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Setup & Repair [DB] Exploring the issues involved in setting up and repairing basses, along with luthier recommendations.


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  #1  
Old 04-08-2008, 05:51 PM
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Join Date: Jun 2004
Location: New York City
mangled top

Another issue I have with my fifty-or-so-year-old Juzek is the top. It's a beautiful sounding bass, and as I've said before, I love it to death; I have no aspirations to get another one.

It's been through some stuff though. When I bought it a couple of years ago the edge of its top on its left side had been repaired/augmented with some kind of artificial wood-in-a-tube and then finished with something that looked like brown shoe polish.

I've been gigging with the bass regularly, and I've been kind of hard on it: the plastic wood has largely flaked off, exposing the bare spruce, which in some places, particularly near the corners, has worn down to the inside of the purfling.

What to do? The bass is not extremely valuable, but as I said, I love and plan on keeping it. Is it worth it to get wood added to the top to restore it to its original size and shape?
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  #2  
Old 04-08-2008, 07:01 PM
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Join Date: Aug 2005
Location: Cologne/Göttingen, Germany
I've got the same problem on my Leroy Geiger bass. My guy in NY wouldn't do this repair unless he could take off the top. His approach is to plane wood away from the inside of the top at an angle, so he could glue in new sections of wood with good overlap (if I describe it successfully). Here in Germany, I have had repair people tell me that they could do it without top removal, and would meticulously carve and fit new wood into each and every little crevasse, leaving as much original wood as is practical, if only they had the time and space, which none of them do! (Advice to young aspiring luthiers: Come here! You need to train or at least apprentice here to work, but once you do you will always be busy, and the customers don't fuss about price!) Anyway, your bass sounds like it's valuable enough that you should do what you can to keep it from degrading further, which will happen if you let this problem go. In your favour is the fact that it is not a 30k+ bass, and you don't need to limit your options to the top bass dogs. This job is more fine woodworking/restoration than fine luthiery. No knowledge of tone/violin mechanics is required. I would first go to your local string instrument maker/repair shops (including acoustic guitars) and get an opinion. Check out their work. If you get a good feeling and the price is right, then go for it. If not, how about an antique furniture restorer or other high end woodworker? You take a risk since they probably haven't worked on basses before, but if they know their craft, are reputable, and agree to take a try, I bet the results will be good!
Robobass

Disclaimer: Not responsible for f&%$ed up instruments resulting from my f&%$ed up advice!
  #3  
Old 04-08-2008, 10:14 PM
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Join Date: Aug 2007
Location: emmitsburg, maryland
yep..what he said
  #4  
Old 04-09-2008, 11:08 AM
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Join Date: Jun 2004
Location: New York City
Thanks for the advice; it's much appreciated. I'd feel funny about a non-luthier working on my instrument. I guess I'll run the idea by my local luthier next time I'm there.
  #5  
Old 04-09-2008, 11:46 AM
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Join Date: Dec 1999
Location: NYC
If you haven't yet, talk to Jeff Bollbach!
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  #6  
Old 04-09-2008, 12:13 PM
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Join Date: Jun 2004
Location: New York City
Dude! You're always on TB! I'm checking you out this Friday night with Red and Jon at Sophie's.
  #7  
Old 04-09-2008, 12:29 PM
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Join Date: Dec 1999
Location: NYC
Yeah, I know!
Cool, it should be some fun. Marco P. said he's gonna try to fall by, in between gigs.
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  #8  
Old 04-18-2008, 09:16 PM
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Join Date: Dec 1999
Location: Ridgewood, NJ
Since you're in NYC, there's lots of people who can do the job. I would have total trust in Jeff Bollbach or Arnold Schnitzer.
Full disclosure: Arnold is making Schnitzer #18 for me. Walnut and Sitka spruce. To die for.
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Last edited by Don Higdon : 04-18-2008 at 09:19 PM.
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