Quote:
Originally Posted by gbaker I am doing exactly the same work just now except the Engel is new, bought as distressed from a shipper w/ all fitting removed. I found an (almost) exact match with a $75 Rubner set from International Violin. I had to fill and redrill most of the screw holes as they were very close but not perfect. I also had to elongate one peg hole to get the plate centered.
The pegs fit very well at all eight pressure points and I am going to string it up this way. I don't think taper matching is that important for the load each point may be subjected to. This is far from the friction-hold fit required by a Cello peg. We want freedom not friction and so don't need a taper, I think. The plate helps with the load (or does it all) for the machine side and the free side is carrying 20# or less because of the way the string winds away from it. I would rather not fill, drill, and ream if there is no problem.
Only my opinion, your situation may be different. |
Too late

They were just a little bit stiff, though. Beware those cheap little screws btw. After piloting with a 1/16" bit, I twisted the head off of one and had to drill it out for a replacement.
VJ, you were right about them being 9/16". I bored out to 5/8 for the plugs. I ended up plugging all the holes and redrilling to fit the taper.
In hindsight, I shouldn't have used the original holes at the bottom of the scroll as guides. If I had taken a closer look at my documentation (I photograph everything before I start work), I would have noticed that the original machines were slopped on. So the new tuners aren't quite straight either. !@#$. I told the guy to bring it back to me some time in the future for a do-over, pro-bono... !@#$%. After a new FB + dressing, CF rod, adj bridge, soundpost, seam repairs and machines on top of the $700 my customer paid for the bass, He's pretty well maxed out on his investment. On the bright side, it sounds very nice, IIMSSM
