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  #1  
Old 02-15-2009, 10:03 PM
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How to upset guitar players at a blues/country jam? (Roscoe Content)

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... Play a 6 string bass with no fret markers!

Man, it really screws up guitarists when you call blues in... say A.... but tell them to do a reverse V-IV-I intro starting on E... and just to be a knob..... start it on the 17th fret of the B string.

Next.... fretless, unlined 7 string.

Seriously, I am loving my Roscoes... but the lack of markers really screws guys up at a jam night. To the point I had to do the Jazz and Precision thing.

I thought it was funny!
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  #2  
Old 02-15-2009, 10:07 PM
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since when do guitards care what the bass player is doing?
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  #3  
Old 02-15-2009, 10:08 PM
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Ummm -
Your point?
Are you a musician or an a*!&%#e?
Why would you do that?
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  #4  
Old 02-15-2009, 10:09 PM
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Quote:
Originally Posted by billoetjen View Post
Ummm -
Your point?
Are you a musician or an a*!&%#e?
Why would you do that?
Its okay, hes from Canada
  #5  
Old 02-15-2009, 10:12 PM
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You must be playing with some really, really lame guitar players. V-IV-I isn't exactly rocket science!
  #6  
Old 02-15-2009, 10:14 PM
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It's easier to put a music sheet in front of them...
  #7  
Old 02-15-2009, 10:20 PM
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Quote:
Originally Posted by Number27 View Post
since when do guitards care what the bass player is doing?
Bingo.

In an old band I tried to make a point about my guitar player's volume by turning my bass volume all the way off and pretending to play. After two songs the drummer (who initially thought it was funny) said he couldn't take it anymore and that I had to stop.

The guitarists response?

"He has to stop what?"

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  #8  
Old 02-15-2009, 10:24 PM
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Quote:
reverse V-IV-I intro starting on E

What if you just said "on the five"?



Aj
  #9  
Old 02-15-2009, 11:08 PM
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Quote:
Originally Posted by billoetjen View Post
Ummm -
Your point?
Are you a musician or an a*!&%#e?
Why would you do that?
Wow...... Calling me an a*!&%#e aside....

Ummm - My point?.... Simple.... Playing a 6 string bass without fret markers when you (the bassist) is calling out all of the songs and keys and leading many different guitarists at many different skill levels at an open jam is not a good idea.

The rest of the OP.... well... get a sense of humour. Kinda a joke, not an attempt to embarass guitarists.

P.S. I realized this after a couple of songs and switched to a 4 string bass with dots. The guitarists thanked me and life was good.
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Last edited by Baird6869 : 02-15-2009 at 11:12 PM.
  #10  
Old 02-16-2009, 01:06 AM
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Originally Posted by Lucky Strike View Post
Its okay, hes from Canada
That explains everything. Just as long as you don't send Anne Murray and Bryan Adams on another tour down here.
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  #11  
Old 02-16-2009, 06:52 AM
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Funny and cruel. Cruelty ameliorated by switching axes...gotta love it!
I've sent more than one guitar player into clonic spasms with my GT-7 (with markers, though). In time, however, they got over it.
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  #12  
Old 02-16-2009, 07:06 AM
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If a guitarist is lost in a song he may look to see where the bass player's fretting hand is to determine the root. Playing mostly five strings, I have had quite a few guitarists confused. Once at a practice where we we running through a song that one of the guitarists had never heard before, I noticed him looking at me and appearing flummoxed. Suddenly he had an "A-ha!" look on his face. He stopped the song and asks me, "That bottom string is a 'B', isn't it?".

So he wasn't completely clueless...
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  #13  
Old 02-16-2009, 09:50 AM
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Quote:
Originally Posted by KPJ View Post
...running through a song that one of the guitarists had never heard before, I noticed him looking at me and appearing flummoxed. Suddenly he had an "A-ha!" look on his face. He stopped the song and asks me, "That bottom string is a 'B', isn't it?".
That's an unusually perceptive guitard right there!
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  #14  
Old 02-16-2009, 10:01 AM
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Quote:
Originally Posted by Baird6869 View Post
... Play a 6 string bass with no fret markers!

... but the lack of markers really screws guys up at a jam night.
Try bringing an amp rig with no labels for the knobs if you want to have some real fun...
  #15  
Old 02-16-2009, 10:28 AM
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Do you play in blues jams that are held in a kindergarten? If the key is called out and people still need to look at fretboards to figure it out? And they are playing blues!
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  #16  
Old 02-16-2009, 10:45 AM
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Quote:
Originally Posted by KPJ View Post
If a guitarist is lost in a song he may look to see where the bass player's fretting hand is to determine the root. Playing mostly five strings, I have had quite a few guitarists confused. Once at a practice where we we running through a song that one of the guitarists had never heard before, I noticed him looking at me and appearing flummoxed. Suddenly he had an "A-ha!" look on his face. He stopped the song and asks me, "That bottom string is a 'B', isn't it?".

So he wasn't completely clueless...
You know - this brings up an important point. The vast majority of unwashed guitards cannot play or even concive in anything other than a Index Finger Barre position. Key of A - your index finger is on the 5th fret, Key of B, 7th fret, etc.

When I play bass in A, more often than not, my middle finger is on the 5th fret; sometimes my pinkie (blame it on upright training). That sort of stuff will really mess a guitard up - if he lowers himslef to try and follow the bass player.
  #17  
Old 02-16-2009, 10:48 AM
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Actually play a 2/5/1 change on the blues and you will send most guitards at a jam scurrying from the stage.
  #18  
Old 02-16-2009, 12:02 PM
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Quote:
Originally Posted by Passinwind View Post
Try bringing an amp rig with no labels for the knobs if you want to have some real fun...
Good idea...

And next time I am going to tell the guitarists to quickly tune to 435 (about a 1/4 step below std tuning).

Actually used to do this in a previous band to help a singer hit certain notes. Works great if you have a Korg tuner that goes down incrementially by 1's from 440, not so good if you have a TU-2 or similar tuner than only tunes up or down in steps or flats or sharps.

Quote:
Originally Posted by ZonGuy View Post
Actually play a 2/5/1 change on the blues and you will send most guitards at a jam scurrying from the stage.
That would probably send me scurrying from the stage too!
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  #19  
Old 02-16-2009, 12:35 PM
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I can remember many times along the way when I had to fix my eyes on the guitarist's left hand to stay on the changes, regardless of hearing the chords called out. Luckily, they usually see this and turn the fretboard my way... to HELP. I left those sessions a little smarter and feeling like I was going to get it after all. I've also been in sessions where some a*%&#$e would deliberately choose obscure chord forms and inversions to entertain himself with my frustration/confusion. Nice; real nice.
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  #20  
Old 02-16-2009, 01:45 PM
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You just need to get some jam buddies who can keep up with you!
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