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Old 08-12-2008, 03:23 AM
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Charles Leadbeater on The Rise of the Professional Amateur

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This was recorded about 6 months before YouTube launched, just FYI. Watching the video first is recommended:

http://www.ted.com/index.php/talks/c...nnovation.html

This fellow touches on some points that I think are significant to the music industry. Music is one example of a field where professionals really have a run for their money as far as making a living versus amateurs (as opposed to, say, lawyers, doctors, car or computer or furniture manufacturers, etc).

There have always been amateur musicians, loooooong before there were professional musicians, but the difference is the distribution technology, and the low cost and wide availability of recording equipment.

One thing Mr. Leadbeater talks about is high standards among enthusiasts. I see some of the most expensive amps & basses posted here on Talkbass by people who don't play music for a living. I think this is very interesting but it makes perfect sense when you think about it - almost any other job besides a musician affords one more disposable income, and if bass is your hobby, it makes sense that so much money goes there.

Also among amateurs, there's no rush for production. It's not like you need to make a new album every year, or churn out singles while the iron is hot (in the mp3 age, do bands even make albums anymore?). Amateurs can spend as many years as they'd like on an album and often do.

I think the 20th century was a unique era for music. Beginning with the invention of recorded music in the first place, to the proliferation of record labels and record players, recorded music being played in bars and clubs and the rise of the jukebox and DJ, etc...

I really wonder what the future of this industry will be in the next 5, 10, or 20 years. Many major recording studios are going under (or have) because home recording technology has so vastly improved, and gotten so much cheaper, too.

I think this idea about high standards among amateurs was a little off the mark when it comes to music or video, though. I guess it depends on the application. Many people are perfectly content to listen to 128 kbps MP3s and wouldn't know the difference, and certainly aren't willing to pay for it. And look at the quality of video on YouTube - that doesn't seem to be slowing them down any. Even Facebook video has better quality, let alone TV or DVD or hi-def. As long as it's free, you know what I mean? That's not to say people won't pay for quality, but the value comes from not being able to copy something, these days.

What do you think about the rise of the professional amateur?

Please let us know if you play professionally, semi-professionally, work a day job, etc, just so we can understand your reply in context.
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Last edited by Dave Muscato : 08-12-2008 at 04:56 AM. Reason: typo
  #2  
Old 08-12-2008, 07:41 AM
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Location: Kraków, Polska
I think they will force me to change my status from "semipro" to "hobbyist" in a few years, and as a result I will put a whole lot less effort into music. I'll probably just keep playing with the children's choir and maybe do some occasional "guest" recordings. I'll definitely practice even less than I do today.

On the positive side, though, if I figure my music income is going to shrink gradually and then disappear entirely, why not take the reputation and fanbase I have now and gamble it all by doing things which could be great or could alienate a lot of fans? If I lose I basically give up a few years of declining incomes - no big deal. If it works I earn a lot of notoriety and make more money in the next year, perhaps even keep things profitable for a while longer. Take one last shot at the big paycheck!

My grandfather wanted me to take up music so I would always be able to make a living in times of drought or famine. That didn't work out...
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