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12-07-2007, 12:48 PM
| | Registered User | | Join Date: Oct 2007 Location: Stockholm, Sweden | | | [quote=Christopher;4995303]Add Renaud Garcia Fons.[/
QUOTE]
Tanks a lot Cris! That gau really is a monster!
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12-07-2007, 12:49 PM
| | Registered User | | Join Date: Aug 2005 Location: Boston, Massachusetts | | | add Stefano Scodanibbio | 
12-07-2007, 06:08 PM
| | Registered User | | Join Date: Jul 2000 Location: Colorado Springs CO | | Quote:
Originally Posted by Bruce Lindfield Using Google will give you a pretty good idea of who each is!  | True!- All the more reason to check them out, it's not that difficult!
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"I am beginning to see some improvement"
Pablo Casals, on practicing 3 Hours a day at age 90
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12-09-2007, 04:46 AM
| | Registered User | | Join Date: Jun 2006 Location: Georgia | | | Danny Thompson. Although mainly a sideman, he has done some absolutly wonderful solos within that framework.
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John
Hofner Double Bass; Spirocore Weichs; K&K Bass Max; MXR M-80; Ampeg BA115
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12-19-2007, 08:10 AM
| | Registered User | | Join Date: Jun 2004 Location: deepest alabama | | | | 
12-19-2007, 09:51 AM
| | Registered User | | Join Date: Oct 2007 Location: Boston, MA | | Quote:
Originally Posted by Paul New | Nice! Really dug the bass saxophone! Thank you.
+1 on all mentioned. Additionally, some different folks for different things:
Wilbur Ware (for beautifully contrapunctual bass lines, lovely, melodic playing, and driving time)
Jimmy Blanton (for playing like a horn for the first time on record, that I know of)
Terry Plumeri (for redefining jazz bass to include arco soloing that has freedom and intensity to match anyone in jazz; for playing in the National Symphony bass section at the same time he was soloing his butt off in jazz clubs) http://www.youtube.com/results?searc...&search=Search
Orin O'Brien (for trailblazing the way for female bassists in the NYPhil and teaching scores of great players) http://en.wikipedia.org/wiki/Orin_O'Brien
Robert Brennand (former NYPhil Principal, pre-Schaeffer) for just playing his butt off, for decades, with an amazingly sweet, huge sound. Also for teaching many folks)
Rodion Azarkhan (for being insane/ambitious enough to play the Bach Chaconne for solo violin on the bass)
Fred and Oscar Zimmerman (for dedicating so much time to our solo literature)
The list goes on and on...how many generations back do we want to go?
Last edited by Eric Swanson : 01-01-2008 at 09:07 AM.
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12-19-2007, 07:16 PM
| | Registered User | | Join Date: Dec 2007 Location: MN | | | DaXun Zhang!!!
Last edited by Pops : 12-19-2007 at 07:19 PM.
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12-20-2007, 10:32 AM
| | Registered User | | Join Date: Aug 2007 Location: Frankfurt on Main, Germany | | Quote:
Originally Posted by Eli_Upright12 There is truth to this comment though, I think stanley clarke is better on Bass Guitar than on double bass, dont get me wrong I love him on both, but sometimes on the DB he gets kind of repetitive, but he deserves his place for some of this innovations hes made to playing with unique techniques like using the modern slap technique on DB. | Did you ever listen to the early (1972) ECM release "Chick Corea: Return To Forever"? Listen to Stan's double bass solo at the beginning of "Sometime Ago/La Fiesta". Stan is a killer double bass player. So he's at least capable to play the double bass as good as the bass guitar. Maybe he made use of this capability too seldomly.....
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The horizon of most people is a circle with a radius of zero. They call it their point of view. (Albert Einstein)
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12-20-2007, 10:41 AM
| | Registered User | | Join Date: Aug 2007 Location: Frankfurt on Main, Germany | | [quote=Jordi Carrasco;4999811] Quote:
Originally Posted by Christopher Add Renaud Garcia Fons.[/
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Tanks a lot Cris! That gau really is a monster! | Well, I bought a couple of Garcia's albums due to the fact that he's such a great double bass player - and he recorded some fine music. But first he attached a fifth string (above the G-string) to his bass, and (for me) he leaves the thumb position too seldomly. At times I think he'd better chosen the cello or viola instead.....
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The horizon of most people is a circle with a radius of zero. They call it their point of view. (Albert Einstein)
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12-20-2007, 02:54 PM
| | Banned | | Join Date: Nov 2007 Location: New York City | | | Just want to give props to some of my favorite bassists whose names I haven't seen mentioned yet:
Mark Dresser
Mike Formanek
Marc Helias
Drew Gress
Barre Phillips
and yes, I think Stanley Clarke is an awesome contrabass player...when he's not doing all the wanky show-off solo stuff. When he's just playing along he's got a groove like a piledriver and a tone that's bigger & plusher than Coco Austin's buttocks. Fabulous rhythm section teammate. | 
12-29-2007, 08:23 PM
| | Registered User | | Join Date: Aug 2005 Location: Boston, Massachusetts | | | word barre phillips. love his playing. anyone checked out the new robin williamson album? | 
01-01-2008, 10:48 AM
| | Registered User | | Join Date: Sep 2006 Location: New York, NY | | | -DaXun Zhang
-Joel Quarrington
-Ed Barker
-Gary Karr - his early recordings are phenomenal and his more recent ones are pretty decent, too
-Eugene Levinson's recordings are nice
-Edgar Meyer obviously
Also, I'm surmising that when Tim Cobb and Tom Martin's Bottesini duos CD comes out that that'll be pretty phenomenal, too. | 
01-01-2008, 01:59 PM
| | Registered User | | Join Date: Jan 2006 Location: Chattanooga Tennessee | | | A little less known is Donovan Stokes
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" Practice doesn't make perfect. Perfect practice makes for a good performance" David Creel (Chattanooga Symphony Violinist) Quote: |
Originally Posted by Snakewood Hell man, we're bass players, I wouldn't trade this for anything. | | 
02-03-2008, 01:57 AM
| | Registered User | | Join Date: Mar 2005 Location: quezon city, philippines | | | francois rabbath
renaud garcia fons
fred zimmerman
stuart sankey
eugene levinson
gary karr
ludwig streicher
and a lot more......
in jazz, I dig:
eddie gomez
john patitucci
christian mcbride
stanley clarke
and of course, ray brown | 
08-31-2008, 02:49 AM
| | | | Gary Karr was a massive influence on me from the time i first watched he and Harmon Lewis (at the age of eight) give a recital in Gainsborough, UK (must have been 1977). He is/was, in my mind, the greatest double bass soloist of our times. I had the honour of playing on stage with him once, in Sheffield, in 1985.
Last year i was trying to track down my old bass tutor (a wonderful man called Lawrence Gray) to thank him for picking me for the instrument all those years ago. Wherever i looked i could not track him down. Then i had a brainwave. "Why not try to ask Gary Karr..? He must have a website". So, i wrote a humble note to Gary and within the week i received an answer telling me his whereabouts. Not only that, we exchanged our home info and a couple of weeks later Gary sent me a cd with a personal card to my home in the UK. He had told me at the Sheffield concert that i could be one of the great double bass players but, (un)fortunately, i never heeded his advice (it actually did my head in because my state-funded tutor at the time - Lawrence Gray had quit - wasn't as advanced as myself) and so i moved to guitar/vox/songwriting (which i've stuck to ever since). I get the bass out when a song requires it and it's just like riding a bike... five minutes and i get my mojo back.
Despite what some idiots have written about the great man on these forums (which is a little disheartening as i'm brand new to this place) i have to tell you in no uncertain terms that Gary Karr is one hell of a human being and it's a pleasure and an honour to know him and his beautiful sound. Legend.
Last edited by Tel-X : 08-31-2008 at 02:55 AM.
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