| i hope this helps I know where you're comin from but the question is a little blurry...in my limited experience i've found that while there are certain staples you can base your career on (flea-minor pents.) songs are a case by case basis so saying to use the B# major scale, etc is pretty pointless.
As vague as it sounds you gotta do this by ear, pentatonics have always been friendly to me because its hard to play bad stuff with them, modes are good but for punk i think it'd sound a little too folkish if they sound at all what they sound like when i play them. Yea this is a lotta harder then it seems to explain...find something small and easy you like such as a little 4 note lick then expand on that by sitting down with other people and just messing around eventually itll come together....damn i suck at explanations
*edit*
I just notcied the comment you made about not liking to play what the guitarist is playing. To that I gotta say be more flexible, to have music mesh and be beautiful there has to be a cooperation between sounds so if the guitar player is doing D, use that as a starting point and play with notes around triads, scales, chords of D to create your own little groove. If the guitar player is so aggressive that you feel you have no room to create tell him to step back a bit and change his part so that its more compatible
Last edited by Zjarrett : 05-17-2001 at 09:35 PM.
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