Quote:
Originally Posted by AqueousView11 Wow I had no idea. What are the advantages and/or disadvantages of using strings that light? |
Ah, right. I thought you were questioning the
specific gauges Stu used; I didn't realise you were unused to people using light gauge strings at all, sorry. Unfortunately although I used to use the same gauge strings as Stuart (a coincidence, not by design - I used them first!

), I could never groove like him!
FWIW, many players use lightish strings. Most players I know use 40-100 or 40-95, but I've met several who use 30-90 a la Mark King. The advantages of light strings are that they're generally easier to play because of the lower tension, although some actually don't like the lower tension. Soundwise they are different too, and generally sound less beefy, although Stuart sounds beefy enough to me.
It's something of a generalization, but thinner strings are often associated with slap players (to contradict that, I believe Marcus uses 45-105, although I could be wrong). Stanley Clarke uses very light strings as well. It's very much a personal thing whether you would like them or not. You'd have to try them and see if they work for your style/sound. As shown in the Claypool/DeMaio examples, there are all sorts of string combinations out there, and preferences are almost as varied as players.