Go Back   TalkBass Forums > Double Bass Forums > Music [DB]
Register Rules/FAQ/CUP Members List Calendar Search Today's Posts Mark Forums Read

Music [DB] Discuss double bass sheet music, new works, etudes, editions, get recommendations...


Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 01-18-2005, 11:05 AM
Registered User
 
Join Date: Aug 2003
bottesini concerto no 2 b minor fingering?

i play it in A minor with orchestral tuning so that the fingerings and harmonics line up without me having to change strings. anway, my question is where do you all play that first note of the first phrase, and how do you finger the rest of that phrase? ( for my key it would be an E, i also have a solo tuning edition, but it's also notated as an E so that you can still think in the "normal" positions of the bass but it would sound as an F# if in solo tuning) anway i play the phrase starting in thumb position starting on the d string... but the shifts kind of come in weird places for me with regard to the contour of the phrase....
Sign in to disble this ad
  #2  
Old 01-20-2005, 12:07 AM
Registered User
 
Join Date: Jun 2004
Location: Athens, Ga
Send a message via AIM to Comrade Lewis
In my little experience of playing Bottesini i have found that mainly using the G string usually corresponds with the phrasing. I have been playing Bottesini Elegy and i have just started Capriccio Alegretto and i have found that i almost completely use the g string except when it is obvious not to do so ( Fourths across strings, harmonics, and arpeggios). So other than that id practice my butt off and do it on the G. If its good enough for Edgar, its good enough for me.
  #3  
Old 01-20-2005, 04:12 PM
Registered User
 
Join Date: Aug 2003
Quote:
Originally Posted by Comrade Lewis
In my little experience of playing Bottesini i have found that mainly using the G string usually corresponds with the phrasing. I have been playing Bottesini Elegy and i have just started Capriccio Alegretto and i have found that i almost completely use the g string except when it is obvious not to do so ( Fourths across strings, harmonics, and arpeggios). So other than that id practice my butt off and do it on the G. If its good enough for Edgar, its good enough for me.
thanks for the advice, but what do you mean if it's good enough for edgar it's good enough for me? i thought edgar what an "across the strings" kind of guy, not play up the g string...but i'm sure you're right about bottesini considering he played with 3 strings and they were gut and probably kind of high compared to today's strings...
  #4  
Old 01-21-2005, 09:28 AM
Registered User
 
Join Date: Feb 2002
Location: Austin, TX
Across the strings? You bet. But he's a nifty shifter too.
  #5  
Old 01-30-2005, 02:34 PM
Registered User
 
Join Date: Jun 2004
Location: Athens, Ga
Send a message via AIM to Comrade Lewis
My bad guys, for some reason i though Edgar Meyer played it all on the g strings, or at least it sounds like that on his recording. Maybe hes just good enough that i cant tell?
Reply



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 11:00 PM.




Copyright ©2011 Talk Music Group Inc. All right reserved.
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.