ohio | | | rock bassist needs to get funkier
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Please help, I've been playing almost all rock blues stuff, basically pentatonic/blues scale stuff. I decided that its time that I learn to play a little funkier but not sure where to start. What scale is the funky stuff done in? I'm looking more for beginner to funk ideas, places to start, some basic patterns I can build from type of stuff just so I can get a starting point.
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11-05-2010, 11:17 PM
| | Registered User | | Join Date: Jan 2010 Location: Maryland, USA | | | Learn some Verdine White's lines (EW&F).
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11-05-2010, 11:20 PM
|  | Supporting Member | | Join Date: Mar 2006 Location: Winnipeg, Manitoba Canada | | | learn to add space in the lines too, and perhaps muted notes. Funk doesn't have to be all crazy and such, just a nice groove. Space to lines adds alot to the sound, and work with the drummer more, pay close attention to his style in the songs. You can make anything funky.
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11-05-2010, 11:28 PM
| | Registered User | | Join Date: Mar 2009 Location: Willoughby, Ohio | | | ok, but I'm still curious, is most funk played using pentatonic scales or something else?
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11-06-2010, 12:07 AM
| | Registered User | | Join Date: Oct 2010 Location: Sacramento | | | Minor 7th, major 6th, octaves, minor 3rd. But I agree with posters above, it's more about the rhythm, and notes not played. | 
11-06-2010, 12:43 AM
| | Registered User Endorsing Artist: Ashdown Amps and Sandberg Basses. | | Join Date: Jun 2006 Location: South Africa | | | Try investigating chromatic approach notes. Those notes could be also considered part of the blues scale if you're using it but if you're comping on a dominant 7 for instance, go from the b7 to the octave using the maj7 as a chromatic passing note. I also like playing 9ths and descending to the tonic using the chromatic note between the two(a generic example would be a fill using r-5-9-b9-8).
Those are just two examples but a lot of principles of jazz walking can be used, the only difference is the groove. You can construct fills just by using chord tones and linking them chromatically.
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Last edited by Eminentbass : 11-06-2010 at 12:56 AM.
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11-06-2010, 01:04 AM
| | | | You won't find the funk in a scale, funk is about the feel.
Listen to lots of funk. One rhythmic tip is if you count out like one-ee-and-a-two-ee-and-a... etc, you can sometimes catch the funk on the "a" of 4, right before the one. If you hear a bass line and you plot out the rhythm you can usually tell why something is funky, but honestly if you want to play funky it's just a feel. develop the feel by listening to good funk.
of course some people couldn't funk their way out of a paper bag no matter what, but hopefully that's not you! | 
11-06-2010, 03:28 AM
| | Registered User | | Join Date: Nov 2006 Location: Ireland | | Quote:
Originally Posted by puddin tame You won't find the funk in a scale, funk is about the feel. | +1.
Check out some early "Crusaders" material on You Tube. Wilton Felder was/is a master of funk IMO.
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11-06-2010, 03:37 AM
|  | Registered User | | Join Date: Jun 2008 Location: Decatur, IL | | | Funk is definitely all about the feel (which everyone else has already said), but if you absolutely must have a scale, I'd say Dorian.
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11-06-2010, 06:29 AM
| | | Quote:
Originally Posted by Eminentbass Try investigating chromatic approach notes. Those notes could be also considered part of the blues scale if you're using it but if you're comping on a dominant 7 for instance, go from the b7 to the octave using the maj7 as a chromatic passing note. I also like playing 9ths and descending to the tonic using the chromatic note between the two(a generic example would be a fill using r-5-9-b9-8).
Those are just two examples but a lot of principles of jazz walking can be used, the only difference is the groove. You can construct fills just by using chord tones and linking them chromatically. | +1. | 
11-07-2010, 10:39 PM
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11-08-2010, 08:29 AM
| | Registered User | | Join Date: Mar 2009 Location: Willoughby, Ohio | | | Thanks everyone for all the links and help. The reason I was so hung up on "what scale is used" is because I just assumed like rock is based around pentatonic scales that funk must be based around a scale too. And as to whether or not I'll ever be able to funk my way out of a paper bag, I guess only time will tell!
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11-08-2010, 08:35 AM
|  | Registered User | | Join Date: Jul 2006 Location: Columbus, Ohio | | | My suggestion to you is you listen to A LOT of funk here in the next week. Don't listen to anything else. That way your mind and ear get acclimated to what's going on.
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11-08-2010, 08:38 AM
| | Registered User | | Join Date: Aug 2005 Location: Minneapolis | | | Don't assume that funk = slap.
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11-11-2010, 07:34 PM
|  | Registered User | | Join Date: Jun 2006 Location: Seattle | | | To me funk starts with James Jamerson. Even tho he's the motown /soul guy, his use of rhythm and chromaticism informed all who came after. And proof that it ain't about slapping. | 
11-11-2010, 07:47 PM
| | | | I started by listening to some Earth, Wind, & Fire. Look em up on youtube. RHCP is always good intro into funk. Also, Graham Central Station. Once you get used to it and catch on to the syncopation you'll catch on.
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11-11-2010, 07:54 PM
|  | My basses pay the bills that pay for more basses Unofficially Endorsing Genz Benz, Fender, Avatar TB-153 Cabs, Musicman | | Join Date: Apr 2008 Location: Scottsdale Az | | Holy Links Stumbo!!! Nice dude! As said above, ANY scale can be funky, it is about the feel man. Here is a killer excercise. Google 'monkey machine' and launch the monkey machine drum machine. It is really simple to program in a simple beat in 4/4 time. Now, pick 3 notes, E (on the A string) D (on the A string) and G (on the D string) work really well. Play along with the drum machine using only those 3 notes and force yourself to find new and rhythmically interesting combinations every 4 measures. Focus on cincopating with the snare on the 2 and 4. a more advanced approach is to approach the funk with these 3 notes on the 1, then 4 measures later from the 2, then the 3, and then the 4. When approaching from one of these downbeats, your approach can be to leave that one downbeat open (space) or to attack from that particular downbeat. I invented this technique and have seen it do wonders for some players. Give it a try...u just might dig it! Also, as said above, listen to and learn the funk. James Brown and Maceo practically invented the funk and the lines in those tunes are easy and can really help you to develop a feel for funk. James Brown and Maceo almost always approached from the 1. Now stop reading this, grab your bass, launch the Monkey Machine, and get to practicing!!  | 
11-11-2010, 08:08 PM
| | | | ^trying that. Diggin' that machine! | 
11-11-2010, 11:06 PM
|  | My basses pay the bills that pay for more basses Unofficially Endorsing Genz Benz, Fender, Avatar TB-153 Cabs, Musicman | | Join Date: Apr 2008 Location: Scottsdale Az | | | Martin89, let me know how that works out for ya dude! | 
11-12-2010, 12:56 AM
| | Registered User | | Join Date: Mar 2008 Location: Tifton,Georgia | | | Tried that program is it's not working for me for some reason. I click start and the window pops up but then nothing.
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