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09-25-2010, 05:56 AM
| | Registered User | | Join Date: Aug 2010 Location: Saginaw, MI | | | John Entwistle equipment!
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Hi...I stumbed across this site searching for Ric 4005 info.
it gave me a full evening of reading.
And my bands guitar player complains about my rig....jeesh! http://www.thewho.net/whotabs/gear/bass/bass.html
Plus he changed hs strings EVERY DAY! I know thet were....FREE~!
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09-25-2010, 11:13 AM
|  | Hecho en Indonesia | | | | | | 
09-25-2010, 04:05 PM
| | Registered User | | Join Date: Jul 2010 Location: Vancouver, BC | | thanks for posting  | 
09-26-2010, 05:05 AM
| | Registered User | | Join Date: Apr 2009 Location: Lone Star State | | | nice find! | 
09-26-2010, 10:03 AM
| | Registered User | | Join Date: Feb 2010 Location: Hermitage, PA | | Holy ****!  
Guy had some killer tone, that's for sure.
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09-27-2010, 08:32 AM
|  | Registered User | | Join Date: Nov 2000 Location: Boston, MA | | | be careful entering the gear vortex.
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kick out the style, bring back the Jam!
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12-24-2010, 10:48 AM
| | Registered User | | Join Date: Aug 2010 Location: Saginaw, MI | | Bump for more Holiday weekend action.... 
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12-24-2010, 10:49 AM
| | Registered User | | Join Date: Dec 2010 Location: London | | | It's a great site that - the bass tabs are generally pretty good too and the feature on Townshend's setup is also quite interesting for those that are that way inclined.
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12-24-2010, 07:15 PM
| | Registered User | | Join Date: Nov 2008 Location: cincinnati | | can we say overkill? 
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12-24-2010, 08:15 PM
|  | ACME, Line 6, SWR, QSC, Greco user/BOSE PAS abuser | | Join Date: Feb 2004 Location: South Texas | | | Great read.
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12-25-2010, 04:57 AM
| | Registered User | | Join Date: Aug 2010 Location: Saginaw, MI | | Quote:
Originally Posted by Johnny Crab Great read. | I have been a speaker nut my whole life....but not to Mr. Entwhistle's extent!
I used to curbolate....that's junk pick.....speakers from tv's on the curb on junk day in the mid 60's 
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Last edited by StereoPlayer : 12-27-2010 at 04:53 PM.
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12-27-2010, 08:24 AM
| | Registered User | | Join Date: Dec 2010 Location: London | | Quote:
Originally Posted by sonic assassin can we say overkill?
| Yes, yes we can. John Entwistle is my principal inspiration for all things bass-guitar-related, and the very reason I took up the instrument in the first place...but I personally thought his sound peaked around the late '60s / early '70s - I greatly prefer the simple overdriven growl he has on the Live at Leeds and Live at the IoW 1970 recordings to the over-complicated sound he was using from the '80s onwards.
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12-27-2010, 10:39 AM
| | Registered User | | Join Date: Dec 2009 Location: Danville, VA | |
THAT'S a rig of doom.
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12-27-2010, 01:10 PM
| | Registered User | | Join Date: Jul 2009 Location: Scotland | | | Its strange that the larger his rigs got the worse his tone got. I quite like his Leeds tone though I don't think it sits well with Townshend's almost acoustic P90 flakeyness. I also quite like the 1978 stuff for Shepperton filming, it really makes the most of that bottom-end-of-a-Steinway-piano tone. However at some point he got into fuzzing up the high end and adding chorus. By the 1990s his tone is epically horrible but people still rant and rave about it.
Actually even the Leeds tone is little more than a P bass with the action set really low, fresh roundwounds and buckets of overdrive. You just need to do the whole typewriter technique thing and you get that tone. I don't think John did anything advanced in his life technique-wise, he just got lucky and got their first with the whole HiFi bass concept and had a lot of money to blow on experimental gear.
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12-27-2010, 01:29 PM
|  | Registered User | | | | Quote:
Originally Posted by AuntieBeeb Yes, yes we can. John Entwistle is my principal inspiration for all things bass-guitar-related, and the very reason I took up the instrument in the first place...but I personally thought his sound peaked around the late '60s / early '70s - I greatly prefer the simple overdriven growl he has on the Live at Leeds and Live at the IoW 1970 recordings to the over-complicated sound he was using from the '80s onwards. | Quote:
Originally Posted by Meddle Its strange that the larger his rigs got the worse his tone got. I quite like his Leeds tone though I don't think it sits well with Townshend's almost acoustic P90 flakeyness. I also quite like the 1978 stuff for Shepperton filming, it really makes the most of that bottom-end-of-a-Steinway-piano tone. However at some point he got into fuzzing up the high end and adding chorus. By the 1990s his tone is epically horrible but people still rant and rave about it. Actually even the Leeds tone is little more than a P bass with the action set really low, fresh roundwounds and buckets of overdrive. You just need to do the whole typewriter technique thing and you get that tone. I don't think John did anything advanced in his life technique-wise, he just got lucky and got their first with the whole HiFi bass concept and had a lot of money to blow on experimental gear. | I also agree that the "Leeds" tone is iconic. Pure and simple bass "balls"; those raging Reeves era early Hiwatts on "11"...
Ah, I remember well the first time I heard those recordings.  | 
12-27-2010, 01:52 PM
|  | Supporting Member | | | | | Thanks for finding this, enjoyable reading. Interesting to see how often he changed gear ..... before TalkBass-inspired GAS!
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Last edited by JxBass : 12-27-2010 at 02:52 PM.
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12-27-2010, 02:02 PM
| | | | Entwistle John's rig in the later years may have been overkill, I've never seen or heard the benefit of splitting the bass signal as John did. I've tried it on a smaller scale and always preferred playing without splitting signal.
His sound filled in a great deal more than a normal bass player, there is an article or interview with Pete Townsend where Roger Daltry always complained about the volume of John's bass killing Roger's hearing!, when they lowered his volume on a tour in the late 80's they had to add horns, backup vocals to fill in the void according to Pete. | 
12-28-2010, 03:53 AM
| | Registered User | | Join Date: Dec 2010 Location: London | | Quote:
Originally Posted by Meddle By the 1990s his tone is epically horrible but people still rant and rave about it. | I don't like it either - it's far too synthetic-sounding. Though you do have to wonder if it was like that because by 1978 he was too deaf to hear it properly!
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02-01-2011, 10:12 AM
| | Registered User | | Join Date: Dec 2009 Location: Atlanta, GA | | | I was watching "John Entwistle: An Ox's Tale" and pulled this quote out, by Pete Townsend, which I found hilarious:
"One of the reasons why he and Roger never were really able to fully grow into what could have been a really great and nurturing, creative friendship was because Roger could not function onstage with this thing called John Entwistle and his stack... When these arguments happened about volume and Roger would say 'You know John just has to turn down.' I would say 'Well, in a normal world, yeah, but this isn't a normal world. This is the Who. That's John Entwistle.'"
NetFlix has the DVD, and has it on streaming, and it is highly entertaining.
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02-01-2011, 10:19 AM
|  | Registered User | | Join Date: Aug 2007 Location: Medford, Wisconsin | | Quote:
Originally Posted by gttim I was watching "John Entwistle: An Ox's Tale" and pulled this quote out, by Pete Townsend, which I found hilarious:
"One of the reasons why he and Roger never were really able to fully grow into what could have been a really great and nurturing, creative friendship was because Roger could not function onstage with this thing called John Entwistle and his stack... When these arguments happened about volume and Roger would say 'You know John just has to turn down.' I would say 'Well, in a normal world, yeah, but this isn't a normal world. This is the Who. That's John Entwistle.'"
NetFlix has the DVD, and has it on streaming, and it is highly entertaining. | Thanks for the tip! I have Netflix and just placed it on my streaming queue.
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