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07-10-2010, 10:42 PM
|  | Supporting Member | | Join Date: Jun 2008 Location: Close to Los Angeles, CA | | | Eberhard Weber
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So I've been hearing a lot of Eberhard Weber on Pandora lately, and I'm absolutely in love with that gorgeous tone and his melodic playing style. (I'm a solo player.  )
Unfortunately, I think such a beautiful tone only comes from an upright bass. 
What do you guys think of Eberhard Weber?
I know nothing about him, so educate me!  | 
07-11-2010, 05:18 AM
|  | C'mon man! | | Join Date: Dec 1999 Location: Hawaii | | | I've dug his playing for a long time, The first record I remember having with him was Pat Metheny's Watercolors, and that led me to his ECM solo catalog. Very lyrical and haunting player, I also love his work with Jan Garbarek.
Some of my favorite late night listening!
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Aloha, Jerry
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07-11-2010, 05:20 AM
| | | Quote:
Originally Posted by jerry I've dug his playing for a long time, The first record I remember having with him was Pat Metheny's Watercolors, and that led me to his ECM solo catalog. Very lyrical and haunting player, I also love his work with Jan Garbarek.
Some of my favorite late night listening! | While I still dig the Watercolors CD, my gosh, his intonation is awful. Sounds like me trying to play fretless  | 
07-11-2010, 05:31 AM
|  | C'mon man! | | Join Date: Dec 1999 Location: Hawaii | | Quote:
Originally Posted by KJung While I still dig the Watercolors CD, my gosh, his intonation is awful. Sounds like me trying to play fretless  | Ha, I knew somebody would bring that up.  That's one of the things I dig about his playing, makes it sound more human to me. The same with some of Mick Karn's work. I've had this debate with bassist friends for almost 35 years, Eberhard might not be for everybody, but there is something in his playing that speaks to me.
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Aloha, Jerry
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07-11-2010, 05:34 AM
| | Registered User | | Join Date: Apr 2006 Location: Australia | | | The saying "the tone is in your hands" is very applicable here.
It is partly to do with strings and setup but he has a distinctive sound on both contrabass, electric CB and even cello on one album. | 
07-11-2010, 05:46 AM
|  | I took the one less traveled by | | Join Date: Mar 2002 Location: Reims, Champagne, France | | | His EUB sounds a lot more like a fretless than an upright.
On a sidenote, he's slowly recovering from a stroke and can barely play these days. | 
07-11-2010, 05:53 AM
| | | | Still love Yellow Fields.
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07-11-2010, 06:07 AM
| | | Quote:
Originally Posted by jerry Ha, I knew somebody would bring that up.  That's one of the things I dig about his playing, makes it sound more human to me. The same with some of Mick Karn's work. I've had this debate with bassist friends for almost 35 years, Eberhard might not be for everybody, but there is something in his playing that speaks to me. | I agree (in a way). The intonation is pretty rough though  | 
07-11-2010, 06:10 AM
| | | Quote:
Originally Posted by jerry Some of my favorite late night listening! | On a tangent...more nice late night listening:
Manu Katche's ECM releases- Neighborhood & Playground.
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07-11-2010, 10:05 AM
|  | Supporting Member | | Join Date: Jun 2008 Location: Close to Los Angeles, CA | | Quote:
Originally Posted by jerry I also love his work with Jan Garbarek | I liked this a lot.
Somewhere around three and a half minutes in, he's got that awesome tone. http://www.youtube.com/watch?v=0J_sFbbeQRA Quote:
Originally Posted by Jazz Ad On a sidenote, he's slowly recovering from a stroke and can barely play these days. | I read something about that. That's quite unfortunate.  | 
07-11-2010, 11:28 AM
|  | I Know Nothing | | Join Date: Dec 2003 Location: Columbia River Gorge, WA. | | Eberhard thread in the TB EUB Forum. | | Thread Tools | Search this Thread | | | |
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