Quote:
Originally Posted by Paul Cherng  Hello, all. I have a question about the Bottesini Elegy concerning the ranges it is played in.
In the Zimmerman score I have, the range of the piece does not seem to go as high as the recordings I have heard. One of my teachers has told me that my score is wrong and wrote in octaves that seem to match the recordings.
My other teacher, however, disagrees and says he likes the piece as written in the Zimmerman score because it's sounds gutsier in the middle-low range of the bass. I would be inclined to agree with this sentiment since I do not particularly care for stratospheric playing, but I would like to know what the "correct" version of the piece is. This is further confused for me since when I looked at yet another version of the piece, the octaves were different the the two previous versions I had already seen.
Failing that, opinions on what you think the "best" way of playing the piece is would be appreciated. |
the octaves in question are originally the octave up. the zimmerman score puts it down the octave because it's in a collection of songs for students. he does the same with a bunch of the 2nd mvt of the Bmin concerto in the same book. if you decided to play them down the octave, go for it, but i find that some of the
appassionato and drama is gone for some of the runs such as the run up to the high B (in the third octave on the G string) in the second half of the opening. Also, some of the arpeggiated figures work better up the octave as they follow the harmonic series.
that being said, it's durn high. I call it playing in the nosebleeds. I think that this piece calls for it though. I think it is a dis-service to yourself to not learn how to do it comfortably, and it is certainly a show-stopper should you ever play it in a recital.
your call man, but I say do it. it's how it's written, and it's "common practice."
eerbrev
