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  #1  
Old 06-11-2006, 01:35 PM
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Mark Hoppus Tone

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listening to the intro of "Online Songs".......that really powerful bass tone.....am i right in thinking that is achieved by lots of compression/limiting???

i know its played with a pick and i know what bass he uses.
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  #2  
Old 06-11-2006, 05:22 PM
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Mark Hoppus Sig. model.
  #3  
Old 06-11-2006, 05:36 PM
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In farct that tone is easy to achieve but you need the gear ...

Pretty much any good P-bass (MIA, MIJ)

Seymour-duncan quarter pouders pickups

Play with a pick

A svt with a ampeg 6x10 or 8x10, it's pretty much the only way youre gonna achieve exactly that sound...
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Old 06-12-2006, 02:17 PM
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and...

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  #5  
Old 12-01-2006, 05:43 AM
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mark records twice: once directly into the recording gear, then he mics his amp and records that track. Plus playing with a pick.
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  #6  
Old 12-01-2006, 06:52 AM
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Seen that Mark is playing a new custom shop bass.

Swamp Ash body.
Natural finish
Reverse p-pickup.
  #7  
Old 12-01-2006, 09:36 AM
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Quote:
Originally Posted by JustOpenYourMind
In farct that tone is easy to achieve but you need the gear ...

Pretty much any good P-bass (MIA, MIJ)

Seymour-duncan quarter pouders pickups

Play with a pick

A svt with a ampeg 6x10 or 8x10, it's pretty much the only way youre gonna achieve exactly that sound...
I pretty much agree with that... but I reckon the pick and Quarter Pound pickup are the two most crucial factors...

and I would add 'brand new strings' too

there's a bit of grit in there that you could probably get close enough to with any decent tube/tube emulation preamp without having to shell out Ampeg SVT dollars
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Old 12-01-2006, 09:48 AM
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Quote:
Originally Posted by misterspigot
mark records twice: once directly into the recording gear, then he mics his amp and records that track. Plus playing with a pick.
Does he record twice seperately, or just with two signals?
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  #9  
Old 12-01-2006, 12:55 PM
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Quote:
Originally Posted by chaosMK
Does he record twice seperately, or just with two signals?
i dont know, good question. i'll try to find out.
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