Quote:
Originally Posted by Richard Lindsey Chord tones with passing tones pretty much add up to scales/modes anyway. IMO it's not a matter of either/or, because it's all the same stuff. |
While I agree with the idea in a technical sense, I think that there is an important distinction in thinking between the two approaches.
to me, thinking "in scales" tends to be equivalent to searching for shortcuts and simplifications when presented with a set of chord changes in a given key...you know, "what scale can i play over chords X,Y and Z?"
whereas thinking of your playing as "chord tones + passing tones" puts your focus on the the musical flow between individual chords themselves, which as mentioned may not fall into any single scale. It points your musical mind toward supporting the harmony, and drives you towards understanding harmonic progressions and harmonic functionality.
So in that sense, I think it's a better way to approach bass playing. Scales are fun to play with and experiment with, and good for ideas and inspiration, but when the rubber hits the road and you have to support the song, playing the changes is the way to go...
YMMV, IMHO etc...