| My take on this is:
If the strings get too low they will dampen themselves against the fingerboard. The string vibrates from end-to-end, whether open or stopped. If the angle of the string where it meets the fingerboard is too acute, the vibration is restricted right near the stopped note. By a simple test you can determine where this happens. In your case, since the strings are low, raise the adjusters (evenly) a bit at a time until you notice the sound of the bass obviously open up. Once you've found this line you have your lower limit for string height.
The next line that you cross is where the fingerboard 'growl' starts to disappear. This seems to usually be a mm or two higher. Getting rid of the growl can seem to accentuate the body 'boom' that I think you're talking about.
Now, as far as how high you can/should go, this will differ from bass to bass. Any bass, pretty much, will eventually choke with too much pressure on the top. As you raise the strings, the angle of the string over the bridge becomes more acute, adding pressure to the top.
I prefer to play with the strings just above the lower limit plus whatever added height is required to allow me to get my fingers on the strings easily, plus I need to have enough clearance to dig in with The Stick without pushing the little strings onto fingerboard. I think I'm usually about 4-6mm in the D and (maybe a little higher these days) and 6-8mm on the E and A. This is with steel strings. For gut strings you're gonna have to ask someone else.
Ultimately, though, the sound is in your ears and hands. |