Quote:
Originally Posted by DocBop Actually more than just Jazz. If you factor in standard chord substitutions all music boils down to II-V-I.
I sub's are III and VI
II sub is IV
V sub is VII |
+1
Of course the trick is how to approach the sub-dominant/super-tonic, and if V-I is not the end, then what will follow and why?
And BTW how do you get from some I to some other I?
These are rhetorical questions...