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05-05-2009, 04:50 PM
| | Registered User | | Join Date: Jan 2009 Location: Richmond, Texas | | | Mike Dirnt tone
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I'm not really sure if this is the right forum, but how do you get that MD tone? I cannot seem to figure it out. (Just FYI I have a P/J so I can just shut out the J pup)
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Texan Bassists Club # 70
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05-05-2009, 05:03 PM
| | Registered User | | Join Date: Dec 2008 Location: Stow, Oh | | | Why?
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If I want extended range, I whip out my six string!#179 at the Tricked Out Squier Club.
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05-05-2009, 06:12 PM
| | Registered User | | Join Date: Jan 2009 Location: Richmond, Texas | | I've always admired his tone and I wanted to snag something like it for myself. 
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Texan Bassists Club # 70
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05-05-2009, 11:20 PM
| | Registered User | | Join Date: Aug 2007 Location: Boston, MA | | | A lot of the older stuff sounds like a cranked tube amp... I believe he was also using a Gibson Grabber though I'm sure a pbass would suffice. If anything you could get that sort of ballsy crunchy sound with a p/j set up. Really I think it's more with his picking then his choice of bass that gets that sound.
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G&L #175 har!
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05-06-2009, 06:18 AM
| | Registered User | | Join Date: Jan 2005 Location: London, England | | | His recorded tone is a mix of a miked SVT and an evil twin DI.
__________________ 'Tis no man... 'Tis a remorseless eatin' machine! | 
05-06-2009, 06:50 AM
|  | Registered User | | Join Date: Dec 2007 Location: St. Petersburg, FL | | Mike Dirnt does have a nice tone..
Here is a page that list what he uses although I am not sure how accurate it is: http://www.uberproaudio.com/content/view/131/38/
All of the pics i have been seeing lately, he has been using newer Fender rigs... But one thing you have to watch, during studio recordings artists use a variety of set-ups and not always what they use on the road.
I read an article where Mike talks about using some old Sunn amps in the studio as well... Cant seem to find it though.
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Mike
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05-06-2009, 06:56 AM
| | Registered User | | Join Date: Aug 2007 Location: Ilkley ,W. Yorks, England | | | Read in an interview that he runs his EQ flat nowadays with a slight boost at 1K, sounds pretty simple other then the fact that there's probably alot more going on then that elsewhere when in the studio and playing live etc.
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ATK Club Member #55
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05-06-2009, 07:02 AM
|  | Supporting Member | | Join Date: Apr 2008 Location: Fairfax, VA USA | | | From wikipedia, so who knows how accurate it is...
Basses
* Mike Dirnt Precision Bass (in several different colors including: black, white and a two-tone sunburst )
* Fender 1969 Vintage Precision Bass (w/ a BadAss II Bridge, Seymour Duncan Antiquity Pride II Pickups) aka. "Stella"
* Fender Standard Precision Bass
* Fender American Jazz Bass (used with the S-1 Switch "down")
* Fender 1966 Vintage Precision Bass
* Gibson G-3 Bass (no longer used)
* Peavey Patriot Bass (no longer used)
Amplification
* Mesa/Boogie M-2000 Head (x3)
* Mesa/Boogie 6x10 Custom Cab (x2+)
* Mesa/Boogie 1x18 Cab (x2+)
* Mesa/Boogie 2x10 Cab (x2+)
* Fender Pro 1200 Head (x2)
* Fender Pro 800 Head (x1)
* Fender Pro 810 Cab (x3+) | 
05-06-2009, 07:04 AM
| | Registered User | | Join Date: Sep 2006 Location: Birmingham, UK | | P bass with new-ish strings, and a boost to 800-1k with everything else flat will get you close...gets me close. 
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Every ding has a story. Team Trace Elliot #3 Christian P&W bassist #97 EHX club #23 Boss rocks! club #17 British bassist #68 Quote:
Originally Posted by Relic That's your masterly-bated fish hook. | | 
05-06-2009, 09:46 AM
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Originally Posted by etechstan Why? | Seriously, lol | 
05-06-2009, 10:02 AM
| | Registered User | | Join Date: Dec 2003 Location: Big Sound Central | | | Just use the pick and practice a lot. It'll be cheaper (and therefore more punk rock).
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Ameeeeeericaaaaaaaa/Eatin' my lunch from a single bowl/In my paaaaaarents basssssement/Where I'm livin'/Happy Birthday!/I'm 43.
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05-06-2009, 10:53 AM
| | Registered User | | Join Date: Apr 2008 Location: Bend, Oregon | | Quote:
Originally Posted by Against Will Just use the pick and practice a lot. It'll be cheaper (and therefore more punk rock). | ahahahaha best reply!
On a side note, I really don't like his tone lately...like I love Dookie, its sick tone. But now...I dunno, maybe it is just because I am not diggin' where Greenday is goin' musically. | 
05-06-2009, 11:14 AM
| | Registered User | | Join Date: Feb 2009 Location: Santiago de Chile | | | besides all the technological stuff, I think you have to pick in between the p/u's, almost in the neck one, too [I'm comparing this saying this with a Jbass] | 
05-06-2009, 05:17 PM
|  | Registered User | | Join Date: Dec 2007 Location: St. Petersburg, FL | | [rant on] Quote:
Originally Posted by etechstan Why? | Quote:
Originally Posted by Leftybass12 Seriously, lol |
Why even bother to respond if you have nothing worth while add to the OP's post? Just because you dont like Mike Dirnts tone, doesn't mean that no one else can...
[/rant off]
Back to the topic at hand...
I started to try to get Mike's tone... Have an Ibanez 4 string with a P pup... But then started to like Randy Bradbury's tone a bit better and headed that way.. But to my surprise, I dont think they are far off. Went with some Ernie Ball Hybrid Slinkys and can get a decent Dirnt tone on Green Day songs and I use a 1.0 Dunlop pick... I saw in one rig post that Dirnt uses nickel round wound trings(similar to the Hyb slinkys)..
Play with your tone knob and preamp settings and play along with songs til you get close... Also I believe they tune a half step down...
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Mike
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05-06-2009, 05:19 PM
|  | Registered User | | Join Date: Dec 2007 Location: St. Petersburg, FL | | | Does anyone know if his signature bass uses special pickups or normal MIJ p-pickups?
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Mike
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05-06-2009, 05:28 PM
| | Registered User | | Join Date: Aug 2007 Location: Ilkley ,W. Yorks, England | | | "Modeled after the ’51 Precision, it features a slab ash body with a ’55 arm contour and pickguard. Other features include a thick C-shaped maple neck modeled after Dirnt’s original ’69 Precision, a Custom Shop ’59 Precision Bass pickup, and a Badass® Bass II™ bridge with chrome hardware."
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ATK Club Member #55
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05-06-2009, 05:51 PM
|  | Registered User | | Join Date: Dec 2007 Location: St. Petersburg, FL | | Quote:
Originally Posted by SwamiRob "Modeled after the ’51 Precision, it features a slab ash body with a ’55 arm contour and pickguard. Other features include a thick C-shaped maple neck modeled after Dirnt’s original ’69 Precision, a Custom Shop ’59 Precision Bass pickup, and a Badass® Bass II™ bridge with chrome hardware." | Thanks man, sorry my bad.... I dont know why I didn't check the site... 
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Mike
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05-07-2009, 06:28 AM
| | Registered User | | Join Date: Jan 2005 Location: London, England | | Quote:
Originally Posted by Kink Rimson His recorded tone is a mix of a miked SVT and an evil twin DI. | My bad, this is from the Nimrod era. think he uses Fender amps now. Although in my opinion, Nimrod has an incredible Precision tone!! 
__________________ 'Tis no man... 'Tis a remorseless eatin' machine! | 
05-07-2009, 06:35 AM
| | Registered User | | Join Date: May 2008 Location: Sioux Falls, SD | | | IMO most of the recorded stuff sounds like your basic Fender P played with a pick through an SVT.
His tone is nice and he's always up in the mix, but I don't think it's anything real unique and it should be pretty easy to reproduce. | 
05-07-2009, 06:54 AM
| | Registered User | | Join Date: Feb 2007 Location: South Florida | | | Sansamp or VT Bass pedal would probably help. Of course you need a P-bass with roundwound strings and a pick. His tone is great and you can hear him especially since there's only one other guitar in the band.
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Flatwounds and a flathead.
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