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  #321  
Old 01-31-2013, 08:52 AM
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Also consider the reaction of the human mind to loud sounds and adrenaline. One of the reasons movies often crank the low end sound. Of course it depends how much are you turning down. Lots of factors here.
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Just call it Slept O))) . Like I slept through bothering to learn any of the songs so I just play one note.
  #322  
Old 01-31-2013, 09:00 AM
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Also consider the reaction of the human mind to loud sounds and adrenaline. One of the reasons movies often crank the low end sound. Of course it depends how much are you turning down. Lots of factors here.
DON'T USE SCIENCE ON ME NICK.
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  #323  
Old 01-31-2013, 09:00 AM
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Originally Posted by dunwichamps View Post
maybe/maybe not. Fletcher Munson Curve for one.
Yes this is very true. Fortunately some EQ tweaks should compensate for that change in perception, and as volume goes down, more resources are available (by this I mean your speakers are not on the edge of capability. You are not going to push them past that by boosting some bass at a low volume).
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Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass
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  #324  
Old 01-31-2013, 09:08 AM
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Actually, as I get older, the more likely it is that I'm going to be in situations like that. Wineries can actually pay pretty good $$$ for small gigs like that. And for a gig like that, my 1500 watt amp with a 1212/6 is waaaaay overkill.

Other than that, I'm with you though. I prefer to play loud and proud.
Sell Out!!!

Just joshin ya
If I can hear them talking that would bug the hell out of me.
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so what is the best amp for sharting? :hiding:
  #325  
Old 01-31-2013, 09:09 AM
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Originally Posted by CL400Peavey View Post
Yes this is very true. Fortunately some EQ tweaks should compensate for that change in perception, and as volume goes down, more resources are available (by this I mean your speakers are not on the edge of capability. You are not going to push them past that by boosting some bass at a low volume).
+1 on all that.
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Just call it Slept O))) . Like I slept through bothering to learn any of the songs so I just play one note.
  #326  
Old 01-31-2013, 09:09 AM
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Over kill yes, but that is why there is a volume knob. No one can deny that your mega rig still sounds good when turned down.
I dont agree, when we turned down last night, I feel like I wasnt pushing my speakers hard enough, like they werent going into speaker distortion as opposed to just my pedal distortion/fuzz/OD.
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  #327  
Old 01-31-2013, 09:12 AM
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Originally Posted by CL400Peavey View Post
Yes this is very true. Fortunately some EQ tweaks should compensate for that change in perception, and as volume goes down, more resources are available (by this I mean your speakers are not on the edge of capability. You are not going to push them past that by boosting some bass at a low volume).
Regardless, I'm of the mind that as a pro, it's my responsibility to bring the right gear to the right situation That means having a 2x10 or (gasp) a tasteful combo on hand for small, intimate gigs and my fEARful when I need or can at least use the big guns.

I like getting hired. Forcing my perspective on the band leader is not going to get me to achieve that goal. that's all I'm saying with my pov. The endless debates about this amuse me no end.
  #328  
Old 01-31-2013, 09:14 AM
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I cannot say for sure but from my own experience there is also a memory like effect with volume. If you play at a certain loudness then turn down it almost always seems worse to me quieter but if I start playing at that volume initially its fine. Its kind of a perception thing.
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Just call it Slept O))) . Like I slept through bothering to learn any of the songs so I just play one note.
  #329  
Old 01-31-2013, 09:15 AM
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Sell Out!!!

Just joshin ya
If I can hear them talking that would bug the hell out of me.
Dude, I ain't going to deny it. I have Kelly Clarkson songs in my repertoir. More likely to get paid for those than I will from having Elder or Solace in my bag of tricks (which I do, BTW)
  #330  
Old 01-31-2013, 09:16 AM
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I dont agree, when we turned down last night, I feel like I wasnt pushing my speakers hard enough, like they werent going into speaker distortion as opposed to just my pedal distortion/fuzz/OD.
And that may very well be the case. To which the solution is using less speakers, and pushing the remaining ones just as hard. Decrease the sensitivity of the system, use less power, but still push the remaining speakers as hard.

This is part of why, even though 812 guitar full stacks may look cool, they become impractical if you are trying to drive all the speakers to distortion. You need a lot more power, and will thus have a lot more volume. Im all for playing loud, but there is a point where balancing the power/speaker sensitivity/total volume output becomes more effort than it is worth.

For me I am not looking to get that break up from my speakers. So I can scale back my volume and not sacrifice a ton of tone. That isnt going to work for everyone though, and thats ok.
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Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass
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  #331  
Old 01-31-2013, 09:20 AM
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Originally Posted by swspiers View Post
Regardless, I'm of the mind that as a pro, it's my responsibility to bring the right gear to the right situation That means having a 2x10 or (gasp) a tasteful combo on hand for small, intimate gigs and my fEARful when I need or can at least use the big guns.

I like getting hired. Forcing my perspective on the band leader is not going to get me to achieve that goal. that's all I'm saying with my pov. The endless debates about this amuse me no end.
Hence the 12/6/1's. I can bring one for the small stuff and still preserve my sound with out adjusting to a new rig.

Also +1 on getting paid for songs that this crowd may not initially love. I will play the sh!t out of anything if I am getting paid.
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Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass
Greenboy-fEARful #53 "Bruce Banner"
  #332  
Old 01-31-2013, 09:22 AM
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Dude, I ain't going to deny it. I have Kelly Clarkson songs in my repertoir. More likely to get paid for those than I will from having Elder or Solace in my bag of tricks (which I do, BTW)
It's good to be versatile, especially if you want to make some money haha.
Speaking of which I really need to learn blues and some jazz.
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I'm a grower not a shower. So what?
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so what is the best amp for sharting? :hiding:
  #333  
Old 01-31-2013, 09:26 AM
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DON'T USE SCIENCE ON ME NICK.
HAHAHA.

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  #334  
Old 01-31-2013, 09:31 AM
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Sell Out!!!

Just joshin ya
If I can hear them talking that would bug the hell out of me.
I know, right? The ambient noise at Olive Garden is enough to where I can't ease drop on the people next to me's convo. I can't imagine Hearing them while a live rock band playing...
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  #335  
Old 01-31-2013, 09:50 AM
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How about we give the audience hearing aids and all rock 4" combos?
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  #336  
Old 01-31-2013, 09:51 AM
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I know, right? The ambient noise at Olive Garden is enough to where I can't ease drop on the people next to me's convo. I can't imagine Hearing them while a live rock band playing...
I miss read this at first, and imagined Sun))))) playing a small dinner gig at Olive Garden. Welcome to hell!!!!
  #337  
Old 01-31-2013, 09:52 AM
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I miss read this at first, and imagined Sun))))) playing a small dinner gig at Olive Garden. Welcome to hell!!!!
hahahaha. I can just see the stale bread sticks disentegrating
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  #338  
Old 01-31-2013, 09:58 AM
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Bring the rig that fits the gig...i wouldnt bring my 415+218 to a coffee shop folk gig.
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  #339  
Old 01-31-2013, 09:59 AM
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How about we give the audience hearing aids and all rock 4" combos?
Some people in that thread would have you believe that's a great idea. I don't know why I bothered posting in there in the first place.
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  #340  
Old 01-31-2013, 10:04 AM
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How about we give the audience hearing aids and all rock 4" combos?
Why move all your gear in the first place? Just record your set at practice the week before, and hand all the audience members a memory-stick with an MP3.
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