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  #1  
Old 10-23-2008, 11:28 AM
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How about some love for Maurice Gibb?

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I’m a metal/rock player for the most part, always have been, always will be. Of course I’m never above giving credit where it is due and in this case I’d like to recognize Maurice Gibb of the Bee Gees. Yes, I know it was “just” disco music but he has some very memorable and cool bass lines (not to mention selling a zillion records).

Night Fever
Staying Alive
Jive Talkin’ (Mu Tron effect?)
You Should be Dancing
More Than a Woman

I know that Marcus Miller and Pino Palladino were in the backing band at one point or another but Maurice is credited for the studio work on those cuts and most everything else I was able to find track listings for. How about some love for Maurice!
  #2  
Old 10-23-2008, 11:40 AM
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"You Should Be Dancing" is one of my favorites. That bassline is fun to play!

Now if I could only sing that high...
  #3  
Old 10-23-2008, 12:29 PM
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staying alive is a great line
  #4  
Old 10-23-2008, 12:36 PM
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How much did Maurice Gibb play on the Seventies records? Somthing tells me they used studio musicians alot.
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  #5  
Old 10-23-2008, 01:12 PM
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Originally Posted by Dr. Cheese View Post
How much did Maurice Gibb play on the Seventies records? Somthing tells me they used studio musicians alot.
The album credits I was able to find listed a lot of studio musicians on their records but only one bass player, him.
  #6  
Old 10-23-2008, 01:18 PM
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Quote:
I know it was “just” disco music
If that's all you're familiar with of their catalog you're missing out. They had a LOT of hits in the 60s, long before Travolta came along. Back then Maurice played Rickenbacker basses and had a cool McCartney-esque style.

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  #7  
Old 10-23-2008, 01:23 PM
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I can't say I'm familiar with their early catalog. I think the earliest stuff from them I’ve heard is the mid 70’s stuff like Jive Talkin’ and Nights on Broadway (that had a cool line too). I do remember seeing an old video of Jive Talkin’ where he was playing a Ric. None of the album notes I found credited what bass he was playing on the big hit tracks, but it sure sounds like a Ric to me.
  #8  
Old 10-23-2008, 01:25 PM
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A METAL musician tipping his hat to Maurice Gibb! WHAT is this world coming to????

Neutral party here - not a big fan of either metal or the Bee Gees after they went disco - in fact, I used to have a "Disco Sucks!" bumper sticker on my bass case.
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  #9  
Old 10-23-2008, 01:26 PM
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And, the other two brothers were darn good guitarists, too, even though one was always pictured behind keyboards.
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  #10  
Old 10-23-2008, 02:35 PM
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Originally Posted by Clayman View Post
The album credits I was able to find listed a lot of studio musicians on their records but only one bass player, him.
Well, then I have to give him his due! He played some great basslines back in the day.
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  #11  
Old 10-23-2008, 03:16 PM
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+1 I remember when that stuff came out, and it just blew us all away... groove, production, vocals, everything. There was 'good' disco and plenty of 'bad' disco. The Gibb's were the 'good' stuff.

I can't really listen to that stuff at this point, but it sure did change music when the Night Fever thing hit. It had an impact like a hammer on cover bands, and a whole style of playing.

The cool thing was the bass really started taking center stage in mainstream pop music (i.e., white radio), which was a revelation for me.
  #12  
Old 10-23-2008, 03:31 PM
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How about some love for Maurice Gibb?

HMMM ... that's just not gonna happen ... sorry dude ...
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  #13  
Old 10-23-2008, 04:17 PM
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The Saturday Night Fever album is great. Classic songs with some groovy bass. I'd be surprised if it were Maurice Gibb, since the parts are so accomplished and studio players were usually all over that sort of music. But if it is him, fair play, he's a good bass player!
  #14  
Old 10-23-2008, 04:30 PM
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Originally Posted by Dr. Cheese View Post
How much did Maurice Gibb play on the Seventies records? Somthing tells me they used studio musicians alot.
Maurice was the acknowledged real musician in the group, also playing a lot of great keyboards and guitars. Certainly one of the greatest pop musicians of that time.

I personally prefer their pre and post disco stuff; although the Travolta era stuff was very well done, they had a lot more going for them than disco!
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  #15  
Old 10-23-2008, 04:31 PM
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Originally Posted by lindseyp View Post
And, the other two brothers were darn good guitarists, too, even though one was always pictured behind keyboards.
I think Rob mostly just sang.
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oh by the way here's some fancy english if thats what ur looking for: You are an inept maestro. Have a jocular day, you unpleasant drip.
  #16  
Old 10-23-2008, 04:32 PM
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Originally Posted by Ric5 View Post
How about some love for Maurice Gibb?

HMMM ... that's just not gonna happen ... sorry dude ...
Nobody who plays a Ric should neglect Maurice.
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oh by the way here's some fancy english if thats what ur looking for: You are an inept maestro. Have a jocular day, you unpleasant drip.
  #17  
Old 10-23-2008, 06:27 PM
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It's just an awful joke that their 40 year career is known to most people just by their disco period. History has such a way of reducing everything to a thumbnail sketch. Their early stuff- like 1968- 1972 - is really good British pop up there with Zombies and The Kinks, in my opinion. Songs like I Started A Joke, Words, To Love Somebody, How Can You Mend A Broken Heart, Massachusetts were all hits- charted, sold millions of copies, covered by other artists- and they are all just obliterated by the cultural phenomenon of Saturday Night Fever.

Also, what's up on the bridge to Nights On Broadway? It's like it's from another song or something.
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  #18  
Old 10-23-2008, 11:52 PM
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Corinpills-

bullseye.
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oh by the way here's some fancy english if thats what ur looking for: You are an inept maestro. Have a jocular day, you unpleasant drip.
  #19  
Old 10-24-2008, 12:10 AM
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CONFESSION

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  #20  
Old 10-24-2008, 12:10 AM
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Originally Posted by mrjim123 View Post
I used to have a "Disco Sucks!" bumper sticker on my bass case.
I need an "Emo Sucks!" one
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