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02-13-2005, 11:13 AM
| | | | What note to play on what fret?
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I just started playing bass. I'm use to brass and woodwind band instruments. On the guitar, since most notes can be played on different strings at different fret locations, how do you decide where to play on the neck when reading a chart? | 
02-13-2005, 11:18 AM
| | Registered User | | Join Date: Feb 2005 Location: San Marcos, Tx | |
You're welcome.  | 
02-13-2005, 11:19 AM
| | | | What do you mean? Like, playing open G, fretted G on the D string, 10th fret on A, etc.?
Ussualy, it depends on your current hand position. | 
02-13-2005, 11:32 AM
|  | Total Hyper-Elite Member | | Join Date: May 2000 Location: Groom Lake, NV | | Quote: |
Originally Posted by Radiobass What do you mean? Like, playing open G, fretted G on the D string, 10th fret on A, etc.?
Usually, it depends on your current hand position. | Yeah, as you play more, you'll see patterns developing. The key is to make the note sequence easiest to play. I've heard it said, "Never play an open string unless you mean it." Well, I've been meaning it more and more, lately.
I think most of the bass players on the original versions of the covers we play used open strings a lot, most likely because they didn't have five-strings. On a fiver, you can play patterns further up the neck, where the frets are closer together. You can get a low note (like an E, F or G) without going down near the nut.
__________________ What is this thing called butthurt? | 
02-13-2005, 11:35 AM
| | Registered User | | Join Date: Jan 2003 Location: Fort Worth -- that's my hood. | | | Usually depends on where you are on the neck and where you want/need to go from there (make it easiest on yourself).
Otherwise, it's just a tone thing
-- playing higher up the fingerboard on lower pitched strings will give a bassier, thicker tone;
-- playing lower down on the fingerboard on higher pitched strings will give a crisper, thinner tone;
-- open notes on most basses have a more 'open' tone (more clarity).
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Last edited by lo-freq : 02-13-2005 at 09:10 PM.
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02-13-2005, 11:36 AM
| | Registered User | | Join Date: Dec 2002 Location: Germany | | | Also, keep in mind that every string sounds slightly different and thicker strings sound fatter. Say you want to play a high C. If you want it to sound twangy, you'll play it on the fifth fret of the G string, assuming you have a four-string bass in normal tuning. If you want it to sound fatter and not stand out so much, you'll play it on the tenth fret of the D string or the 15th fret of the A string. Ooops, beaten.
Last edited by phxlbrmpf : 02-13-2005 at 11:39 AM.
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02-13-2005, 11:37 AM
| | Registered User | | Join Date: Nov 2004 Location: New York, New York | | | doesnt this belong in another forum? | 
02-13-2005, 11:58 AM
| | | | Thanks for your responses. That helped clarify things for me. | 
02-13-2005, 12:29 PM
|  | I'd kill for a Nobel Peace Prize! | | Join Date: Feb 2004 Location: Ottawa, Canada | | | I also come from a sax background and I still find that the multiple note choice is hard. If playing a chart, unless you know the song, you are pretty much limited to the obvious choices. Try to look ahead and not choose a note that will limit the next note.
I have struggled with songs until I tried a different position and then the song just fell into place.
And note choice is important as phxlbrmpf (how the heck do you pronounce that?) mentioned. During the bridge in Another Brick in the Wall the bass goes to G. The G at the fifth fret is the obvious choice since it fits the position. But I feel the tenth fret on the A string sounds much "fuller". | 
02-13-2005, 01:23 PM
|  | Faith, Family, Fitness, and Frets | | Join Date: Feb 2005 Location: New Jersey | | | There is an absolutely phenomenal post in the "ask Micael Dimin"
forum on this - look at "internalizing scales, modes, and arpeggios." This should be required reading for all TB'ers. Good Luck! | | Thread Tools | Search this Thread | | | |
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