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Jazz Technique [DB] Jazz bass technique: left and right hand issues, advanced techniques, and any physical issues relating to playing jazz.


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  #1  
Old 03-22-2004, 02:14 PM
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Join Date: Jun 2001
Location: SE Wisconsin
4-finger method suggestions

I'm starting to take on some students, and I have one college-aged kid who is coming over from electric bass. He uses a four-finger method on electric, and I'd like to move him forward using the 3rd finger rather than tearing down technique that he's already using quite effectively, albeit on a different instrument.

However, I'm a Simandl guy, so I'm unfamiliar with using the 3rd finger below thumb position (I even play electric using Uncle Franz' fingerings). Which are the more established methods out there for the four-finger approach? Rabbath? Karr? Vance?

Any advice (other than telling the kid to get another teacher?)
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Last edited by Mike Goodbar : 03-22-2004 at 02:42 PM.
  #2  
Old 03-22-2004, 02:50 PM
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Join Date: Apr 2000
Location: Buffalo, NY
I came over from electric bass/four fingers and went straight into Simandl. Since the whole thing was new to me, I don't feel that particular aspect slowed down my learning process at all. Now I just need to remind myself to use all four fingers when playing electric bass!
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  #3  
Old 03-22-2004, 02:57 PM
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Join Date: Jul 2002
Location: Long Island, NY
3 fingers, 4 fingers

Quote:
Originally Posted by lermgalieu
I came over from electric bass/four fingers and went straight into Simandl. Since the whole thing was new to me, I don't feel that particular aspect slowed down my learning process at all. Now I just need to remind myself to use all four fingers when playing electric bass!
That was my situation exactly, Lerm. Now, whenever I play slab, I use four fingers. The slab is fretless, BTW, so it feels sort of like a miniature URB.

I had to relearn a few of the patterns I used to play well with 4 fingers, and that was a bit awkward at first.
  #4  
Old 03-22-2004, 05:11 PM
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Join Date: Nov 2001
Quote:
Originally Posted by Mike Goodbar
I'm starting to take on some students, and I have one college-aged kid who is coming over from electric bass. He uses a four-finger method on electric, and I'd like to move him forward using the 3rd finger rather than tearing down technique that he's already using quite effectively, albeit on a different instrument.

However, I'm a Simandl guy, so I'm unfamiliar with using the 3rd finger below thumb position (I even play electric using Uncle Franz' fingerings). Which are the more established methods out there for the four-finger approach? Rabbath? Karr? Vance?

Any advice (other than telling the kid to get another teacher?)
Somewhere on this board I have a huge posting addressing this exactly.
  #5  
Old 03-22-2004, 06:18 PM
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Join Date: Jun 2001
Location: SE Wisconsin
Quote:
Originally Posted by Ray Parker
Somewhere on this board I have a huge posting addressing this exactly.
Found it, Ray. Thanks!


Now, pass the Visine.
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  #6  
Old 03-23-2004, 12:56 AM
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Join Date: Nov 2001
Let me know if you want any clarification, justification, etc.
  #7  
Old 03-24-2004, 08:09 AM
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Join Date: Feb 2002
Location: Austin, TX
Quote:
Originally Posted by Mike Goodbar
Which are the more established methods out there for the four-finger approach? Rabbath? Karr? Vance?
I can't find Rabbath or Vance endorse the use of the 4 finger approach in any of their material. Rabbath does use thumb position below the 2nd harmonic to get work done there sometimes. I've read that Gary Karr suggests using all 4 fingers as a way of getting around the heel for stuff, but I don't have his books and can't comment.

Sankey is a fan of the 3rd finger, especially using 1-3-4. If you've got his edition of Simandl you can see what he offers there.
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