| For a jumping-in-head-first type of approach, I suppose you could start with understanding chord structures. Then how to articulate those structures through arpeggios that will most suit the piece. Including, but not limited to, where the arpeggios can be found from several positions, the timbre/tone/feel of each different articulation and how those work with and against one another in regard to your over-all desire to support and outline the melodic and harmonic movement within each piece. All while keeping in mind 'proper' technique. And, by proper I mean what works best for you with a consideration for longevity i.e. avoids carpal tunnel etc.
I suppose you could say 'learn to play bass' to summarize that chunk on info.
Does that help?
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