Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > General Instruction [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read

General Instruction [BG] General questions regarding bass playing, theory, and bass lessons.


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 08-30-2011, 02:59 AM
Registered User
 
Join Date: Aug 2011
should metronomes be used without accents?

Sign in to disble this ad
When using a metronome I heard its best to not use any accents to give you a better sense of time or something like that.... Is there any truth to that or should I accent???
  #2  
Old 08-30-2011, 03:05 AM
Registered User
 
Join Date: Jan 2009
Location: Netherlands
There's no "should's" but I would use one without accents. Just get that pulse going, the measure can easily be decided by you.
  #3  
Old 08-30-2011, 03:54 AM
Registered User
 
Join Date: Aug 2011
haha I guess should is the wrong word, I've been playing without an accent for months but I find when I'm reading music it just seems like another thing to worry about having to keep track of the 1.. know what I'm sayin??

Last edited by rancid_theclash : 08-30-2011 at 04:03 AM.
  #4  
Old 08-30-2011, 04:37 AM
Registered User
 
Join Date: Apr 2011
Quote:
Originally Posted by rancid_theclash View Post
When using a metronome I heard its best to not use any accents to give you a better sense of time or something like that.... Is there any truth to that or should I accent???
IMO the use of the accents serve 2 purposes:

1) It can help groove a little more when placed on 2&4 or somewhere else to imitate the backbeats of drumbeat.

2) It can help to dictate the first beat of a bar or a section. As an example you want to jam in 7/4 or any other time signature and you want to make sure with a accented downbeat that you didn't skip or add beat(s).

For me the accents keep you connected while you play with a time signature which is very important imo,
__________________
Check out my books GROOVE 101 and SLAP 101
GROOVE 101 just got nominated in the top sellers of the year at bassbooks.com
  #5  
Old 08-30-2011, 04:46 AM
Registered User
 
Join Date: Apr 2011
Quote:
Originally Posted by rancid_theclash View Post
haha I guess should is the wrong word, I've been playing without an accent for months but I find when I'm reading music it just seems like another thing to worry about having to keep track of the 1.. know what I'm sayin??
That is exactly what i was saying before. If you read music, you can do a better workout by respecting the flow of the music with a accented downbeat. So that way you'll know if you skipped or added a beat while playing which will teach you more if you did something wrong. It is a bit more difficult but it makes more sense. A band won't skip a beat for you because you did
__________________
Check out my books GROOVE 101 and SLAP 101
GROOVE 101 just got nominated in the top sellers of the year at bassbooks.com
  #6  
Old 08-30-2011, 04:48 AM
EscapeNote's Avatar
Registered User
 
Join Date: Jan 2011
Location: Santa Cruz
Supporting Member
No rules. Do it both ways.
  #7  
Old 08-30-2011, 05:02 AM
Registered User
 
Join Date: Aug 2011
Quote:
Originally Posted by Groove Master View Post
That is exactly what i was saying before. If you read music, you can do a better workout by respecting the flow of the music with a accented downbeat. So that way you'll know if you skipped or added a beat while playing which will teach you more if you did something wrong. It is a bit more difficult but it makes more sense. A band won't skip a beat for you because you did
lol so you think it would be a good Idea to have an accent only on the 1 when reading??? although not the easiest way but most benificial??? what would you consider the easiest way anyway?? lol
  #8  
Old 08-30-2011, 05:13 AM
EscapeNote's Avatar
Registered User
 
Join Date: Jan 2011
Location: Santa Cruz
Supporting Member
As someone else pointed out, if you're working in odd time sigs it can be especially helpful to have a downbeat accent.

Also try setting the metronome for backbeats only. So if you're playing in 4/4, have it clicking away on 2 and 4. It's a simple yet very effective technique for groove improvement.
  #9  
Old 08-30-2011, 05:31 AM
Registered User
 
Join Date: Dec 2008
Location: Montreal, Quebec
Send a message via MSN to Herbie 80's
Supporting Member
I did it with an accent at first, so that it would be easier to tell time. However, I started to use the accent as a crutch, so I stopped using it, and now I never use it.

Use it at first, and then when you want to challenge yourself, take it away. It'll greatly improve your time.
__________________
"What do you think happens after that note? Time stops? WHAT ARE YOU DOING?"
  #10  
Old 08-30-2011, 06:15 AM
Registered User
 
Join Date: Dec 1999
Location: NYC
I'm always in the "give yourself as little to lean on" corner. Having the accent on the downbeat means that YOU don't have to keep track of it, and keeping track of it, that's kind of the point.
Are you practicing reading or are you trying to learn a piece of music?
__________________
"It takes a pretty great drummer to be better than no drummer" -Chet Baker
BECAUSE AWESOME CAT IS AWESOME!!!!!
  #11  
Old 08-30-2011, 11:06 AM
Registered User
 
Join Date: Mar 2008
Location: Montreal, QC, Canada
I use the met in 0 time, no accents. It's tougher at first but gives better results. If a something is proving difficult, I might put the accent back in to help out.

Here something to do..

Pulse the metronome with no accent at a say 60bpm
then go through different meters, tempos and pulse positions, mentally placing the click in different ways.

ie. 4/4 : click on 1; on 1+3, on 3; on 2; on 4; on 2 and 4; on &2 and &4
in 3/4 on 1; on 2; on 3, on &of2
in 12/8 on the 'let' of tri-pl-let

The click doesn't change, but your mind puts in in different tempos, meters, and positions.

==

Using an accent can help in practicing reading. As long at the meter doesn't change in the score, an accent can help alert us to our time playing errors, when we notice the accent is somewhere it was not when we started, even though the pulse is clicking along fine.
  #12  
Old 08-30-2011, 11:13 AM
agreatheight's Avatar
Registered User
 
Join Date: Dec 2005
Location: Long Island, NY
Supporting Member
When practicing, I mix it up - no accents, accent on the 1, accent on the 1 & 3, accent on the 2 & 4, etc. I am also a big fan of practicing to sequenced drums.

When I am recording, I nearly always accent on the one to keep myself following structure, and listen to the accents of the drums themselves.
__________________
wicked sweet tight
  #13  
Old 08-30-2011, 12:40 PM
Registered User
 
Join Date: Apr 2011
Quote:
Originally Posted by rancid_theclash View Post
lol so you think it would be a good Idea to have an accent only on the 1 when reading??? although not the easiest way but most benificial??? what would you consider the easiest way anyway?? lol
I don't mean 1 click per bar but really an accent that indicates the beginning of each measure to teach where you're at in the music. Of course it might be tougher when you sight-read but you'll know if you are off or not.
__________________
Check out my books GROOVE 101 and SLAP 101
GROOVE 101 just got nominated in the top sellers of the year at bassbooks.com
  #14  
Old 08-30-2011, 01:06 PM
maxgrant's Avatar
Indentured Bandleader
 
Join Date: Nov 2007
Location: Sellersburg, IN
Send a message via Skype™ to maxgrant
Supporting Member
I often find my metronome difficult to understand when it speaks with a thick accent.
__________________
http://soundcloud.com/maxgrant/preview-belong
www.boojummusic.com
Rickenbacker Club # 135, Spector Club #37
  #15  
Old 08-30-2011, 02:34 PM
Registered User
 
Join Date: Oct 2006
Location: Bristol, England
Send a message via MSN to Mark Perry Send a message via Yahoo to Mark Perry
With and Without:

...accents
...metromone
...metronome on 2+4 etc. as already mentioned

And record yourself, and listen carefully. Correct mistakes, so on so forth... (imo)
__________________
Longhair club member #12
At BIMM Bristol studying the Pro. diploma in Bass.
  #16  
Old 08-30-2011, 04:41 PM
Guest
 
Join Date: Dec 2010
Quote:
Originally Posted by Ed Fuqua View Post
I'm always in the "give yourself as little to lean on" corner. Having the accent on the downbeat means that YOU don't have to keep track of it, and keeping track of it, that's kind of the point.
Very much agreed that keeping the distinction between a guide and a crutch very clear and in the moment is important to learning anything about time with a metronome.

But since 1 and 3 are the bassist's "money" notes in western popular music that's always seemed a logical place to start with click. Letting the click show you where the time is a valid concept. Using it every way imaginable though and with honest self evaluation pursuing the more difficult paths makes the most sense. Without know someone's particular weaknesses it's kinda hard to make a universally definitive recommendation about the "best way to practice with a metronome.
  #17  
Old 08-30-2011, 04:43 PM
mambo4's Avatar
Registered User
 
Join Date: Jun 2006
Location: Seattle
Supporting Member
My metronome won't do accents. I can see how it could be a crutch. Metronomes are for disciplined learning of accurate tempo. Drum machines (and maybe mets w/ accents) are for less restrictive playing along/around with.
  #18  
Old 08-31-2011, 05:37 AM
Registered User
 
Join Date: Apr 2011
Having the accents on the metronome on the one when reading for example is just like having the green light on the tuner saying that you are in-tune. I don't see any problem with that
__________________
Check out my books GROOVE 101 and SLAP 101
GROOVE 101 just got nominated in the top sellers of the year at bassbooks.com
  #19  
Old 08-31-2011, 06:17 AM
Registered User
 
Join Date: Dec 1999
Location: NYC
Quote:
Originally Posted by jeff arddun View Post
Very much agreed that keeping the distinction between a guide and a crutch very clear and in the moment is important to learning anything about time with a metronome.

But since 1 and 3 are the bassist's "money" notes in western popular music that's always seemed a logical place to start with click. Letting the click show you where the time is a valid concept. Using it every way imaginable though and with honest self evaluation pursuing the more difficult paths makes the most sense. Without know someone's particular weaknesses it's kinda hard to make a universally definitive recommendation about the "best way to practice with a metronome.
JEFF - I'm talking about the accent, not the click. Having the metronome make a specific sound on a particular beat that is different from its usual sound.
__________________
"It takes a pretty great drummer to be better than no drummer" -Chet Baker
BECAUSE AWESOME CAT IS AWESOME!!!!!
  #20  
Old 08-31-2011, 09:41 AM
Guest
 
Join Date: Dec 2010
Quote:
Originally Posted by Ed Fuqua View Post
JEFF - I'm talking about the accent, not the click. Having the metronome make a specific sound on a particular beat that is different from its usual sound.
Oh.....metronomes do that now?
<thinking>
Why the hell would you want to accent any beat? Doesn't setting the click to half or whole notes keep track of where 1 is? (not to mention giving you some essential breathing room)?
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 02:19 AM.




Copyright 2011 Talk Music Group Inc. All rights reserved.
Play guitar? Visit our new sister site TalkGuitar.com [beta]
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.