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03-16-2009, 08:54 AM
| | Registered User | | Join Date: Aug 2007 Location: Edwardsville, IL | | Bruce Palmer tuning E,E,E,E??
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Hello-
Was at a jam session yesterday and someone was talking about tuning a bass to E,E,E,E. Said that Bruce Palmer with the Buffalo Springfield did it. Granted, this conversation was taking place after several stout ales, so I could have misunderstood.
For the life of me, I can't think of how this would work and I sure don't hear it when I listen to Buffalo Springfield.
Anyone?
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03-16-2009, 09:01 AM
| | | | you must have misunderstood, unless ive got it wrong, but i see no benefits of tuning all strings to E. perhaps maybe tone wise it would effect the note, but i still see no benefits of doing this.
not to say this guy doesnt do, he might do.
do you know if he tuned each E to the same octave, if each ones an octave higher id imagine his neck is under serious pressure! | 
03-16-2009, 09:04 AM
|  | Registered User | | Join Date: Aug 2006 Location: Denver, CO | | Quote:
Originally Posted by ThunderLizard Granted, this conversation was taking place after several stout ales, so I could have misunderstood. | stouts and ales?
black and ales (sub ale for tan)?
a whacky microbrew concoction?
so many that you forgot what you were drinking?
no idea on the tuning, sorry. | 
03-16-2009, 09:10 AM
|  | Registered User | | Join Date: May 2007 Location: Philadelphia, PA | | | Steven Stills used a guitar tuning called the "Bruce Palmer Modal Tuning," in which the guitar is tuned E E E E B E. I know that he used it on CSN songs including 4 + 20 and Suite: Judy Blue Eyes. I don't know if he ever used it while in Buffalo Springfield.
This tuning makes sense for guitar but I can't see any reason to use it on a bass. | 
03-16-2009, 09:16 AM
|  | Registered User | | Join Date: Mar 2008 Location: Central Illinois, USA | | | Yeah, it's a guitar tuning Bruce came up with. No infromation on him ever tuning a bass that way however.
jte
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03-16-2009, 09:18 AM
| | Registered User | | Join Date: Aug 2007 Location: Edwardsville, IL | | | Febs-
Thanks! The guy I was talking to is a guitar player, so he probably associated Palmer's guitar tuning for his bass tuning. He told me I should try the E tuning as it couldn't hurt my playing.
It was Oatmeal stout from a local brewer. The oatmeal goes to you head after the 3rd pint.
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03-16-2009, 09:28 AM
|  | Registered User | | Join Date: Aug 2006 Location: Denver, CO | | | mmmm... oatmeal stout... | 
03-16-2009, 09:28 AM
| | | OK, lets think about it ...
E string - ok.
A string - tune down 5 semitones (very floppy) or up 7 semitones (it would break).
D string - tune down 10 semitones (LOL) or up 2 semitones (tight).
G string - tune down 3 semitones or up 9 semitones (break).
So the only real possibility that leaves 4 unbroken strings is attempting to tune the E and A string to the same note and octave (leaving a VERY floppy A string) and tuning the D string up 2 semitones and G string down 3 semitones - these two tuned one octave up from the other two.
Try it man.
I always wondered how Buffalo Springfield got that radically weird bass sound. Quote:
Originally Posted by ThunderLizard Hello-
Was at a jam session yesterday and someone was talking about tuning a bass to E,E,E,E. Said that Bruce Palmer with the Buffalo Springfield did it. Granted, this conversation was taking place after several stout ales, so I could have misunderstood.
For the life of me, I can't think of how this would work and I sure don't hear it when I listen to Buffalo Springfield.
Anyone? |
Last edited by Bassgrinder77 : 03-16-2009 at 09:37 AM.
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03-16-2009, 07:44 PM
|  | C'mon man! | | Join Date: Dec 1999 Location: Hawaii | | | I've never heard of his bass being tuned that way either, but when Buffalo Springfield first started everybody in the band looked up to him as the one with the talent.
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03-16-2009, 08:56 PM
| | Registered User | | Join Date: Feb 2009 Location: Santiago de Chile | | Quote:
Originally Posted by Bassgrinder77 OK, lets think about it ...
E string - ok.
A string - tune down 5 semitones (very floppy) or up 7 semitones (it would break).
D string - tune down 10 semitones (LOL) or up 2 semitones (tight).
G string - tune down 3 semitones or up 9 semitones (break).
So the only real possibility that leaves 4 unbroken strings is attempting to tune the E and A string to the same note and octave (leaving a VERY floppy A string) and tuning the D string up 2 semitones and G string down 3 semitones - these two tuned one octave up from the other two.
Try it man.
I always wondered how Buffalo Springfield got that radically weird bass sound. | or get 4 E strings xD | 
03-16-2009, 09:42 PM
| | | Kickass. Bar your fingers and flail. Viola! Buffalo Springfield. Quote:
Originally Posted by Mikio or get 4 E strings xD | | 
03-16-2009, 10:02 PM
| | Registered User | | Join Date: May 2007 Location: Saratoga, CA | | | Maybe a special set tuned in octaves? As in, 12th fret on the lowest string is the open note on the next highest string.
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03-17-2009, 07:41 AM
| | | SWEET! With 24 frets you'd have a SIX OCTAVE bass. Quote:
Originally Posted by dinghy Maybe a special set tuned in octaves? As in, 12th fret on the lowest string is the open note on the next highest string. | | 
03-17-2009, 08:01 PM
| | | Quote:
Originally Posted by Bassgrinder77 Kickass. Bar your fingers and flail. Viola! Buffalo Springfield. | Now, if he played a Viola, that WOULD be an amazing sound.  | 
03-18-2009, 02:38 PM
| | | He could strum with a viola. After the (viola) bridge and strings break off, the sound would smooth out some.
Don't dismiss it, Jimmy Page played with a violin bow. This just takes it to the next level. Quote:
Originally Posted by GregDunn Now, if he played a Viola, that WOULD be an amazing sound.  | | 
03-18-2009, 07:55 PM
|  | Deteriorating faster than I can lower my standards | | Join Date: Jan 2006 Location: Frederick MD USA | | | Somebody call Les Claypool, he'll try anything!
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