Quote:
|
Originally Posted by Chris Fitzgerald Heck, that's nothing - you should see what he does when he hears an accordion. |
Accordion's are nice instruments...I'll have to remember this when my cat pees on the drapes again...
Quote:
|
How do you like, "Playing with Myself" for a title?
|
Hmm...not bad...though were I to do my own I'd brag a little more about how good it felt...something like "Getting Off, Myself" LOL
Quote:
|
my LaScala has what could arguably be called a wolftone on the open D; it's twice as loud as the surrounding notes, and way louder than any other open string. Over time, I guess I've just learned to tread lightly on it. If I could get rid of it, that would be great, but the rest of the bass is so good
|
Yes I know what you mean there, in theory. For me, discovering the wolftone without a bow would be pretty much impossible at this stage of my development. I've discovered wolftones on basses only as low as F# so far. Most hover around A, plus or minus a whole tone. I can't claim that your wolf isn't crying on D without putting a bow to it, but to find that out would definitely expand my experience!
With the bow, it comes out like a stable pitch through a Leslie speaker spinning really fast...I guess it could be called more of a wobble, just trying to associate it with other things I understand. When I pluck it, it almost sounds as though it's a dead note to me rather than what you describe...a losing fight to get out like the other notes get to come out. Plus sometimes if I'm not careful that note will squeal as though the hair doesn't grip it strong enough to pull out the fundamental...more of an accidental portamento(?) sort of sound at best. I never really learned those foreign words to describe string instrument sounds my bad.
Regardless, your recorded bass sound kicks ass man wolftone or no wolftone on D. D is such a fine, wonderful string to play notes with...
