| FitzDurrrl has nayllled it again. Here's some thoughts about your ultimate goal, which is not just getting the chair but rather playing it well.
Playing big band bass charts is an art and a science of its own. It's not at all like reading Beethoven. Most big band arrangements are done by people who aren't bassists. If the chart has a written quarter-note bassline, it's not by any means what the band "needs" or the composer "wants" -- more likely, it's a mediocre line that leaves out a lot of the "hits" that really drive the band. You'll have to read the chart, figure out the chords, and try to shape your line to work with them horns.
Conversely, if the chart just shows slash marks, there may be an unwritten "written" part to play. Listen for places where doubling with bari sax, bass trombone or other players would fill things out well. All this takes practice and comes with time -- the first two hundred are the toughest.
So, to prepare for this audition, listen to lots of good big band music like Basie, Thad Jones & Mel Lewis, Toshiko Akiyoshi, and Basie. Did I mention Basie? These folks may not be the greatest jazz artists ever, but they are the great big band jazz artists.
And while you're playing, try to not act like a sax player: Don't just read, LISTEN.
Now stop reading this. Good luck. Have fun.
Last edited by Sam Sherry : 12-20-2001 at 05:24 AM.
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