"This new record is about us playing together. It’s not about big productions or anything, it’s just Rhodes, bass and drums. It’s a totally different direction from what I did last time (on 2007’s Actual Fiction, also on Abstract Logix). It shows what can happen when you just make it about the interpretation of the material and how we play together. And for that reason it’s maybe more personal than anything I’ve done before.”
From the modal opener “Change Agent” to the bubbling “Old School” (which recalls the old school funk-fusion of Herbie Hancock’s Headhunters) to the atmospheric “Tarde,” these three kindred spirits demonstrate a remarkable capacity to groove in loose-tight fashion throughout Retro. They collective burn through a labyrinth of chord changes on the uptempo romp “Move,” which is fueled by Willis’ urgent walking bass lines, and settle into on mellow accord on Oregon’s floating “Amaryllis” and a chill 3/4 take on the Beatles’ “Norwegian Wood.” Bover proves to be both a consummate accompanist and accomplished soloist from track to track while Borlai’s crisp, polyrhythmic pulse and supple brushwork fuel the proceedings. Willis’ virtuosic solo contributions here, particularly on “Disconnectivity” and “Move,” show why he is regarded as one of the most outstanding bassists on the scene today.
“I just wanted to feature the fun of playing together and the expression that comes out in this stripped-down setting,” says Willis of his fifth album as a leader overall and second for Abstract Logix. “Whatever direction it’s going, we’re going to try to get into it pretty deep.” They’ve succeeded in brilliant fashion on Retro."