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04-14-2008, 12:38 AM
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Gary Willis... Best five string fretless improvisor alive with great tone, but has a completely different technique than I use(very light 3 fingered picking). I rely more on growl and attack. Love listening to him but could never sound like him... | 
04-14-2008, 06:53 AM
| | Registered User | | Join Date: Jan 2008 Location: Suffolk County,NY | | | Uncle Billy Sheehan. Great player, landmark bassist, I wish I had half of his finger control, but that fart noise he gets from his rigs?, bleh. Must sound good live,maybe? | 
04-14-2008, 07:17 AM
| | Registered User | | Join Date: Aug 2007 Location: London | | | John Myung...you can barely hear him in this last tour. | 
04-14-2008, 07:41 AM
| | Registered User | | Join Date: Aug 2004 Location: Israel | | | +1 for Myung. I wish I had 10th of his technique, but his tone is...
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And so on, according to the text...
TB Beer Club Member
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04-14-2008, 07:53 AM
| | Registered User | | Join Date: Nov 2007 Location: Redford, MI | | Quote:
Originally Posted by pbass2 I LOVE the Ox, but I'd have to say Entwhistle's sound, later in his career. Mind you, his sound on Who's Next, and Quadrophenia I absolutely adore, (and the really early stuff too), but I could never warm up to his tone he got into later on---it seemed like it had so much going on frequency-wise, that it lost the focus and roundness of the earlier tones.
(But that's a pet peeve of mine anyway--bass that has such a wide frequency spectrum that the end result is it gets kind of . . .lost in the mix, ironically.)
Quadrophenia ranks as one of my all-time fave bass sounds. Eminence Front on the other hand, is one of my least favorite. But I'd listen to him play anything, anytime, regardless. | +1. I wonder how much of his increased nasally tone had to do with his hearing being shot.
And he's one of the reasons I gravitated to bass. I bought the "official bootlegs" that Pete Townshend & Roger Daltry put out of their last tour. I got the Detroit show. It kills me to admit I liked Pino's sound much better. Sounds kinda like a bass player or something.
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G-K club # 602, Short Scale Bass Club #159,Squier Jaguar SS Bass # 15, Trinity House Mudslinger, OFBPOAC #23
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04-14-2008, 08:01 AM
| | Registered User | | Join Date: Feb 2008 Location: Minneapolis, Minnesota | | Quote:
Originally Posted by Deluge Of Sound I'd also like to list some metalcore bands, but I don't think I've ever actually heard a metalcore bassist.  | i do agree with you on that account, most bands i've found myself getting into seem to have their bassists lost in the wonderful world of 2 guitars hellbent on maximum gain and overdrive so there is hardly any room for the bass to cut through anywhere.
It's still refreshing to hear the occasional band with a bassist who knows what he's doing (Between the Buried and me, Dillinger, Black Dahlia, Etc.)
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5 String Club Member #107, Ibanez Club Member
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04-14-2008, 08:05 AM
| | Registered User | | Join Date: Jan 2008 Location: Toronto, Canada | | Quote:
Originally Posted by loendmaestro Cliff Burton....his thin rubber band tone got buried so far under James & Lars ego mixes it was scary. So much talent that you have to strain to hear. Same could be said for Newstead on the And Justice LP too... | There was bass on "And Justice for All"?
Newstead's playing was also hampered by the fact that he was doubling the rhythm guitars instead of playing an actual bassline...
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Imagination is more important than knowledge. - A Einstein
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04-14-2008, 08:11 AM
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Originally Posted by double-muff Les Claypool.
Big fan of his music but i do not think his tone would be good for Sludge/Doom  |
haha i love his tone, very unique and often like he's playing on old rusty dead strings.
Gotta go with Jaco for this one though, or bootsy | 
04-14-2008, 08:12 AM
|  | Registered User | | Join Date: Sep 2007 Location: Sycamore, IL | | Quote:
Originally Posted by RED5 Sheehan. Great player, landmark bassist, I wish I had half of his finger control, but that fart noise he gets from his rigs?, bleh. Must sound good live,maybe? | it doesn't...but man is he wicked on the fretboard.
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\\Fender Jaguar Club #17\\Ashdown Club #45\\
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04-14-2008, 03:06 PM
| | Registered User | | Join Date: Apr 2006 Location: Earth | | | I like the tones of Bootsy, Jaco and Lemmy who are all monsters, but I wouldn't know what to do with those tones myself.
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Originally Posted by danjl131 oh by the way here's some fancy english if thats what ur looking for: You are an inept maestro. Have a jocular day, you unpleasant drip. | | 
04-14-2008, 03:29 PM
| | | | +1 for Steve Harris...now if i had 25% of his strength and stamina...
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βΘИΞКЯŲŜĦÏИĞ® #40 - Mark Wilson Fail Club #P-Bass or J-Bass?
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04-14-2008, 03:41 PM
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Originally Posted by Orangeclawhamme +1. I wonder how much of his increased nasally tone had to do with his hearing being shot.
And he's one of the reasons I gravitated to bass. I bought the "official bootlegs" that Pete Townshend & Roger Daltry put out of their last tour. I got the Detroit show. It kills me to admit I liked Pino's sound much better. Sounds kinda like a bass player or something. | I think I'm in the (possible) minority of people who prefer Entwistle's sound from his Alembic period onwards (his Alembic tone being my favourite; in fact one of my all-time favourite bass tones. The sound he has on the old "America" live VHS is stellar). But I like big, bright, aggressive & twangy. As for Pino, he's a good example of someone whose sound I wouldn't know what to do with unless I was playing old Motown stuff or something. In the Who he's just completely wrong, stylistically & sonically, IMHO. Entwistle drove the band, he lays back waaaay too much for my taste. Great player otherwise though.
I love JPJs Jazz/flats tone (and Lenny Kravitz and Jack Daley) but I couldn't use it myself, and I've tried! | 
04-14-2008, 03:52 PM
| | | | Love the "tone" when "THEY" play -but not a tone/sound for me! Bill Wyman - The Rolling Stones -love his short scale bass use and sound/tone all those years with The Stones-but could not and would not use the basses or tone/sound Bill did.
Jack Bruce-cool fretless sound (Robin Trower albums) on an off thru time-sounds gr8 with his style-but i could never pull it off and be satisfied with that bass tone.
James Jamerson-love the legend! and his low flat an fat tone/sound with Motown Artists but "dead"heavy gauge FLAT WOUNDS I could never swing with myself.-James owned that sound! | 
04-14-2008, 03:56 PM
| | Registered User | | Join Date: Nov 2007 Location: Bronx, NY | | | ENTWISTLE
love the playing, the tone is hard to listen to. too damn bright.
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04-14-2008, 04:31 PM
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Originally Posted by double-muff Les Claypool.
Big fan of his music but i do not think his tone would be good for Sludge/Doom | Sludge/Doom?
Oh, and for the sake of contributing to this thread, I don't like Cliff Burton's tone while soloing with distortion.
And I like John Myung's tone, especially in Dance of Eternity...
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Fretless club member #19 Quote:
Originally Posted by Tired_Thumb If I'm playing with my smooth jazz group, I lay back in the pocket. If I'm playing my own experimental metal, I am the pocket. | | 
04-15-2008, 06:15 PM
| | Registered User | | Join Date: Apr 2008 Location: Mill Valley, CA | | | Billy Sheehan. That guy can play, but I don't like his sound too much.
John Myung. I can't HEAR him in the mix most of the time, which is a shame, because when I DO, it's pretty awesome.
Lemmy. It's not as bad as the vocals for turning me off Motorhead's music, but it's close. It's a shame because some of the music I actually might like.
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6-string bass club #148; Fretless bass club #178
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04-17-2008, 12:33 PM
| | Registered User | | Join Date: Jul 2007 Location: Toronto, ON | | | Peter Hook... during the "Warsaw" days, on all of the recordings I've heard it just sounds way, way too "honky".
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Originally Posted by PSPookie This seems like the type of problem that will take care of itself, given time. | Quote:
Originally Posted by blendermassacre Dar-WIN! | | 
04-17-2008, 01:56 PM
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Originally Posted by BEADGCF Billy Sheehan. That guy can play, but I don't like his sound too much.
John Myung. I can't HEAR him in the mix most of the time, which is a shame, because when I DO, it's pretty awesome.
Lemmy. It's not as bad as the vocals for turning me off Motorhead's music, but it's close. It's a shame because some of the music I actually might like. | Lem has one of my top 5 tones. Now that's a tone I can use!  Agree on Billy Sheehan though. | 
04-18-2008, 11:22 AM
| | Still lovin' that cake... | | Join Date: Jun 2006 Location: Ireland | | | Harris' sound... ever
Burton's distortion...
For me really it's any sound that sounds too thin or clangy...
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Originally Posted by MakiSupaStar For me sex is a lot like playing the Tuba. You wrestle around with a lot and it takes a lot of effort to get any good sound out of it. I'm really not a proud man.:scowl: | 'Wick Club Member #174
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04-18-2008, 11:45 AM
| | Registered User | | Join Date: Aug 2007 Location: Mid Hudson Valley, NY | | | Another vote for John Entwistle's later tone. I bought the Hot Licks DVD he put out. Can't listen to it. At least buried in the mix i can listen to Who songs from that era, but on it's own on the DVD it's just painful.
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Originally Posted by Willy_the_Shake There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy. | | | Thread Tools | Search this Thread | | | |
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