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Originally Posted by Scot Michael Moore's examples in the book in the Harmonic Minor section sound great to my ears. |
thats exactly what im talking about. on the plank i can play all scales in every key with ease but on the upright i have to really work my scales, i have to know every note, there's no patterns or short cuts. i think Marc levin is writing from a 'pianistic' point of view, sure on the piano you can play pretty much anything with ease but to change 3 keys for a 2-5-1 in thumb position and not play licks or patterns can at time be some what demanding!
i think moore uses the HH for a reason, maybe its this!