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  #1  
Old 01-31-2007, 08:59 AM
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Join Date: Aug 2005
Location: conditional upon harmonic Hz
What ever happened to Joe Macre - Crack the Sky?

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Weird. My kid bro out in AZ sends me a Crack the Sky CD. I remember auditioning for a band, older guys, I was 17, that had me cover two tunes of theirs.

ANYWAY, I realized just yesterday that it might have been my first exposure to slap bass ( 1977 ), as I was pretty " myopic" in the music I listened to back then.

Dang, in Mr. MCGraw and Flashlight, I believe Joe in 1978 gives rock and roll, its first taste of slap. And does it well!

And then I realized what gripped me about Crack in 1978. Macre's bass lines, and the deep pocket groove he holds with Joey D'Amico. Pretty flippin' "avant guard" back then. For rock and roll.

Joey still around?

BTW, dont y'all miss the old skool days, when the lyrics went like , " SHe showed me her Xray, He turned his flashlight on." Now its ' I stuck my @ in her @". I mean, man, we're going BACKWARDS in some ways.
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Last edited by BuffaloBass : 01-31-2007 at 09:35 AM.
  #2  
Old 01-31-2007, 09:45 AM
PhR PhR is offline
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I've been wondering about this too at times. Joe Macre plays some great bass on the first four Crack The Sky albums (counting "Live Sky"). Dunno if he slapped, he was a pick player as far as I know but certainly did play with an attack that sounded like slapping at times. He used a Precision, a Rickenbacker and I remember someone writing on a Crack The Sky guestbook that he had an Alembic during "Live Sky".

I was also intrigued by the "synthesized bass" on "Safety In Numbers" album. Did he play the bass through an analog synth or used an Electro-Harmonix Microsynth pedal? "Lighten Up, McGraw" has a line in the chorus where this "synthesized" sound can be heard.
  #3  
Old 01-31-2007, 08:18 PM
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Interesting, the song after Mr. McGraw, ( ? ) he goes to a picked trebly, hint of tube fuzz Squire-esque sound. I did like that sound as well. I might have thought the sound in his "slappier" tunes, i.e. Flashlight, was jazz bass, but I'm no sonic pro, Pbass , could be. Nice sound. Both ways ! The bassline in Flashlight just moves me. I CAN FEEL THAT! Joe at his best , to me anyway. That cat had some CHOPS man!
__________________
"With the power of Soul, anything is possible." JMH

Valenti 067 J5 w/NJ5 AudereZ6 "The Rainbow"
Lakland JO5/ Aero T1/passive "Blood" (raw magnetic mojo)

Last edited by BuffaloBass : 01-31-2007 at 08:20 PM.
  #4  
Old 03-22-2009, 02:31 PM
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Joe Macre

Hi Guys, a friend sent me this link, so I thought I'd folow up. Thanks for the kind words. I'm still around and have been playing bass since CTS disbanded in 1979.
Joey D (original drummer) and myself agreed to do some reunion shows last year and decided to stay. I became an audio engineer in 1984, working in post production. Started my own music company composing for national ads (Hyundai, Ford, McDonalds etc.).
John Palumbo asked me to produce and engineer the latest project "The Sale" which came out Jan 2008. I did that as well as played bass and am now mixing the live DVD "All Access", to be released June 2009. I am also producing/engineering the mew CD project "Machine 2012", which should be out in August.
The bass on the Safety in Numbers LP (3rd LP) was an Alembic. 1st two LP's were a Rick 4001. The Sale has my '57 P Bass and the new Cd will have my custom DT, the '57 and a new PJ.
Thanks Again,
Joe
  #5  
Old 03-23-2009, 05:12 AM
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Join Date: Aug 2005
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Joe, so glad to hear you're alive and well and still at the art. Awesome! You left an indelible impression on me back in 1978 when these "old guys" ( maybe 30) turned me onto CTS by making me cop your lines. It was like a new dawn.

THNX! Peace and blessings on at ya!
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"With the power of Soul, anything is possible." JMH

Valenti 067 J5 w/NJ5 AudereZ6 "The Rainbow"
Lakland JO5/ Aero T1/passive "Blood" (raw magnetic mojo)
  #6  
Old 01-07-2012, 10:16 AM
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Did a quick search on Joe after listening to some early Crack discs this weekend. What a band, and what a player! The bass tone on the first record is heavenly - Rick sizzle but with a huge pillowy low end. And the lines are wonderful; lots of great counterpoint, always doing something clever and colorful but still so tightly locked with the tunes.

I just discovered the 2009 reunion DVD so I'll be checking that out.

Joe is a bass player's bass player

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