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07-24-2005, 05:23 AM
| | Registered User | | Join Date: Sep 2004 Location: Melbourne, Australia | | | Weird Weird tones...?
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has anyone here ever come across one of those tones that makes you raise an eyebrow? They could be good, they could be bad, they just have to be WEIRD!
I heard a while ago, this song off Limewire that claimed to be thus:
Tool and Disturbed- Killing you now
it was neither band, similar but neither, good song but the bassists tone  it was very very strange, check it out if u have the time | 
07-24-2005, 07:21 AM
| | Registered User | | Join Date: Jun 2002 Location: Edinboro, PA | | | Is this a question of effects? Or just general tone?
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07-24-2005, 04:08 PM
| | Registered User | | Join Date: Feb 2005 Location: Goldsboro / Raleigh NC | | | Billy Sheehan has one of the most distinctive tones out there. | 
07-24-2005, 04:17 PM
|  | Mayday! Moderator | | Join Date: Aug 2003 Location: Jackson, MS | | | I am going to throw Mark Sandman's name into a thread that will almost envitably become a Jaco lovefest. | 
07-24-2005, 04:59 PM
| | Howzit brah | | Join Date: Dec 2003 Location: Kauai, HI | | | Reed Mathis.
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07-24-2005, 05:46 PM
| | Registered User | | Join Date: Jul 2005 Location: Jamaica, Queens, NY. By JFK. | | | Paul D'Amour's tone on TOOL's Undertow album, Never heard anything like it, The best bass tone Ive ever heard, Tryed to acheive it, And I just dont know what he used to get it.
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07-24-2005, 08:27 PM
| | Registered User | | Join Date: Jun 2005 Location: Ponchatoula, LA | | | I know paul had a Ric and he played with a pick. Thats the two main things. His mids were kinda high too... | 
07-25-2005, 02:36 AM
| | Registered User | | Join Date: Dec 2002 Location: Germany | | | Tony Levin's trebly, not at all bassy synth-like tone one Peter Gabriel's "Big Time" struck me as odd at first, but for the song, it's oh-so right!
I keep on reading he likes to use some sort of phaser stomp box, is this an example of how it sounds? | 
07-25-2005, 04:47 AM
| | Registered User | | Join Date: Aug 2004 Location: austr- | | A lot of Tony Levin's tones are pretty weird. IMO Claypool's tone is kinda out there too. Quote: |
Originally Posted by astronauts_suck I know paul had a Ric and he played with a pick. Thats the two main things. | When I read that I was thinking "McCartney". | 
07-26-2005, 06:21 AM
| | Registered User | | Join Date: Jan 2005 Location: London, England | | | Jerry Only's tone on the early Misfits stuff sounds like a gobbling Turkey, particularly 'Return of the Fly'.
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07-26-2005, 08:40 AM
| | Registered User | | Join Date: Jul 2005 Location: Jamaica, Queens, NY. By JFK. | | Quote: |
Originally Posted by astronauts_suck I know paul had a Ric and he played with a pick. Thats the two main things. His mids were kinda high too... |
I knew this, I have a Ric myself, I was talking about his amp settings. Im sure he's using a considerable amount of overdrive and alot of mids and treble to get his tone.
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07-26-2005, 07:28 PM
|  | Supporting Member | | Join Date: Jul 2005 Location: Houghton, MI | | | Claypool's tone on the C2B3 album. It's all done on fretless, sans Elephant Ghost (on the NS upright), but he doesn't really have mwah. He's got like... ugly, but somehow it fits.
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07-26-2005, 08:32 PM
| | | i always thought on C2B3 the song "48 hours to go" was done on one of his fretted basses. Either way, i must say that his tone on that album is WAY out there...i kinda like it  | 
07-26-2005, 10:04 PM
|  | Bassist: Educator/Soloist/Performer Sales Rep: Benavente Guitars - Endorser: SIT strings, & Epifani Moderator | | Join Date: Jan 2003 Location: Atlanta/Lexington | | | chris squire had a tone that took a while for me to appreciate. | 
07-27-2005, 04:21 PM
| | Registered User | | Join Date: May 2005 Location: Fort Collins, CO | | | Claypool's Purple Onion album has some strange tunes on there...... | | Thread Tools | Search this Thread | | | |
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