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12-03-2008, 10:55 AM
| | Registered User | | Join Date: Aug 2006 Location: London, Ontario | | | Who played bass in Don't Leave Me This Way?
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Did Jamerson play bass on Thelma Houston's Don't Leave Me This Way or was it someone else?
that bass tone is 
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12-03-2008, 11:19 AM
| | | | Not Jamerson, IMO.
I always liked that tune...Diana Ross' "Love Hangover" is very, very similar.
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12-03-2008, 12:54 PM
|  | The Funkfather Endorsing Artist: Kohlman Bassworks | | Join Date: Jan 2003 Location: Hampton Roads, Virginia | | | Ron Baker maybe? That band had a very Philly Intl. sound. Definitely a Gamble & Huff tune. No info found online but Harold Melvin & The Bluenotes did the song originally so I'm gonna go with Ronnie Baker.
Last edited by DWBass : 12-03-2008 at 01:00 PM.
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12-03-2008, 01:00 PM
|  | The Funkfather Endorsing Artist: Kohlman Bassworks | | Join Date: Jan 2003 Location: Hampton Roads, Virginia | | Quote:
Originally Posted by crispygoat Did Jamerson play bass on Thelma Houston's Don't Leave Me This Way or was it someone else?
that bass tone is  | No way "The Hook" could have played those runs in that song. | 
12-03-2008, 01:04 PM
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Just a guess but Bernard Edwards?
Rob | 
12-03-2008, 01:07 PM
|  | Registered User | | Join Date: Mar 2004 Location: Metro St. Louis | | Quote:
Originally Posted by DWBass Ron Baker maybe? That band had a very Philly Intl. sound. Definitely a Gamble & Huff tune. No info found online but Harold Melvin & The Bluenotes did the song originally so I'm gonna go with Ronnie Baker. | DW, I think it was actually a Motown record. I think it was likely recorded in Motown's LA studio which means it could have been Jamerson, but more likely someone like Wilton Felder.
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12-03-2008, 01:18 PM
|  | Registered User | | Join Date: Mar 2004 Location: Metro St. Louis | | | I did a quick look, and that release was Motown.
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12-03-2008, 01:20 PM
|  | Registered User | | Join Date: Mar 2004 Location: Metro St. Louis | | | DW, you are right. It was written by Gamble and Huff, and first recorded by Harold Melvin and the Bluenotes in 1975. Thelma Houston covered it in 1977.
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12-03-2008, 01:22 PM
| | Registered User | | Join Date: Feb 2003 Location: I been everywhere, man... | | Maybe we could end the speculation and just say Carol Kaye did the track? 
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12-03-2008, 01:59 PM
|  | Registered User Endorsing artist: Brubaker Guitars | | Join Date: Mar 2000 Location: Gaithersburg, Md | | | I saw the number of responses to the thread and figured the answer would already be here. I'm surprised.
Henry Davis of LTD, the band Jeffrey Osborne used to front. | 
12-03-2008, 02:04 PM
| | Registered User | | Join Date: Apr 2007 Location: Jersey Shore, USA | | Quote:
Originally Posted by DWBass No way "The Hook" could have played those runs in that song. | Seriously?
May I present...
exhibit A: "I Heard It Through The Grapevine" by Gladys Knight & The Pips
exhibit B: "Reach Out (I'll Be There)" by The Four Tops
etc., etc., etc...
Jamerson could play those runs in his sleep, IMO! 
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12-03-2008, 02:04 PM
|  | Registered User Endorsing artist: Brubaker Guitars | | Join Date: Mar 2000 Location: Gaithersburg, Md | | Quote:
Originally Posted by JimK Not Jamerson, IMO.
I always liked that tune...Diana Ross' "Love Hangover" is very, very similar. |
Good ear, Jim. Same guy. 
BTW he was on Herbie Hancock's "Man Child" along with Paul Jackson and Louis Johnson. Loved that album.
Last edited by Brad Johnson : 12-03-2008 at 02:09 PM.
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12-03-2008, 04:57 PM
| | | | Thanks, Brad. It was killing me,,,I was almost in the DW camp & thought of Ronnie Baker (the Gamble/Huff and Harold & The Blue Notes connection).
Henry Davis, huh? The tone on the Houston & Ross tracks remind me of LTD's "Jam" & "Holding On" (both found on Togetherness). Testing my memory...his bass tone on the previous album (the one w/ "Back In Love Again") sounded a bit more "refined"?
There's also a '70s Fusion release by Alphonse Mouzon w/ Davis on bass (Mind Transplant).
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12-03-2008, 05:00 PM
| | | Quote:
Originally Posted by Buskman Jamerson could play those runs in his sleep, IMO!  | The main reason I believed it NOT to be JJ...those somewhat Disco-fied octaves used throughout "Don't Leave Me This Way".
Don't think JJ ever did any of those. 
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12-03-2008, 05:02 PM
|  | The Funkfather Endorsing Artist: Kohlman Bassworks | | Join Date: Jan 2003 Location: Hampton Roads, Virginia | | Quote:
Originally Posted by Buskman Seriously?
May I present...
exhibit A: "I Heard It Through The Grapevine" by Gladys Knight & The Pips
exhibit B: "Reach Out (I'll Be There)" by The Four Tops
etc., etc., etc...
Jamerson could play those runs in his sleep, IMO!  | If that's the case, he definitely used more than one finger. He had to have some unique technique that made it look like it was just one finger. We're talking 1/16 note runs here. No way one finger did that. I'd have to see it to believe it. | 
12-03-2008, 05:12 PM
| | | | DW-
Those in the Kaye played "I Was Made To Love Her" camp...say the same.
There's a youtube bassist that plays the Motown tunes in a very authentic manner...one-finger, sunburst P-bass, chrome ashtray over the pickup, etc. He pulls it off.
...and I can't remember his name, either!
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12-03-2008, 05:21 PM
| | Registered User | | Join Date: Aug 2007 Location: NYC | | | The Thelma Houston version is on Motown. It sounds like Carol Kaye to me. PBass with a pick. | 
12-03-2008, 05:22 PM
|  | Registered User | | Join Date: Mar 2004 Location: Metro St. Louis | | Quote:
Originally Posted by T-MOST Since this song was produced by TSOP (Gamble & Huff) I seriously doubt Jamerson of Motown had anything to do with it.  | That was Harold Melvin & the Bluenotes version. Thelma Houston's version was two years later on Motown.
Brad, I'm just like JimK, the moment you said it was Henry Davis of LTD, I could hear the similarity in tone to all of those great LTD songs. As a guy who was never the fastest slapper, I loved Henry Davis (although I did not know his name) because he played such funky octave figures without slapping. I saw him live a few times too. He could really spank a P-bass! 
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12-03-2008, 05:24 PM
| | Registered User | | Join Date: Dec 2004 Location: NJ via NYC | | | Actually by the time Thelma did the tune she was working with Motown... You're right. So.... Jamerson could have pulled it off no question. I still don't think it's his style though.
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12-03-2008, 05:26 PM
|  | Registered User | | Join Date: Feb 2008 Location: New England | | Quote:
Originally Posted by JimK DW-
Those in the Kaye played "I Was Made To Love Her" camp...say the same.
There's a youtube bassist that plays the Motown tunes in a very authentic manner...one-finger, sunburst P-bass, chrome ashtray over the pickup, etc. He pulls it off.
...and I can't remember his name, either! | This guy? http://www.youtube.com/watch?v=JlqHN485pD8 http://www.youtube.com/watch?v=Z4KjJt4lD_I&NR=1
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