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07-21-2010, 02:40 PM
| | Registered User | | Join Date: Mar 2008 Location: Nuremberg, Germany | | | 10 things you'll realize when you release an album
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Disclaimer: This is a shameless cross-post to several forums, but since my original post generated a lot of very interesting discussion with lots of good stories and valuable comments from other musicians, I thought I'd just go ahead and post it here as well:
I'd like to share this little list of things I learned in the six months following the release of my band's debut album.
When you release an album, you will realize that...
1. ... relying on online acquaintances to help promote your music (e.g., by writing reviews if they like it) is mostly futile. This can even harm your however loose relationship with people when they disappoint you for no good reason.
2. ... on the other hand, sometimes perfect strangers can become untiring champions of your music which feels just great.
3. ... some magazines and review pages can't even be bothered to reply to a promo offer via e-mail. Makes you really want to send them a CD just like that, eh?
4. ... a large part of many reviews is just a slightly re-phrased version of your official band biography. So better make sure it's well-written.
5. ... a surprising percentage of positive (!) reviews doesn't include a single nicely quotable sentence.
6. ... even when your guest star is very obviously featured on your entire album, some "professionals" will still write that he "guests on a couple of tracks".
7. ... you were clearly influenced by <insert band you've never heard in your life>.
8. ... some people buy your album (thanks!) but then share their download link with all their friends (***?!). It's one form of "support", I guess...
9. ... quite a few of your online acquaintances don't legally obtain music at all (they might make an exception for their favorite band).
10. ... you shouldn't expect people to stick to public announcements like "I will buy this ASAP", especially coming from other musicians.
To be continued...
__________________
"Freedom in the 21st Century means being incommunicado."
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07-21-2010, 02:55 PM
| | | | Interesting perspective. Thanks for the share and I look forward to the next part. | 
07-21-2010, 03:01 PM
|  | Registered User Artist: Genz Benz/ AccuGroove/MLP Basses | | Join Date: Nov 2003 Location: The O-X baby! (Oxford Mi.) | | | you should add, don't get pissed when someone slams it. You put it out there and someone someplace will hate it and want to tell you about it.
__________________ Sadowsky Club #2/ P&W Bassist #110/Valenti Club #44/GB Club #97/Hofner Club #25, 18 of 25- We Are Mothman FS- Yamaha 01V digital board
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07-21-2010, 04:27 PM
| | Registered User | | Join Date: Dec 2002 Location: Sydney, Australia | | | Wow times have changed. 10 years ago a topic like this would also have included another 10 items about the crooks that run the record company and the deal they conned you into signing.
That's good and bad. I'm glad to see their power monopoly is over, but in a way it was good because before you could record something, you first had to convince people you don't know that your music is worth spending money on. Nowadays there's no screening before bands record themselves. Hence the first lot of "real" feedback you get happens to be in public... which is the root of most of the items in the original post.
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07-21-2010, 04:58 PM
| | Registered User | | Join Date: Mar 2008 Location: Nuremberg, Germany | | Quote:
Originally Posted by KoryLGriffin Interesting perspective. Thanks for the share and I look forward to the next part. | Thanks!  It'll probably be a while before I post more stuff. Maybe once we've done our first tour... Quote:
Originally Posted by MikeBass you should add, don't get pissed when someone slams it. You put it out there and someone someplace will hate it and want to tell you about it. | The only review so far where we got slammed was some private thing someone posted on rateyourmusic and it basically said "I don't like instrumental music and I don't like Derek Sherinian" - so it wasn't too much of a shock that he didn't like our album, haha! Quote:
Originally Posted by Petebass Wow times have changed. 10 years ago a topic like this would also have included another 10 items about the crooks that run the record company and the deal they conned you into signing. | That's actually a real eye-opener for me - so true, and yet I never even thought about it because we didn't deal with record companies at all! I really gotta post this elsewhere, too. Quote: |
That's good and bad. I'm glad to see their power monopoly is over, but in a way it was good because before you could record something, you first had to convince people you don't know that your music is worth spending money on. Nowadays there's no screening before bands record themselves. Hence the first lot of "real" feedback you get happens to be in public... which is the root of most of the items in the original post.
| Seeing how record companies wouldn't (still won't?) touch a lot of the more interesting music that was presented to them, I really prefer it this way. 
__________________
"Freedom in the 21st Century means being incommunicado."
Like instrumental prog? Check out relocator-project.com
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07-21-2010, 05:08 PM
| | Registered User | | Join Date: Sep 2009 Location: Eastern Wisconsin | | | 11 - there is no money in records any more.
Sorry, but that industry is over. You might as well give them away for free, because that will get it to more people.
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Lefty Union #203, SX Club Member Quote: |
Originally Posted by SurferJoe46 Bass tone isn't rocket surgery anyway. | | 
07-21-2010, 05:10 PM
| | Registered User | | Join Date: Mar 2008 Location: Nuremberg, Germany | | Quote:
Originally Posted by M0ses 11 - there is no money in records any more.
Sorry, but that industry is over. You might as well give them away for free, because that will get it to more people. | So how will we pay for the production in the first place? We're not in this for the money, but if you want your music to sound professional, it'll cost ya. For us it's not about making money, but breaking even at some point would be quite nice...
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"Freedom in the 21st Century means being incommunicado."
Like instrumental prog? Check out relocator-project.com
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07-22-2010, 07:07 AM
|  | put a bird on it | | Join Date: Dec 2000 Location: Minnesota | | Quote:
Originally Posted by Kyo6JM ...but if you want your music to sound professional, it'll cost ya. | I don't completely agree with this statement--You can make a very high quality recording from home for cheap, granted you've got to learn some recording techniques and get some recording software but once you've got it, you can make as many cds as you want and the software will pay for itself. | 
07-22-2010, 07:13 AM
| | Registered User | | Join Date: Nov 2006 Location: Belleville,New Jersey USA | | | +1 Quote:
Originally Posted by M0ses 11 - there is no money in records any more.
Sorry, but that industry is over. You might as well give them away for free, because that will get it to more people. | +1 | 
07-22-2010, 07:53 AM
| | Registered User | | Join Date: Jun 2006 Location: Halifax, Nova Scotia | | | Best just to get your music to as many people as possible, any way you can. The more popular it becomes the greater your chances of future success.
Also, you have no control over whether your music is available online or not (there are groups of people out there who's only mission in life is to make sure that all properties are available online for free, as quickly as possible). So you might as well do it under your own control (set up a bandcamp site with a paypal donation link, or sell vinyls with download code).
Tour your butts off.
__________________ http://www.noisography.com Quote:
Originally Posted by JimmyM acdc with victor wooten playing bass would suck, but so would bela fleck and the flecktones with cliff williams on bass. | | 
07-22-2010, 08:02 AM
|  | Registered User | | Join Date: Dec 2007 Location: Minneapolis, MN | | | This is just the nature of things these days, buddy.
If you can't take the heat, get out of the kitchen! | 
07-22-2010, 08:07 AM
| | Registered User | | Join Date: Jun 2006 Location: Halifax, Nova Scotia | | But I liked your points about reviews! Quite true!
Speaking of reviews, Shameless Plug Time!
My g/f and I run a live music photo/review/album review site: http://www.noisography.com
If any TBers are interested in having their album reviewed, contact me via PM or email! I have a bit of a backlog right now but I'm always looking for more albums to review! We get 500 - 1000 hits a month, so it's good press for you! 
__________________ http://www.noisography.com Quote:
Originally Posted by JimmyM acdc with victor wooten playing bass would suck, but so would bela fleck and the flecktones with cliff williams on bass. | | 
07-22-2010, 08:33 AM
| | Registered User | | Join Date: Aug 2006 Location: Austin, TX | | Quote:
Originally Posted by superbassman2000 I don't completely agree with this statement--You can make a very high quality recording from home for cheap, granted you've got to learn some recording techniques and get some recording software but once you've got it, you can make as many cds as you want and the software will pay for itself. | The hardest thing to get right in a home recording, IMO, is drums. What we did for our CD is go to a ProTools pro studio and record drums with scratch vocals and guitar with their great (expensive) mics and treated room. We then took a drum submix back to my studio and recorded vocals, guitars, keys, and bass, and then took our tracks back to the "real" studio for mixdown and (expensive) vocal reverb. It worked really well and we saved a ton of money. | 
07-22-2010, 09:41 AM
|  | Registered User Artist: Genz Benz/ AccuGroove/MLP Basses | | Join Date: Nov 2003 Location: The O-X baby! (Oxford Mi.) | | Quote:
Originally Posted by Kyo6JM The only review so far where we got slammed was some private thing someone posted on rateyourmusic and it basically said "I don't like instrumental music and I don't like Derek Sherinian" - so it wasn't too much of a shock that he didn't like our album, haha!  | My point, like you've shown, is someone won't like it and you need to take it with a grain of salt. Like you did!
I hear often when we'll be discussing releases and such, and if I or someone else has a negitive comment, the comment is "Well, I don't see you releasing anything!".
There are two things here. Follow me k?
1) Regardless of what was released, someone is proud enough of the material to put it out there.
2) Regardless of what was released, someone is proud enough of the material to put it out there and becasue of that, opinions regarding it will be out there as well.
Myself, I'm not really proud of any of my material enough to release. My writing sucks!!! LOL!!!
__________________ Sadowsky Club #2/ P&W Bassist #110/Valenti Club #44/GB Club #97/Hofner Club #25, 18 of 25- We Are Mothman FS- Yamaha 01V digital board
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07-22-2010, 10:18 AM
| | Registered User | | Join Date: Dec 2007 Location: New Delhi, India | | | 2 things i know before i will ever release an album
1. no one buys music anymore, so its meant to be free. sorry cant help it, this is the new business model. making an album is like doing a free gig so to send out your music to more people
2. if you put it up for free, you wont be disappointing and if the music is good then it will get further hits
__________________ Quote:
Originally Posted by JimmyM if you want to make a million dollars in music, start with 2 million | LESSONS = GAS killers!
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07-22-2010, 10:53 AM
|  | My basses pay the bills that pay for more basses Unofficially Endorsing Genz Benz, Fender, Avatar TB-153 Cabs, Musicman | | Join Date: Apr 2008 Location: Scottsdale Az | | | Albums should be looked at as a promotional tool to increase the number of people you draw to your live performances. This is where you make your $ and receive a return on your investment. | 
07-22-2010, 12:09 PM
| | Registered User | | Join Date: Dec 2007 Location: New Delhi, India | | Quote:
Originally Posted by faulknersj Albums should be looked at as a promotional tool to increase the number of people you draw to your live performances. This is where you make your $ and receive a return on your investment. | +10000000000000
__________________ Quote:
Originally Posted by JimmyM if you want to make a million dollars in music, start with 2 million | LESSONS = GAS killers!
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07-22-2010, 01:41 PM
| | Registered User | | Join Date: Mar 2008 Location: Nuremberg, Germany | | You guys need to realize that a) we're a multi-national project right now, so we can't just meet up and play a gig anytime we please and b) even many established bands in our genre are having a hard time touring without losing money. I'm talking about the likes of Spock's Beard, who can't even afford to tour in their own country, or The Flower Kings - and most of those bands have vocals, making them a lot more commercial and accessible than our instrumental stuff. So really, the idea of us making money from live gigs is rather unrealistic.
Which won't keep us from playing a few gigs (hopefully later this year). But it really is going to be more for the fun of it. 
__________________
"Freedom in the 21st Century means being incommunicado."
Like instrumental prog? Check out relocator-project.com
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07-22-2010, 01:55 PM
| | Registered User | | Join Date: Jan 2010 Location: Saskatchewan, Canada | | | Years ago, albums were where bands made their money, and they lost money touring.
Nowadays it is the exact opposite.
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07-22-2010, 01:56 PM
| | Registered User | | Join Date: Mar 2008 Location: Nuremberg, Germany | | Quote:
Originally Posted by Schlyder Years ago, albums were where bands made their money, and they lost money touring.
Nowadays it is the exact opposite. | That depends on the band. Bon Jovi, U2? Sure. Smaller bands, not so much. If they can get booked at all, that is.
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"Freedom in the 21st Century means being incommunicado."
Like instrumental prog? Check out relocator-project.com
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