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Originally Posted by wvdb I have read everything on it around Violin, Cello, Mandolin & Guitar I can find, however I can't find anything about artificial "play-in" being done on a DB.
I understand it is clearly not as good as playing in the bass by continuous practice, however it would still seem to be a good thing to do to new DBs. |
Prof. von Reumont, the developper and inventor of the Vibration Dedampenig technique for musical instruments, is a double bassist. He has worked with many basses, and his technique is applyable to basses without limitations. But due to the deep frequencies of a bass, it takes some hours/days longer than with smaller instruments.
As far as I remember, the dedampening technique was first applied to steel bridge construction projects. So it's no woodoo at all, it's really scientific. If it really helps to make better sounding instruments, is hard to proove - sound quality can't be measured, it's up to your ears. But you can measure the power you need to produce a tone, before and after dedampening. So you can measure that dedampening really has an effect, for sure.
Prof. von Reumont has showed me his technique some years ago, and I always wanted to start some own dedampening jobs. But it's very time consuming, and so far, I wasn't able to find enough time for it. But I believe that, in addition to the more traditional things you can do with a bass, it is an interesting method to improve a bass' sound (or eleminate a wolfe tone).