Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Bassists [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read



Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 12-14-2008, 12:17 PM
chanson's Avatar
Registered User
 
Join Date: Dec 2008
Location: Napa, California
Supporting Member
Flea's early tone

Sign in to disble this ad
If any of you are Flea fans, you can probably tell the tone on the early albums (by early I mean anything before Blood Sugar) is quite different than his later and more recent tone.

Does anyone have any advice on how to get his early tone? It seems to be much more fatter and slightly flatter than his current tone. I know he used Stingrays and Spector basses on the early records, but does anyone else have any info? Amps? EQ settings?

And before you say it, yes, I know that a huge portion of Flea's tone comes from his attack.
  #2  
Old 12-14-2008, 12:27 PM
Registered User

Endorsing Artist: Mono Cases
 
Join Date: Dec 2008
Location: Paris, France
Flea used a Stingray on the early recordings, but in the early 90's, he started using an Alembic in the studio (it can be seen in the Funky Monks movie when he's laying down a bass track for "give it away").
He's been using Gallien-Krueger heads for quite some time now, along with G-K cabinets.
But in the eary days, I heard that he was using Mesa-Boogie cabinets.
His early envelope filter sounds came from a Boss FT-2 or a DOD FX-25. Later, he was seen using alternatively a Dunlop 105Q Bass Crybaby, an EHX Q-tron, and MXR Micro Amp, and for distortion, a Big Muff, and a BOSS ODB-2.

Until Stadium Arcadium he was mostly using GHS rounds, and he probably changed them quite often to keep a bright sound that would emphasize his attack. Hope that helps!
  #3  
Old 12-14-2008, 02:56 PM
Banned
 
Join Date: Jul 2005
Location: Marathon Man
Send a message via MSN to Baryonyx
Flea used to get a pretty good tone from those Spectors. Although I don't buy into the whole "amp EQ" thing. I've never followed the school of thought that you could emulate someone elses tone just by tweaking knobs on your own gear, there are simply far too many variables.
  #4  
Old 12-14-2008, 03:04 PM
jellymax's Avatar
Registered User
 
Join Date: Nov 2006
Location: SF
Supporting Member
take a stingray, set the strings very low, then compress the heck
out of it, & you will be getting close
__________________
James L Mattox
NorCal Bass players club
  #5  
Old 12-15-2008, 01:39 PM
Banned
 
Join Date: Mar 2005
I'm pretty sure he used a Stingray for the first album through Uplift Mofo. During this period he mainly used Ampeg SVT heads and SVT 8x10 cabs.
Around Mothers Milk he used Spectors and SVT but he also briefly used Trace Elliot amps. He also used the Stingray during this period. There's a cool vid on YouTube of Subway To Venus where he uses a Trace Elliot. I read somewhere that he recorded Mothers Milk with a Spector bass.
On Blood Sugar he used a Wal bass and a Stingray 5 string (The Righteous and the Wicked) - you can see them recording this album on the Funky Monks DVD. Around this time he started using GK RB800 heads and three Mesa 2x10 and three Mesa 2x15 cabs. He used these cabs for a long stretch all through the 90's/2000, including the Californication tour.
He used the GK 800RB heads for the Blood Sugar and One Hot Minute tours, including Woodstock 94. By the Californication tour in 2000 he was using what looks like prototype GK 2001RB heads.
Even though he used a Wal on BSSM, he used Stingrays live. On One Hot Minute he used an Alembic but again he used the Stingray live.
By Californication he was using the Modulus Flea bass in the studio and live and continued to use it on By The Way and parts of Stadium Arcadium. He also used a Fender Jazz on Stadium Arcadium but went back to using the modulus Flea live during that tour.
Some time around the By The Way tour he switched from the Mesa cabs to three GK RBH 1x15 and three GK RBH 4x10 cabs and has continued to use those.
I like Flea's tone on BSSM and One Hot Minute the most. For live, I liked the GK 800RB heads and Mesa cabs.
To get his early tone (80's thru OHM), I'd say get a Stingray, develop speed and play very hard. He plucks and slaps hard - like a jackhammer. I don't think the choice of amp is tremendously important. His bass tone varied some from album to album. He usually used a good amount of treble and not too much lows. I'd say use a cab with some 10's for a tight sound.

Quote:
Originally Posted by chanson View Post
If any of you are Flea fans, you can probably tell the tone on the early albums (by early I mean anything before Blood Sugar) is quite different than his later and more recent tone.

Does anyone have any advice on how to get his early tone? It seems to be much more fatter and slightly flatter than his current tone. I know he used Stingrays and Spector basses on the early records, but does anyone else have any info? Amps? EQ settings?

And before you say it, yes, I know that a huge portion of Flea's tone comes from his attack.

Last edited by KPAX : 12-15-2008 at 02:08 PM.
  #6  
Old 12-15-2008, 02:59 PM
Banned
 
Join Date: Jul 2005
Location: Marathon Man
Send a message via MSN to Baryonyx
Nice rundown of things, KPAX!

If anyone has a picture of Flea with a Spector I'd love to see it!
  #7  
Old 12-15-2008, 03:08 PM
Registered User
 
Join Date: Dec 2007
Quote:
Originally Posted by Aurel View Post
Flea used a Stingray on the early recordings, but in the early 90's, he started using an Alembic in the studio (it can be seen in the Funky Monks movie when he's laying down a bass track for "give it away").
He's been using Gallien-Krueger heads for quite some time now, along with G-K cabinets.
But in the eary days, I heard that he was using Mesa-Boogie cabinets.
His early envelope filter sounds came from a Boss FT-2 or a DOD FX-25. Later, he was seen using alternatively a Dunlop 105Q Bass Crybaby, an EHX Q-tron, and MXR Micro Amp, and for distortion, a Big Muff, and a BOSS ODB-2.

Until Stadium Arcadium he was mostly using GHS rounds, and he probably changed them quite often to keep a bright sound that would emphasize his attack. Hope that helps!
Im pretty sure he used a Wal mkIII on BSSM. The alembric epic was used to record One Hot Minute
EDIT: The Flats on his Jazz bass have reportedly never been changed.
  #8  
Old 12-15-2008, 03:23 PM
Banned
 
Join Date: Mar 2005
Here's some videos:
If you search youtube for red hot chili 1989 you'll get a lot.
http://www.youtube.com/watch?v=ove5_eQTgpw
http://www.youtube.com/watch?v=uNEyNy07MlA
http://www.youtube.com/watch?v=qvU4zCgAecM



Quote:
Originally Posted by Baryonyx View Post
Nice rundown of things, KPAX!

If anyone has a picture of Flea with a Spector I'd love to see it!
  #9  
Old 12-15-2008, 03:33 PM
Banned
 
Join Date: Jul 2005
Location: Marathon Man
Send a message via MSN to Baryonyx
Man, they used to rock quite a lot!
  #10  
Old 12-15-2008, 03:41 PM
Banned
 
Join Date: Mar 2005
Yeah, they didn't headline Lollapalooza in the 90's playing Dani California.
Quote:
Originally Posted by Baryonyx View Post
Man, they used to rock quite a lot!
  #11  
Old 12-15-2008, 04:57 PM
chanson's Avatar
Registered User
 
Join Date: Dec 2008
Location: Napa, California
Supporting Member
I didn't know he had used a Precision bass. That may be the reason for the different tone.
  #12  
Old 12-16-2008, 03:38 AM
Registered User
 
Join Date: Dec 2002
Location: Germany
Send a message via AIM to phxlbrmpf
I could've sworn "Uplift Mofo" was pretty much all Spector, it certainly sounds like it to me. I think he also uses a Spector in the "Fight like a Brave" video (although I admit this doesn't always mean anything).
__________________
http://www.myspace.com/mainin Main In | http://www.myspace.com/popesofny My silly solo project | Endorsing Artist: Antares Auto-Tune
  #13  
Old 12-16-2008, 03:53 AM
Son, I am disappoint.
 
Join Date: Sep 2006
Location: Gig Harbor, Washington
Here is the NS-2 with the SVT set up.
http://www.youtube.com/watch?v=fw-XK_X8Rm0

That is such a great tone.
__________________
Fender - Mesa - Peavey - Tech 21
  #14  
Old 12-16-2008, 08:46 AM
Banned
 
Join Date: Mar 2005
He may have. I know he was using a Spector in the early Frusciate period (1989) but he may have used it even earlier.

Quote:
Originally Posted by phxlbrmpf View Post
I could've sworn "Uplift Mofo" was pretty much all Spector, it certainly sounds like it to me. I think he also uses a Spector in the "Fight like a Brave" video (although I admit this doesn't always mean anything).
  #15  
Old 12-16-2008, 10:06 AM
Registered User
 
Join Date: Nov 2007
Location: Florida
Man, "Mother's Milk" was 1989? Time really flies.. I'm feeling kinda old...
__________________
Quote:
Originally Posted by referring to the bassist from King Diamond
He is 100 times the musician that Jerko was
  #16  
Old 12-17-2008, 07:51 AM
Banned
 
Join Date: Mar 2005
Yeah, me too.
Quote:
Originally Posted by bassrique View Post
Man, "Mother's Milk" was 1989? Time really flies.. I'm feeling kinda old...
  #17  
Old 12-17-2008, 07:55 AM
Registered User
 
Join Date: Apr 2008
Location: Rhode Island
What bass did he use on the cover of "If You Want Me To Stay"? I'm covering it, and I have a Jazz with Rotosounds and an Acoustic amp, so I'm trying to work with what I got. Any ideas for a 4-knob EQ?
__________________
Lefty Union #143
2007 MIM Fender Jazz Bass
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 02:17 PM.




Copyright 2011 Talk Music Group Inc. All rights reserved.
Play guitar? Visit our new sister site TalkGuitar.com [beta]
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.