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09-07-2005, 08:07 AM
|  | Registered User Endorsing Artist: Howard's Crispy Fried Chicken Skins | | Join Date: Apr 2002 Location: Lexington, SC | | | 3 Piece band
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I know that there is no simple answer, but I am looking for some opinions.
I have recently joined a new band, we consist of bass, guitar, and drums and we all share vocal duties. We play classic/80's era rock (Cheap Trick, The Cult, Def Leppard, etc.). We all work well together and enjoy playing with each other...the band feels complete. The problem is that some tunes sound very empty when the guitarist takes a lead. We have auditioned a few other guitar players but no one seems to fit.
What can I do as the bass player to help fill up some of that space? What techniques do you use?
Any suggestions would be appreciated.
Thanks in advance,
FC
__________________ Rock and Roll means well but it can't help telling young boys lies- Drive-By Truckers G-K Club #136
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09-07-2005, 09:12 AM
|  | I never worry. I'm fretless! DPA Endorses Audix Microphones | | Join Date: Mar 2005 Location: Bay Area, CA | | | I'm a 3-piece now, and there's a couple things you can do.
1) Guitarist gets a RC-20CX, Boomerang, etc.. and loops the chord progression for a solo section.. and plays it while he's playing. It takes practice, but is awesome if donw right.
2) I use a Big Muff. it's got tons of overtones in the fuzz, so it's really thick. You can either send it to second Amp, or use a Loooper with Blend.
3) Re-work your songs so the emptiness isn't all that big of a deal.
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09-07-2005, 09:15 AM
|  | Special User | | Join Date: Nov 2004 Location: Saint Paul, MN | | | "De-thicken" the parts when he's not soloing. Instead of chording, for example, he could play fills. Think of the "main" part of the song as being vocals and bass -- then when he solo's he's replacing the vocals rather than the rhythm guitar. In other words, the trick is to not set up the expectation of rhythm guitar so that you don't miss it when it's gone. | 
09-07-2005, 09:21 AM
|  | I never worry. I'm fretless! DPA Endorses Audix Microphones | | Join Date: Mar 2005 Location: Bay Area, CA | | Quote: |
Originally Posted by Kelly Coyle "De-thicken" the parts when he's not soloing. Instead of chording, for example, he could play fills. Think of the "main" part of the song as being vocals and bass -- then when he solo's he's replacing the vocals rather than the rhythm guitar. In other words, the trick is to not set up the expectation of rhythm guitar so that you don't miss it when it's gone. | So more like an Older Billy Idol feel.. White Wedding?
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-- Geoff
Bassist for Deer Park Avenue - Lakland Owner's Group #142 - Worship Bassist #95
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09-07-2005, 09:35 AM
|  | Online | | Join Date: Apr 2001 Location: Sunapee, New Hampshire | | | Play acoustic.
-Mike | 
09-07-2005, 09:56 AM
| | Dumbing My Process Down | | Join Date: Aug 2004 Location: Michigan | | | The big muff could help you out a lot, as well as an octaver. That way, you get the bassline down low, and a nice "guitarish" sound up high.
But really, the best way to do it is to work THROUGH it, not around it. Keep any rhythm playing he does quiet, and give him a boost for lead. Try and arrange the songs for LEAD guitarist, a bass player, and a drummer. That kind of thing.
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09-07-2005, 09:59 AM
| | Pat's the best! | | Join Date: Dec 2000 Location: Northern Virginia, USA | | | Keep playing smooth lines, mostly roots. The less guitars the better IMO, a three piece is perfect. The guitarrist is really out there in front when soloing. | 
09-07-2005, 10:04 AM
| | Registered User | | Join Date: Jan 2004 Location: WHINE-DER, GEEE-A | | Approach the solo differently than the rest of the song - find something that grooves and holds down the rhythm. I usually simplify what I'm playing and focus more on replacing the rhythm guitar parts - trying to make my parts "big and fat" to fill more space. some ideas to try: - simple chords (I-V-VIII),
- different arpeggios
- longer, more sustained notes
- double up on the notes - play eighths or sixteenths instead of quarter notes.
- a higher register - it can sometimes fill in the middle better without losing too much low end.
you just have to find what works for each song.
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09-07-2005, 11:52 AM
| | Registered User | | Join Date: Feb 2005 Location: Bel Air Maryland | | | You can fill up the space without relying on effects. Not that there's anything wrong with using them, but good playing without effects will beat lazy playing with them any day.
Don't play the same notes as the guitarist, don't use a simillar tone and don't play in the same register. Highlight your differences, embrace your inner bassist!
Tweaking arrangements also helps. Having the guitarist play the 3rd and 5th of a chord while the bass takes the root is preferable to the guitarist playing all 3 notes and the bassist walking the same thing, for example. You might also want to read up on basic rules for counterpoint and voice leading as these can really help highlight the independence of your lines. Avoiding a lot of paralell motion between the instruments will make you stand apart and keep listeners more engaged, to the point that they won't notice there is only 1 guitar.
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09-07-2005, 01:58 PM
|  | Registered User Endorsing Artist: Howard's Crispy Fried Chicken Skins | | Join Date: Apr 2002 Location: Lexington, SC | | | 3 piece Thanks for all of the replies- I appreciate it! I have some experimenting to do...
FC
__________________ Rock and Roll means well but it can't help telling young boys lies- Drive-By Truckers G-K Club #136
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