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  #1  
Old 03-16-2009, 08:54 AM
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Question Bruce Palmer tuning E,E,E,E??

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Hello-
Was at a jam session yesterday and someone was talking about tuning a bass to E,E,E,E. Said that Bruce Palmer with the Buffalo Springfield did it. Granted, this conversation was taking place after several stout ales, so I could have misunderstood.
For the life of me, I can't think of how this would work and I sure don't hear it when I listen to Buffalo Springfield.
Anyone?
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  #2  
Old 03-16-2009, 09:01 AM
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you must have misunderstood, unless ive got it wrong, but i see no benefits of tuning all strings to E. perhaps maybe tone wise it would effect the note, but i still see no benefits of doing this.

not to say this guy doesnt do, he might do.

do you know if he tuned each E to the same octave, if each ones an octave higher id imagine his neck is under serious pressure!
  #3  
Old 03-16-2009, 09:04 AM
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Quote:
Originally Posted by ThunderLizard View Post
Granted, this conversation was taking place after several stout ales, so I could have misunderstood.
stouts and ales?
black and ales (sub ale for tan)?
a whacky microbrew concoction?
so many that you forgot what you were drinking?

no idea on the tuning, sorry.
  #4  
Old 03-16-2009, 09:10 AM
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Steven Stills used a guitar tuning called the "Bruce Palmer Modal Tuning," in which the guitar is tuned E E E E B E. I know that he used it on CSN songs including 4 + 20 and Suite: Judy Blue Eyes. I don't know if he ever used it while in Buffalo Springfield.

This tuning makes sense for guitar but I can't see any reason to use it on a bass.
  #5  
Old 03-16-2009, 09:16 AM
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Yeah, it's a guitar tuning Bruce came up with. No infromation on him ever tuning a bass that way however.

jte
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  #6  
Old 03-16-2009, 09:18 AM
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Febs-
Thanks! The guy I was talking to is a guitar player, so he probably associated Palmer's guitar tuning for his bass tuning. He told me I should try the E tuning as it couldn't hurt my playing.
It was Oatmeal stout from a local brewer. The oatmeal goes to you head after the 3rd pint.
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  #7  
Old 03-16-2009, 09:28 AM
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mmmm... oatmeal stout...
  #8  
Old 03-16-2009, 09:28 AM
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OK, lets think about it ...
E string - ok.
A string - tune down 5 semitones (very floppy) or up 7 semitones (it would break).
D string - tune down 10 semitones (LOL) or up 2 semitones (tight).
G string - tune down 3 semitones or up 9 semitones (break).
So the only real possibility that leaves 4 unbroken strings is attempting to tune the E and A string to the same note and octave (leaving a VERY floppy A string) and tuning the D string up 2 semitones and G string down 3 semitones - these two tuned one octave up from the other two.
Try it man.
I always wondered how Buffalo Springfield got that radically weird bass sound.


Quote:
Originally Posted by ThunderLizard View Post
Hello-
Was at a jam session yesterday and someone was talking about tuning a bass to E,E,E,E. Said that Bruce Palmer with the Buffalo Springfield did it. Granted, this conversation was taking place after several stout ales, so I could have misunderstood.
For the life of me, I can't think of how this would work and I sure don't hear it when I listen to Buffalo Springfield.
Anyone?

Last edited by Bassgrinder77 : 03-16-2009 at 09:37 AM.
  #9  
Old 03-16-2009, 07:44 PM
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I've never heard of his bass being tuned that way either, but when Buffalo Springfield first started everybody in the band looked up to him as the one with the talent.
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  #10  
Old 03-16-2009, 08:56 PM
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Quote:
Originally Posted by Bassgrinder77 View Post
OK, lets think about it ...
E string - ok.
A string - tune down 5 semitones (very floppy) or up 7 semitones (it would break).
D string - tune down 10 semitones (LOL) or up 2 semitones (tight).
G string - tune down 3 semitones or up 9 semitones (break).
So the only real possibility that leaves 4 unbroken strings is attempting to tune the E and A string to the same note and octave (leaving a VERY floppy A string) and tuning the D string up 2 semitones and G string down 3 semitones - these two tuned one octave up from the other two.
Try it man.
I always wondered how Buffalo Springfield got that radically weird bass sound.
or get 4 E strings xD
  #11  
Old 03-16-2009, 09:42 PM
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Kickass. Bar your fingers and flail. Viola! Buffalo Springfield.
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or get 4 E strings xD
  #12  
Old 03-16-2009, 10:02 PM
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Maybe a special set tuned in octaves? As in, 12th fret on the lowest string is the open note on the next highest string.
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  #13  
Old 03-17-2009, 07:41 AM
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SWEET! With 24 frets you'd have a SIX OCTAVE bass.
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Originally Posted by dinghy View Post
Maybe a special set tuned in octaves? As in, 12th fret on the lowest string is the open note on the next highest string.
  #14  
Old 03-17-2009, 08:01 PM
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Originally Posted by Bassgrinder77 View Post
Kickass. Bar your fingers and flail. Viola! Buffalo Springfield.
Now, if he played a Viola, that WOULD be an amazing sound.
  #15  
Old 03-18-2009, 02:38 PM
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He could strum with a viola. After the (viola) bridge and strings break off, the sound would smooth out some.
Don't dismiss it, Jimmy Page played with a violin bow. This just takes it to the next level.
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Now, if he played a Viola, that WOULD be an amazing sound.
  #16  
Old 03-18-2009, 07:55 PM
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