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  #1  
Old 10-04-2009, 02:06 PM
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Hey everyone


I need to suggest some theory books for some of my students. Specifically what I want is a book that teaches Chord Progressions and explains how and why chords are put together into sequences like 2-5-1, or 1-4-5.

Any suggestions?

TIA




Paul
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Old 10-04-2009, 03:28 PM
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"Writing Music for Hit Songs" is excellent. Clear, concise. Everything you need, nothing you don't. Probably the best written introduction to basic music theory out there.
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Old 10-04-2009, 05:46 PM
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Originally Posted by paul_wolfe View Post
Hey everyone


I need to suggest some theory books for some of my students. Specifically what I want is a book that teaches Chord Progressions and explains how and why chords are put together into sequences like 2-5-1, or 1-4-5.

Any suggestions?

TIA




Paul
the best book for that may be no book at all......discovering the relationships from the information you give them and working out the missing pieces,and asking questions when all else fails would be my method....
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Old 10-04-2009, 05:55 PM
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i got some books called "popular music theory" they are great books designed to teach music theory in a practical way-which means that people can easily play what they are being taught

this helps students to hear what is being written, but most importantly they aren't books that are written in a language only a rocket scientist can understand!

they are fun and easy to understand which makes learning ALOT easier.

i hope i helped a bit!
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Old 10-05-2009, 12:53 AM
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I really like "The Working Bassists Toolkit" by Ed Friedland. It has a great chapter on chord progressions, as well as reading charts and "Jazz Survival" IMO, there isn't a better bass education author than Friedland.
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Old 10-05-2009, 09:52 AM
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Thanks for all the advice - will get looking on Amazon tonight!
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Old 10-05-2009, 10:28 AM
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I highly recommend "Edly's Music Theory for Practical People". It's very much what I wish had been available when I was teaching full-time decades ago. I like it because:

A. It doesn't assume you play piano
B. It doesn't assume you know how to hear written standard notation
C. It doesn't require you to read standard notation, but makes the point that reading is one very powerful and useful part of understanding the language of music
D. It doesn't presume that western classical music is the only music that exists
E. It has wonderfully clear diagrams- so many of them are exactly what I wound up han-writign for my students back in the '80s.

Here's the link...http://www.edly.com/mtfpp.html
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