Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Bassists [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read



Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #41  
Old 06-11-2009, 04:09 AM
Registered User
 
Join Date: Sep 2008
Location: Queens, NY
Sign in to disble this ad
[/quote]Check out this, truly amazing:
http://www.youtube.com/watch?v=T2bXl5AwX8Q[/quote]

He's definitely got chops, but maybe Billy should've picked up a guitar.....

Last edited by Truktek2 : 06-11-2009 at 04:12 AM.
  #42  
Old 06-11-2009, 07:12 AM
Registered User
 
Join Date: Jun 2009
I am not sure why anyone would say anything negative about Sheehan. Sure, his music is not for everyone and he has a unique syle but the guy is extremely talented and a pioneer in many ways. I have seen him perform 3 times. While Billy may not be in the spotlight as much today this guy WAS the bass 20 years ago. Some of you guys my be younger and not realize how big a deal this guy was in 1988. I remember hearing Eat'm and Smile and Skyscraper for the first time and realizing I had a new bass hero after having my head up Geddys ass (who seemed average) after I heard Sheehan. I remember buying my first Bass Player Mag which had Sheehan on the cover. He inspired me to take my playing to another level.
  #43  
Old 06-11-2009, 07:22 AM
Bruce Lindfield's Avatar
Unprofessional TalkBass Contributor
 
Join Date: Dec 1999
Location: Brighton, England, UK, Europe
Supporting Member
I started listening to music and playing in the early 70s - but Billy Sheehan never appeared on the radar over here ... Complete non-entity - same with Rush - I heard one track on Old Grey Whistle Test (TV show), but they were never popular over here...?

Whereas, Jaco,Stanley,Marcus were big in bass players's sights...
__________________
“Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity.”
Charles Mingus
  #44  
Old 06-11-2009, 10:08 AM
Registered User
 
Join Date: Jun 2009
Yeah, I guess different parts of the country, world, as well as eras are going to explain when and where people were exposed to whom and why they are or not so impressed with someone.
  #45  
Old 06-11-2009, 10:26 AM
GregC's Avatar
Johnny and Joe
 
Join Date: Jan 2007
Location: Chicago
GOLD Supporting Member
Quote:
Originally Posted by Bruce Lindfield View Post
I started listening to music and playing in the early 70s - but Billy Sheehan never appeared on the radar over here ... Complete non-entity - same with Rush - I heard one track on Old Grey Whistle Test (TV show), but they were never popular over here...?

Whereas, Jaco,Stanley,Marcus were big in bass players's sights...
I think this may have more to do with genre than location, though.
__________________
Quote:
Originally Posted by Jim C View Post
All these micro guys keep throwing a single 12AX7 behind the input jack with the marketing team shouting "has a tube; sounds like tubes".
LOG #143
  #46  
Old 06-11-2009, 10:50 AM
Jared Lash's Avatar
I'm a tumbler, born under punches
 
Join Date: Aug 2006
Location: Northern California
Supporting Member
I really enjoyed that and don't have any desire to sit around and critique who did and didn't impress me. I dig it for what it was, a group of world renowned bass players jamming and having fun for an audience no doubt wholly composed of bass players.

As for Flea, I love his playing, always have. As he's evolved as a player his abilities have grown measurably but his restraint has as well. I think his solo shows the difference between a talented bassist in a pop band context and a jazz/solo/session bass player. Not better or worse, just different. I really dug Bunny's solo as well and of course Stanley but they were all interesting in their own way.
__________________
The Talkbass Stambaugh gallery

PM me with any new submissions.
  #47  
Old 06-11-2009, 10:55 AM
James Hart's Avatar
Registered User

Endorsing Artist: see profile
 
Join Date: Feb 2002
Location: toms_river.nj.us
Send a message via AIM to James Hart
Supporting Member
Quote:
Originally Posted by blackreverend View Post
I have to say though; Jimmy Johnson's solo was pretty bad ass!
I thought so too
  #48  
Old 06-11-2009, 11:03 AM
Registered User
 
Join Date: May 2009
Location: Massachusetts USofA
Quote:
Originally Posted by KaizerWilhelm View Post
Flea was amazing. I love the Chili Peppers, but this truly shows how great Flea is that he can play just about anything. I love him even more now.
I've always respected Flea's playing, even if it's not my cup of tea. But yeah, that's a standout solo by any measure. Big ups.
  #49  
Old 06-11-2009, 11:10 AM
Registered User
 
Join Date: Jan 2009
Location: Brooklyn, NY
Quote:
Originally Posted by addito View Post
I really think Flea is a very underrated player. Blood Sugar Sex Magic has become one of my favorite albums of all time and includes some of the most awesome basslines I have ever heard.
+1 on BSSM, that's a sick album.
__________________
BASS!!!!! HOW LOW CAN YOU GO!!!!
  #50  
Old 06-11-2009, 11:22 AM
wilsonn's Avatar
Registered User
 
Join Date: Sep 2005
Location: New York
Send a message via Yahoo to wilsonn
Supporting Member
Brunel, awesome. Flea, great, but sound sucked. Bromberg, ugh, buy a guitar. Best part for me was the Marcus/Stanley duet in Part II.
  #51  
Old 06-11-2009, 08:04 PM
Registered User
 
Join Date: Aug 2008
Location: FL-Central
For me flea was very good---- But that Bunny cat has the stuff...That cat can play.
__________________
Team Trace Elliot # 105
Florida Bassist Club#96
Fretless club #442-Fender Jazz Fretless
T.C. RH450 Club#1-
  #52  
Old 06-11-2009, 08:42 PM
Registered User

Endorsing: Ampeg
 
Join Date: Apr 2005
Location: Apopka, FL
Quote:
Originally Posted by Bruce Lindfield View Post
I started listening to music and playing in the early 70s - but Billy Sheehan never appeared on the radar over here ... Complete non-entity - same with Rush - I heard one track on Old Grey Whistle Test (TV show), but they were never popular over here...?

Whereas, Jaco,Stanley,Marcus were big in bass players's sights...
Ya, and we never heard of Smokie or The Rubettes over in America so we consider it even
__________________
Ampeg Portaflex Club #1
  #53  
Old 06-11-2009, 08:44 PM
Registered User
 
Join Date: Dec 2006
Location: toronto canada
Quote:
Originally Posted by TheBigO View Post
I think his solo shows the difference between a talented bassist in a pop band context and a jazz/solo/session bass player. Not better or worse, just different.
I think their are plenty of Jazz/solo/session players that play more tastefully then most of the bassist up on stage. To me there seemed to be a lot of wanking going on. Just because someone has chops doesn't mean that they cannot play tastefully and melodically. This situation just seemed to be a big "lets show everyone what we can do" situation, it doesn't seem like a real world situation. Look at players like Mark Egan(great soloist, plays tasteful on Joan Osborns first album) Steve Swallow(more melodic than plenty of sax players) John Patitucci(plays the hell out of both basses but can still play melodically when called for and can play simple when called for) the list goes on and on with players that are talented in either context. And by the way I actually really like fleas solo, I found it quite tasteful.
__________________
Those who are in front, don't know how behind they are
  #54  
Old 06-12-2009, 02:39 AM
Bruce Lindfield's Avatar
Unprofessional TalkBass Contributor
 
Join Date: Dec 1999
Location: Brighton, England, UK, Europe
Supporting Member
Quote:
Originally Posted by GregC View Post
I think this may have more to do with genre than location, though.
Quote:
Originally Posted by JimmyM View Post
Ya, and we never heard of Smokie or The Rubettes over in America so we consider it even

You have come to the same answer via different routes!!


But seriously, I was talking about the fact that I was actively looking for great bass players - reading every magazine, watching every TV music show and listening and talking to as many bass players as I could...etc etc.

So Stanley Clarke and Jaco came up a lot in the 80s as well a Marcus Miller - plus "Blood Sugar Sex Magic" influenced many UK players - but I suppose the "rock" bass players never made it over here, as UK music went all "Indie" after Punk/New Wave and "rock and roll" was seen as outdated and unfashionable...?
__________________
“Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity.”
Charles Mingus
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Follow TalkBass on Twitter   Visit TalkBass on Facebook  

All times are GMT -6. The time now is 06:39 PM.




Copyright 2011 Talk Music Group Inc. All rights reserved.
Play guitar? Visit our new sister site TalkGuitar.com [beta]
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.