| I've been taught that any time you see changes where it's repeating, say the same two chords over 2 bars, 4 bars, etc. you don't have to play them as written, and play two bars of one chord and then play two bars of another chord, but only over the solo form and not the head.
random example...
Original: Cm7/F7/Cm7/F7
Try: Cm7/Cm7/F7/F7
or maybe: Cm7/Cm7/Cm7/F7
Get the idea? You can do this so that you have more of a single chord to stretch over and build up some tension/whatever and it makes phrasing a little easier. I haven't played NiT yet but you can experiement with the idea.
Instead of...
Eb7/Dm/Eb7/Dm/Eb7/Dm/Em7 A7/Dm
For starters, I would probably try: Eb7/Eb7/Dm/Dm/Eb7/Dm/Em7 A7/Dm Eb7/Eb7/Eb7/Dm/Eb7/Dm/Em7 A7/Dm
maybe event Eb7/Eb7/Eb7/Eb7/Dm/Dm/Em7 A7/Dm
Maybe?!?!? I'll have to try this when I get home.
But again, you woudln't do this over the melody - only the solos.
You can also try pedaling a chord tone that is common to both, maybe like Db to get a minor-major kinda sound over the Dm.
Just some ideas. |