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10-20-2009, 05:31 PM
| | | | John Myung's technique
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You can get a good down-the-neck look at his playing style in this in-studio video: http://www.youtube.com/watch?v=EkF4JD2rO3Q
It appears that the fingers of his left fretting hand are lifted quite a distance off the fretboard when moving between notes, even straightening in some instances, i.e. he's playing a note and lifting that finger high off the fretboard, then bringing it down again to play the next note with that finger.
Wouldn't this be considered a less economical style than keeping the fingers curled and close to the fretboard between notes? I can't imagine taking lessons and being taught to play the way he does, but obviously it works for him because he's been playing DT's lightning-fast riffs all these years. Is it possible that straightening and lifting his fingers like that is actually stretching them and preventing cramping? Your thoughts?
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Last edited by Eyesee7 : 10-20-2009 at 05:32 PM.
Reason: typo
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10-20-2009, 05:36 PM
| | Registered User | | Join Date: Jan 2009 Location: Towson, Maryland | | | He does that in the studio to eliminate string noise from switching notes. | 
10-22-2009, 01:37 PM
| | | | Bump for more responses
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She said, "Either the basses go or I go." I'm gonna miss her...
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10-22-2009, 01:40 PM
|  | Registered User | | Join Date: Nov 2007 Location: Portland | | | Boy howdy does he look busy...
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Originally Posted by Count Bassie We all have the occasional fond thought of you too, Moose...  | Looking for a job in audio/staging ect. in Portland. PM me for my resume.
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10-23-2009, 01:02 AM
| | Registered User | | Join Date: Mar 2009 Location: Oslo, Norway | | | He seems to play surprisingly hard live. How can he play that hard and that fast? The guy's got some serious strength.
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10-23-2009, 03:55 AM
| | Registered User | | Join Date: Jan 2008 Location: Orange County, CA | | | Trapezius:
Practice is the only answer I can come up with.
R...
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10-23-2009, 11:50 AM
| | | | sweet bongo | 
10-23-2009, 12:06 PM
|  | Registered User | | Join Date: Jan 2008 Location: Fredericksburg, VA | | | Not that I know John M., but he was originally schooled in violin and did go to the Berklee School, so...I doubt it's a bad habit, undobutedly to add some percussive texture (note the guitarist is using the same technique) to those passages. Note how John's technique becomes much more fluid around timestamp 4:04, because the chart then calls for fluidity.
I don't think I'd get tired so much as I'd get carpal tunnel; I'm at the age where I have to be very careful with form and technique.
It is a schweet Bongo.
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10-25-2009, 07:38 AM
| | Registered User | | Join Date: Oct 2007 Location: Portugal | | | To me atleast, his left hand technique never seemed very fluid, I do believe it is a bad habit. He also places his left thumb on the edge of the neck (deathgrip it's called, right?) when he's playing the first 3 strings, and that is a bad habit for sure. | 
10-25-2009, 09:15 AM
| | Registered User | | Join Date: May 2009 Location: Omaha, NE | | Quote:
Originally Posted by tomas_almeida To me atleast, his left hand technique never seemed very fluid, I do believe it is a bad habit. He also places his left thumb on the edge of the neck (deathgrip it's called, right?) when he's playing the first 3 strings, and that is a bad habit for sure. | Quote:
Originally Posted by Bassorama57 Not that I know John M., but he was originally schooled in violin and did go to the Berklee School, so...I doubt it's a bad habit. | ... | 
10-25-2009, 10:00 AM
|  | Registered User | | Join Date: Jan 2007 Location: Pittsburgh | | | he would still rip most of us a new one whether its "bad" technique or not. | 
10-25-2009, 11:35 AM
| | Registered User | | Join Date: Feb 2008 Location: Minneapolis, Minnesota | | | I'm glad he bends the strings hard with his thumb (like me) whenever he is playing the bottom couple of strings!
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10-25-2009, 12:22 PM
| | Registered User | | Join Date: Mar 2009 Location: Oslo, Norway | | Quote:
Originally Posted by roccobladr sweet bongo | ... of the Congo
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