| Gospel Music??? I'm so confused by it......
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Over the years of playing one addage that has been drilled into my brain from producers, other players, band leaders, etc.... is that less is more, play less and be solid that's what counts. Don't overplay, more notes is not better, etc......use the KISS method, Keep It Simple Stupid. I've tried to adhere to most of these over the years as not to lose work and what have you. Especially in country and rock music, if you start throwing in your best chops and you get fired.
Why is it that in Gospel music, everything that I've mentioned above does not seem relevant? I'm listening to a song that my Worship Arts Pastor at my church is wanting to do for a choir special. It's a real over the top Israel Houghton song. Granted the guy playing bass on this is a monster and I don't think I can come anywhere close to touching his chops or timing. But I've noticed after listening to it a few times now, that this guy almost leaves no space between notes. It's a flury of 16ths and slapping that is over the top. Is there a formula to playing gospel bass? This is probably one of my weakest styles to play because I'm a laid back white guy that can't quite get my head around the complex hits that happen and the chops that are obviously required to sound relatively adept at it. Any help and advice in how to get into this mindset of music is appreciated as I am much perplexed right now.
I hope this doesn't come off as a gripe about my inabilities to play this style of music. It kind of is, but I'm always left in awe and admiration of the players like this that just completely tear it up. |