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01-04-2008, 12:54 PM
| | Registered User | | Join Date: Apr 2007 Location: Cornwall, UK. | | | There is no bassline in my head.
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The one thing (or the worst thing) i am having trouble with and have always had trouble with is making up my own basslines.
I hear other people just making stuff up on the spot who have been playing for the same time as me and i ask them how they did it and they just say 'i just played what i heard in my head'
If i pick up my bass and try to just play something i without thinking just play something i already know just somewhere else on the fretboard, or something that i have heard before.
How can i start writing proper basslines if i dont hear it in my head?
When i try to hear a bassline in my head i just hear something i've heard before or already know.
Please help me, i love playing bass but at the moment i can only play along to things and if i get into another band i'll need to be able to come up with good and i dont want to have to give up.
I practise loads in a day (in fact i have my bass on my lap now) but when i play i can only seem to play things i know. 
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I'm what you'd call a "Thread Killer"
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01-04-2008, 01:03 PM
| | | Try listening to completely new music. Stop listening to your old music choices, just go out and listen to brand new stuff. A lot of times I find myself reverting back to favorite riffs of mine, which is alright, but it gets boring sometimes (kinda like what you're describing). You gotta break your mold, get new music in your head, man.
If that doesn't work, get some drugs 
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Eden WT800a, Eden 210xst + Eden 118xl, Lakland 55-01
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01-04-2008, 01:05 PM
| | Registered User | | Join Date: Apr 2007 Location: Cornwall, UK. | | Quote:
Originally Posted by Blankmann44 Try listening to completely new music. Stop listening to your old music choices, just go out and listen to brand new stuff. A lot of times I find myself reverting back to favorite riffs of mine, which is alright, but it gets boring sometimes (kinda like what you're describing). You gotta break your mold, get new music in your head, man.
If that doesn't work, get some drugs  | But i want to make my own basslines.
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I'm what you'd call a "Thread Killer"
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01-04-2008, 01:09 PM
|  | quid verum atque decens Builder: Rickett Customs | | Join Date: Jul 2007 Location: Southern Maryland | | | I would try playing another instrument for about a week (If one is available), or better yet this will change the way you look at bass, re-string your bass "upside down" for about a week, that should give you a different approach. (temporarily, of course).
BTW, How, long have you been playing bass?
Last edited by Rickett Customs : 01-04-2008 at 01:11 PM.
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01-04-2008, 01:09 PM
|  | Registered User | | Join Date: Aug 2005 Location: College Station, Texas | | | Doodle-doo in the shower. It's how I came up with my last ones.
Just try making some cool lines by singing them aloud in the shower.
Then transcribe to bass.
Seriously. It works.
__________________ Will Todd Photography thephoenixodyssey Quote:
Originally Posted by rratajski Sauron ain't got nuthin' on mah stache! | Clubs:
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01-04-2008, 01:19 PM
| | Registered User | | Join Date: Aug 2005 Location: Laurel, MD | | | When I play, I don't think that I really come up with brand smacking new ideas... it's just piecing together things I already know of in different ways. A lot of people tell me that they like my bass lines, but when it comes down to it, I'm just doing the same things... but they sound different when mixed up differently. Octaves and fifths will take you a long way.
Also, the best way to learn is going to be by listening to lots and lots and lots of music. All of the people I know who I consider to be really good song writers have been music junkies while growing up. Listening to different bands and different styles will really open your mind to new possibilities.
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Fender American Deluxe Jazz (Butterscotch Blonde), Ampeg BA-115 bass combo
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01-04-2008, 01:21 PM
| | Registered User | | Join Date: Aug 2005 Location: Los Angeles | | Quote:
Originally Posted by Valerus Doodle-doo in the shower. It's how I came up with my last ones.
Just try making some cool lines by singing them aloud in the shower.
Then transcribe to bass.
Seriously. It works. | This is true for me too! Honestly, the best basslines I come up with are usually when I don't have a bass in my hands. Sometimes I will tinker on piano too, even though I can't really play piano at all, and that will inspire something new. Other times I try to just breathe deep, clear my head and play the first thing that comes to mind. Just try not to get too discouraged, because stress ruins creativity quickly (IMO) Good luck! | 
01-04-2008, 01:25 PM
|  | Yeah, I've got the moves like Jagger. | | Join Date: Oct 2006 Location: G.R. MI | | | I always find a recording of the material to be helpful. You can try new and different stuff without stopping the rest of the band while you noodle. Also, you can listen to it a lot, get it into your head, and do the doodle doo in the shower thing.
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01-04-2008, 01:32 PM
| | Registered User | | Join Date: Feb 2007 Location: Los Angeles, CA | | | You learn to make up your own lines from know lots of other bass lines. You learn/transcribe others bass lines you like or need for a gig. Then study the line for what you like and don't like about it and remember those things. Later on that knowledge is what you use to create your own lines. Go to a good jam session and listen to good bass players you will hear how they build up a line. Most start with a simple idea that works with the drums, then expand from there. As Herbie Hancock said copy everyone you can, then forget it all and play.
Also use your head and your voice to come up with a line then put that on the instrument. If you start with the bass you will fall into familiar patterns usually related to fingering patterns. If you start singing you can focus on groove more and notes that sound good, then find that on your bass. The more you do that the faster it gets to do.
Put on some music you like and don't worry about what the actually bass line is sing along a line you like or a variation of the line on the tune. Once you have a line you like figure out how to play it on your bass. Also analyze what you are playing to see the notes or rhythms you like so you can use them again in a different combination.
Guys that are good at making up bass line have a large vocabulary of lines and parts of lines they have played and like that they are drawing on.
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Steve Barnette
The Dojo of Cool :ninja:
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Practice is the best of all instructors - Publilius Syrus
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01-04-2008, 01:37 PM
|  | Registered User | | Join Date: Jul 2006 Location: Daphne, Alabama | | | As a child, you learn to speak and form your own sentences by hearing others speak them. Then you practice speaking what they spoke, first simple words, then phrases, and ultimately you learn to form your own sentences and stories, but using words that you learned from others. You don't make up the words, you make up the arrangements of them, but that's after many years of just repeating things you hear. You screw up all along the way, but you keep trying as you get better. Music is the same way, but some learn faster than others, and go farther as well.
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Jason
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01-04-2008, 02:03 PM
|  | Registered User | | Join Date: Mar 2006 Location: St. Louis // St. Charles, MO | | | DocBop, Eublet +1 from me.
Don't fool yourself into thinking that using other lines as reference points is somehow diminishing a line you create. There is not a single bass line out there that didn't come from bass lines before it.
Listen and get to know what turns you on the most about bass lines from as wide a variety of musical styles as you can. I used to feel that because I started in a high school orchestra, that my lines were too 'square' or 'classical-sounding' - as I added more rock and roll, jazz, funk, blues, world, etc... suddenly I had a larger library of lines to look to when I wanted to lay one down and those 'square/classical' lines are nice to be able to whip out every so often.
Also, as Eublet said - don't think of music as something else - it's a language and when you use it, you need to say something - not just make noise. The more you listen and the more you learn, the more you will be able to say. But don't let the fact that you may have a 'limited vocabulary' stop you from trying to say something. Some of the best statements are the simple ones.
Further, it's actually easier to toss out a load of nonsense that appears to be complicated but really says little more than, "look at all the notes I can play!" - If one well placed note says it all, then there ya go.
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On Groove Duty
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01-04-2008, 02:20 PM
|  | Registered User | | Join Date: Jul 2006 Location: Daphne, Alabama | | | Along this subject, I can't say enough about Victor Wooten's book The Music Lesson. It deals with this subject completely, and in an inspiring manner. I think it's a must have book.
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Jason
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01-04-2008, 02:33 PM
|  | Registered User | | Join Date: Aug 2007 Location: Boston | | | Its never good to try and force something as unique and, dare I say, spiritual as writting music. If what you come up with seems simplistic to others, don't feel bad; some of the best bass lines are made up of what ISN'T played rather than what is. Start out just playing roots notes, and through in some fills or leading tones, and eventually you stumble on something you like! | 
01-04-2008, 02:37 PM
|  | Registered User | | Join Date: Aug 2005 Location: College Station, Texas | | | As mentioned above, it's nice playing with a drummer.
My friend and I were messing around (first time jamming together) and I just modified a U2 bassline, matching his drum strokes, etc, and it sounded wonderful.
__________________ Will Todd Photography thephoenixodyssey Quote:
Originally Posted by rratajski Sauron ain't got nuthin' on mah stache! | Clubs:
P&W #11, Jazz Bass #11, TX Bassist #11
Doom #11, Fuzzrocious #11, Orange #55 | 
01-04-2008, 02:44 PM
| | Registered User | | Join Date: Oct 2006 Location: Stockholm | | +1 On the drugs, psychedelic ones 
__________________ Me, on ze youtube! - Fretless Club member #348 - Hollow Body Club Member #11
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01-04-2008, 02:45 PM
|  | Registered User | | Join Date: Apr 2005 Location: Babylon, NY | | | There are some good comments here and some not so great.
If you want to learn how to build your own bass lines you need to study how it is done. You'll need a book that breaks down different types of approaches.
Here is some info on Ed Friedland's book I found very helpful when I was starting out. Building Walking Bass Lines "Designed for the beginning player, this is my first, and by far most popular book. It was written originally as my Masters Thesis at Cambridge College in 1991. I examined the gaps in the existing literature, and set out to write a book that would help people learn the process bassists use when creating their own bass lines, not just show them some lines and leave it at that. Also it was the first walking book of it's kind in that it came with audio tracks. These days you take for granted that a book comes with audio, but back then, no one had done this with walking bass. Based on the feedback I receive from students all over the world (it's available in Japanese too) this method seems to work for people. You start by identifying the target notes of a chord, (root, five and octave) and then work with different approach notes (chromatic, scale and dominant) to lead you into the targets. It explains many other ideas like scalewise motion, chromatic motion, arpeggiation, targeting other chord tones, and much more. There are many great feeling jazz tracks to play with, including 10 full length standard progressions. "
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Alleva-Coppolo / Kolstein / Euphonic Audio
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01-05-2008, 12:41 PM
|  | Registered User | | Join Date: Jan 2007 Location: Harpers Ferry WV | | | PM me if you want me to post some live drummer tracks isolated on my MySpace page for you to doodle with. I can't with 100% tell you they are metronome quality but it will give you something different that you haven't heard to jam with. They will be dynamic and not sterile like drum machine beats.
I can isolate pretty easily with Cubase and export them. Just let me know. Songs will change from 6/4 to 4/4 and some other breaks and changes.
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01-10-2008, 01:54 AM
| | Registered User | | Join Date: Nov 2007 Location: Barnsley, England, UK | | | knowing music theory will help, even if its only minimal msuci theory such as scales/keys, this tells you what notes your aloud to go to in a song at a specific time
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01-10-2008, 02:08 AM
| | | | I too find it hard to force creativity. Although for some reason the more experience you have the easier it gets. I never have a bassline in my head. It sort of like talking, you never really say it in your head then say it aloud, but rather you just do it. Thats how it seems to work for me.
Aside from that, wagstaff's advice helps. | 
01-10-2008, 02:46 AM
|  | Registered User | | Join Date: Nov 2005 Location: Novato Ca. | | | pick up a cheap little drum machine,, or,, i've got a zoom B2 that has preset drum tracks.. i just dial in a track that i like, or a track that has a beat totally different than i would normally play,, adjust the tempo,, & just let it run 3, 4, 5 min. i hear all kinds of lines in my head, or sometimes i don't.. then i pick up my bass & just start working different patterns | | Thread Tools | Search this Thread | | | |
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